The Vard arc, started in vol 2 but finishing here, is one of the most uncanny storylines I've found in a comic. It's not at all ambitious, or unusual, really, and yet it still falls so far outside the bounds of what Goodwin's narrative chops can handle that it feels almost bizarre. It's trying to be a story about how General Dodonna's son deserts the Rebels because he's become fatalistic about the Empire's victory and fearful of their retaliation personally. Good enough, something we maybe don't have enough of even lately (Finn's cowardice in TFA is the closest and look at the empathy and interest and development that gets). It's just that the way he behaves. . . does not communicate that. He acts like a straight-up traitor, until the moment when he has to reveal to Luke that he's merely a coward, at which point Luke has a brief conversation that, somehow, totally changes his mind and lets him sacrifice himself in a way that, somehow, Luke manages to turn into what is apparently a success in their mission, though there are no consequences that make a lot of sense (why did they not need plans this time?).
I liked the solar flare escape scene, reminded me of the ambush of the Rebel fleet in the new Marvel Star Wars line. Similarly vapid but a high point for the volume I guess.
The rest of the stories get into the pulp gutter in a far more egregious way than the previous volumes. The fucking Mind Witch, god. Get that shit out of here. Sucking Luke's life energy to make herself young and beautiful again? What is this, TROS (with a lil more misogyny)? The final arc features a couple returning scoundrels (hey Skorr) and an encore performance from the green splotchy tube worm that plays all the monsters in this series. It's fine I guess, by comparison. What bothered me here was when Darth Vader uses a cybernetic link to extend his Force abilities, that ain't him.