Three classic works of vampire literature come together for the first time in one volume. Complementing the complete texts are background essays as well as additional selections by the three authors and others. Because the vampire novel has proven so influential in film, an extensive filmography is included.
Irish-born Abraham Stoker, known as Bram, of Britain wrote the gothic horror novel Dracula (1897).
The feminist Charlotte Mathilda Blake Thornely Stoker at 15 Marino crescent, then as now called "the crescent," in Fairview, a coastal suburb of Dublin, Ireland, bore this third of seven children. The parents, members of church of Ireland, attended the parish church of Saint John the Baptist, located on Seafield road west in Clontarf with their baptized children.
Stoker, an invalid, started school at the age of seven years in 1854, when he made a complete and astounding recovery. Of this time, Stoker wrote, "I was naturally thoughtful, and the leisure of long illness gave opportunity for many thoughts which were fruitful according to their kind in later years."
After his recovery, he, a normal young man, even excelled as a university athlete at Trinity college, Dublin form 1864 to 1870 and graduated with honors in mathematics. He served as auditor of the college historical society and as president of the university philosophical society with his first paper on "Sensationalism in Fiction and Society."
In 1876, while employed as a civil servant in Dublin, Stoker wrote a non-fiction book (The Duties of Clerks of Petty Sessions in Ireland, published 1879) and theatre reviews for The Dublin Mail, a newspaper partly owned by fellow horror writer J. Sheridan Le Fanu. His interest in theatre led to a lifelong friendship with the English actor Henry Irving. He also wrote stories, and in 1872 "The Crystal Cup" was published by the London Society, followed by "The Chain of Destiny" in four parts in The Shamrock.
In 1878 Stoker married Florence Balcombe, a celebrated beauty whose former suitor was Oscar Wilde. The couple moved to London, where Stoker became business manager (at first as acting-manager) of Irving's Lyceum Theatre, a post he held for 27 years. The collaboration with Irving was very important for Stoker and through him he became involved in London's high society, where he met, among other notables, James McNeil Whistler, and Sir Arthur Conan Doyle. In the course of Irving's tours, Stoker got the chance to travel around the world.
The Stokers had one son, Irving Noel, who was born on December 31, 1879.
People cremated the body of Bram Stoker and placed his ashes placed in a display urn at Golders green crematorium. After death of Irving Noel Stoker in 1961, people added his ashes to that urn. Despite the original plan to keep ashes of his parents together, after death, people scattered ashes of Florence Stoker at the gardens of rest.
November 2016 review (4 stars): I found this book of collected works from my favorite thrift shop in Cambridge, and as I had yet to own a copy of Dracula or read Carmilla, I decided it would be desirable to purchase the lot! And I'm pleased to own it - the additional short stories, poems, and information provided were good background material for reading the three main titles. The Vampyre was pretty awfully written, even if I was rather taken with the Lord Ruthven (aristocratic vampire and promiscuous scoundrel? where do I sign up?). Carmilla was better! It could have been more lesbian, but it was pretty gay as it was, so I was satisfied with that. And Dracula, although not all that great of a novel in its own right, is still a classic of horror/vampire literature, and worth owning.
November 29, 2023 review (3.5 stars): Reread as part of Dracula Daily (which I got miserably off-track with in August - alas, such is life). Dracula was the least-best part of this book - the story drags in the middle, the characters are all very boring and saintly, and I just don't have the patience to read extended scenes in dialect. The rest of the collection is quite fun - I still found The Vampyre to be particularly poorly written, but the excerpts from Christabel and the unfinished novel fragment by Lord Byron were quite fun. And, of course, Carmilla. Carmilla is SUCH a gem. More lesbian vampire fiction from the 19th century, please! (Or adaptations or other lesbian vampire novels set in the 19th century, at least? Please?)
"Carmilla", Sheridan Le Fanu: A Delightfully chilling short story, for lovers of Gothic fiction - its terror, fear and melodrama. It's a shame I read this on a breezy, summer afternoon rather than a black, winter evening. I love to see what different authors bring to the vampire mythos (S. Meyer excluded) and what I really liked here, were Fanu's descriptions of an "amphibious" vampire, sleeping in coffins filled with seven inches of blood. Not to be confused for actual 'aquatic' vampires, but I thought it was a nice touch!
