Varieties of Visual Experience

by Edmund Burke Feldman

Varieties of Visual Experience "A classic on the functions, styles and structure of the major visual art forms, this well-received text is reputed to have the best treatment available on the theory and practice of art criticism. It examines the connection between the visual, social, and physical dimensions of everyday life in which the arts perform essential roles, while illustrating clearly the common features of theme and style in works of art separated by time and culture. For art critics, artists, and all those interested in art criticism."--Publisher.

Genres: Art, Nonfiction, Art History

543 pages, Paperback

First published January 1, 1972

About the author

Edmund Burke Feldman is Alumni Foundation Distinguished Professor of Art at the University of Georgia. He holds degrees from Syracus University, UCLA, and Columbia University and has taught at Carnegie-Mellon University, the State University of New York, Ohio State University, and the University of California at Berkeley. Dr. Feldman is an Associate of the National Humanities Faculty and is past president of the National Art Education Association.

Reviews

[UnderTheNorthStar · Rating 5 out of 5]

This was the book that accompanied my college Art Appreciation class in 1970, and at that time was new and comprehensive. Coupled with an excellent teacher, it gave me a solid grounding in the overview of art, especially the more recent art of that time. I had only a disjointed understanding of contemporary art, at best, because it was an era of radical change and myriad trends and could be quite confusing. It was also an exciting time of innovation, starting the shift away from Abstract Expressionism (which I still love). I’m surprised how it continues to be a mental reference for me in matters of art. It’s a testament to how the combination of the right book and teacher can turn a potential throwaway class into an understanding for life.

That being said, because it was originally published in 1967, I’m not sure if it aged well or, unless it has been revised, is relevant to today’s art scene. That was one of the most valuable things about this book back when it was newly published - it was able to speak to the contemporary scene of that time and give a little order (or at least insight) to it. So now, one of its better uses is probably as an overview of the art world up to 1967.

If there are newer books of this ilk, textbooks for the newer art appreciation classes, talking about the art scenes since 1970, I’d like to hear about them.

[Kendra]

Without art - which is to say, without the use by man of particular materials in particular ways - there would be no possibility of finding objective expression for certain states of feeling and consciousness.

[Maica · Rating 4 out of 5]

Every page was filled with colorful reproductions of works by artists from the renaissance to the postmodern period. Alongside the works, the contents occupied art criticism, how each work was meant to be interpreted and in what context does the work of art represented.

[Leslee · Rating 3 out of 5]

A supplement to Janson in art history classes . . . adequate.

[scherzo♫ · Rating 3 out of 5]

I learned a few things, but the sections on architecture, photograph, and film/tv are superficial.

[Christa Mcintyre · Rating 5 out of 5]

A book I've had since high school, it has completely informed my knowledge of Art History.