Vivaldi: The Four Seasons Complete | Violin and Piano Sheet Music Book | Baroque Masterpiece Collection for Students, Teachers, and Classical Musicians | Schirmer Library Volume 2047
(String). This edition collects in one volume all four concertos that make up "The Four Seasons." The combined retail value of the component publications that make up this collection (50263030 Spring, 50263040 Summer, 50262990 Fall, 50263000 Winter), at $7.95 each, totals $31.80. This "Complete" edition is an extraordinary value.
People best know Italian composer Antonio Lucio Vivaldi particularly for The Four Seasons (1725), a set of violin concertos.
People recognized the greatness of Antonio Lucio Vivaldi, a Baroque red-haired priest and virtuoso, whose influence spread widely over Europe during his lifetime.
Vivaldi began studying for the priesthood at the age of 15 years in 1693, and the bishop ordained him ordained at 25 years of age in 1703 but due to a health problem gave him dispensation to no longer say public Mass.
This Venetian virtuoso and impresario wrote Baroque music. People regard Vivaldi alongside Johann Sebastian Bach and George Frideric Handel of the greatest Baroque, and his widespread influence during his lifetime across Europe gave origin to many imitators and admirers. He pioneered many developments in orchestration, technique, and programmatic music. He consolidated the emerging form into a widely accepted and paramount followed idiom in the development of instrumental music of Johann Sebastian Bach.
Antonio Vivaldi wrote much for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children and his employer from 1703 to 1715 and from 1723 to 1740. Vivaldi also succeeded some with expensive stagings of his operas in Venice, Mantua, and Vienna. Vivaldi mainly developed and wrote a variety of especially sacred choral or instrumental music and more than forty of fifty operas. He worked a series.
After meeting Charles VI Habsburg, the emperor, Vivaldi moved to Vienna and expected preferment and royal support. After arrival of Antonio Vivaldi, however, the emperor quickly died. Impoverished Vivaldi died within less than a year.
People received music of Vivaldi during his lifetime, but his musical reputation later declined in popularity for more than two centuries until it underwent a vigorous revival in the first half of the 20th century. Today, Vivaldi ranks among the most popular and widely recorded of Baroque. Scholars devoted much research to his work.
People once lost many works of Vivaldi but rediscovered them in one case as recently as 2006. People regularly and widely play his music in the present day over the world.
A fantastic piece of music, perhaps the best part of which is the first allegro of the Spring movement. It is enriching to read the accompanying sonnets as it adds a layer of meaning to the music. I have included the translations here.
Spring:
Springtime is upon us. The birds celebrate her return with festive song, and murmuring streams are softly caressed by the breezes. Thunderstorms, those heralds of Spring, roar, casting their dark mantle over heaven, Then they die away to silence, and the birds take up their charming songs once more.
Largo On the flower-strewn meadow, with leafy branches rustling overhead, the goat-herd sleeps, his faithful dog beside him.
Allegro Led by the festive sound of rustic bagpipes, nymphs and shepherds lightly dance beneath the brilliant canopy of spring.
Summer:
Under a hard season, fired up by the sun Languishes man, languishes the flock and burns the pine We hear the cuckoo's voice; then sweet songs of the turtledove and finch are heard. Soft breezes stir the air, but threatening the North Wind sweeps them suddenly aside. The shepherd trembles, fearing violent storms and his fate.
Adagio e piano - Presto e forte The fear of lightning and fierce thunder Robs his tired limbs of rest As gnats and flies buzz furiously around.
Presto Alas, his fears were justified The Heavens thunder and roar and with hail Cut the head off the wheat and damages the grain.
Autumn:
Celebrates the peasant, with songs and dances, The pleasure of a bountiful harvest. And fired up by Bacchus' liquor, many end their revelry in sleep.
Adagio molto Everyone is made to forget their cares and to sing and dance By the air which is tempered with pleasure And (by) the season that invites so many, many Out of their sweetest slumber to fine enjoyment
Allegro The hunters emerge at the new dawn, And with horns and dogs and guns depart upon their hunting The beast flees and they follow its trail; Terrified and tired of the great noise Of guns and dogs, the beast, wounded, threatens Languidly to flee, but harried, dies.
Winter:
To tremble from cold in the icy snow, In the harsh breath of a horrid wind; To run, stamping one's feet every moment, Our teeth chattering in the extreme cold
Largo Before the fire to pass peaceful, Contented days while the rain outside pours down.
Allegro We tread the icy path slowly and cautiously, for fear of tripping and falling. Then turn abruptly, slip, crash on the ground and, rising, hasten on across the ice lest it cracks up. We feel the chill north winds course through the home despite the locked and bolted doors... this is winter, which nonetheless brings its own delights.
El inicio por mi nuevo régimen de lectura de partituras inició en el barroco. Esto fue en un momento donde creía que tenía que comprar el libro Análisis del Estilo Musical de Jan LaRue porque no sabía dónde más conseguirlo, y copié una referencia que encontré en un libro sobre Vivaldi hallado en la biblioteca de Ciudad Lineal.
Un score sencillo de leer, que pronto me gustaría repasar.