The first two stories, Vampyre and Carmilla were excellent stories, each with a driving narrative that kept me reading. Dracula was so much of a choppy mishmash that I could not possibly stay interested. The idea of Dracula is great but the execution is terrible. I have so much that I want to read that I will never again let one book fester and nag at the back of my reading list for as long as this did. If a book puts me to sleep, as Dracula did, it cannot be so very horrific... This collection got 2 stars on the merits of Vampyre and Carmilla alone, two very good stories, with Dracula dragging the entire thing down.
Excellent compilation of 3 great vampire stories, with Dracula being my favorite. The book also includes interesting tidbits on the history of vampires in fiction.
This is a great collection of vampire texts that help to contextualize Dracula. Plus both Polidori's "The Vampyre" and Le Fanu's "Carmilla" are both well worth reading in and of themselves.
"The Vampyre," by John Polidori, Carmilla, by Sheridan le Fanu, and Dracula, by Bram Stoker. Three classics of the genre. Carmilla is probably the most unsettling of the three--maybe because the monster is female and is way too cozy with the heroine--especially for the 19th century.
Much of Dracula now seems tame and cliché, and it drags terribly in places. Mina is clearly the smartest of them, but her "delicate female nature" puts her at a disadvantage. As women become more vampiric, they become sexy, which is also interesting.
This entire review has been hidden because of spoilers.
phenomenal examinations of sociology, nationalism, movement, and fear, made legendary through its literary illusions. its resonance cemented in folklore are a testament to its enduring allure. who really was the vampire? the mystic blood sucker, foreign in every way, a sexually charged predator, a specter of metamorphosis bedeviling the 'civilized.' probably one of the most fantastic and generally unknown topics I have encountered, I love to talk about it.
sheridan le fanu: trips on his speculum, accidentally turns lesbian romantics dial up to 1000 carmilla: im so excited to spend the rest of our unending lives together. we're gonna go on so many trips. i love you, dearest, though you know not why.
bram stoker: angrily mumbling about the New Woman while jacking off to the idea of a gentleman's hand being strong and unflinching in its duty to turn a doorknob, cranks heteropatriarchy dial to 1000 mina harker: "How can women help loving men when they are so earnest, and so true, and brave! And, too, it made me think of the wonderful power of money!..."
this sometimes glop-ful anthology became enjoyable mostly because of the (uncredited[!!!]) introduction. if you're going to read any seminal (haha insert another patriarchy joke) books i would really recommend looking for thoughtfully edited and contextualized anthologies like these. so happy to be done tho. fuck Dracula is long and full of sentences like the above.
this book contains three stories, and one short story. i read Carmilla by Sheridan La Fanu. The story portray the theme of an unsuspecting person walking toward what he sees as innocent but is actually wicked. Carmilla takes place during the 18th century France. the story revolves around an unsuspecting family that took in a vampire. the family's neighbor had sent the family a letter to explain what had happened to him and his daughter. the letter ran "The fiend who betrayed our infatuated hospitality has done it all. I thought I was receiving into my house innocence, gaiety, a charming companion for my lost Bertha. Heavens! what a fool have I been!". this quote demonstrate that people who are to open and are to naive are going to get killed
I recently guided my Victorian Lit class through a reading of *Carmilla." I read it years ago and on this re-reading found it richer than I'd understood on my first reading. Imagine the Victorians' horror not so much at the ways of the vampire, but at the female power and solidarity displayed in these pages. The story starts slowly, moving as languidly as Carmilla herself, but builds to a more lively pace with a classically inconclusive ending. I highly recommend it. Also, if you're interested in *Dracula*, read *Carmilla* as its precursor. Stoker wrests the power away from the women and puts it firmly back in the hands of the men--a thoroughly Victorian move.
Vampires, really, are too good. Deliciously enticing and frightening at the same time. I'm surprised how much I liked reading Dracula, despite being WILDLY melodramatic. But it really is a page turner.
The other vamp stories & essays are quite good also. Good creepy but not keep the light on while you sleep creepy.