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325 pages, Hardcover
First published January 1, 2005
"The Aladdin Theater is famous for having screened the longest-running film in history: Deep Throat [...] It ran here for more than twenty years. Frankly I think the movie sucks."as well as more subtle punchlines:
"[...] for me a show isn't a show without leggy girls in spangly tights putting their legs over their heads, and that's just backstage."So why am I complaining? What is wrong with the book is the utterly irritating name-dropping: Mr. Idle meticulously lists the celebrities that he met, knew, or was friends with. I do not have time to count all famous people mentioned in Greedy Bastard but here are just some names from about 30 pages of the book: George Harrison, Robin Williams, Uma Thurman, Paul Simon, Lauren Hutton, Henry Kissinger, Ronald Reagan, Bill and Hillary Clinton, Donald Trump, Bill Maher. There probably are five times as many in the whole book. I find it inexcusable that Mr. Idle had not spent any time with Jesus Christ: an unfortunate omission. Most likely the reason of prodigious name-dropping is that the book is aimed at the American audience - that's where the money is - and Mr. Idle caters to the Religion of Celebrity, the faith whose adherents outnumber followers of any other religion in the United States.
I don't want to be an old drama queen and start with the "Farewell Tour" and "That last chance to see" bullshit, but on the prednisone night, the night I felt off, I glanced in the mirror and had a sudden vision of myself as Archie Rice, a character in John Osborne's play The Entertainer. Archie Rice is a sad, old music hall entertainer, condemned to a declining life on the vaudeville circuit, endlessly repeating his old jokes…. At the moment the show is still new for me, elevating and uplifting, thanks to the audience. But there is that specter in the mirror, an old man wearing too much makeup. (pp. 86-7)This book will be worth your while if you're a Python fanatic like me, and you may even enjoy it if you have at least a passing interest in the backstage insights of a veteran thespian (there's a nice epilogue in which Idle synopsizes the process of bringing Spamalot from page to stage). Idle's optimistic worldview (always look on the bright side) is infectious, and you'll be right chuffed for him when he writes (at p. 265),
I feel now that I am finally a comedian…. There is a world of difference between being a comedian and a comic actor. You use many of the same skills: timing, multiple voices, looks, takes, and so on, but being alone onstage is the key…. Of course I am lucky. I don't come on alone. I have the ghosts of the Pythons with me, and the audience is already alive and warm and welcoming and buzzing with expectation… but I still have to make them laugh. And that is something I have learned how to do on this tour.If you've got a pot to piss in and space along the back of it not yet filled with old magazines, you could do worse than to go along for the ride.