There is an end note to readers from Katey Wright, the daughter of author L.R. Wright, telling us that her mother passed away after a battle with breast cancer just before the final edits to the book were made. She led the family through the final editing stage from her hospital bed, hanging on until she was confident that the book was in good hands. Katey finished the copyediting a week after she passed. She believes working on the book kept her alive longer than she would otherwise have lived.
With her passing, Canada lost a great writer, a writer with great insight into the human psyche, a writer able to spin a great story based on these insights. In this, her second novel featuring Staff Sergeant Edwina Henderson, she weaves two stories that, as we later discover, are interconnected.
One is about Eddie's settling in to the new job as head of the Gibsons RCMP detachment. During the course of her orientation she interviews her staff members, trying to get a feel for their strengths and weaknesses, taking notes as she does so. We get to know her crew and we get to know something about Eddie herself.
The other is the secret life of a pathological misogynist and narcissist. We don't know who he is but we follow his inner thoughts as he engages with a woman calling herself Jemima in an online chatroom. His pride and joy is an older model Lexus which he babies and relishes pushing to its limits when he can safely do so without attracting the attention of the cops.
We learn of his two obsessions. One is an older woman named Olive who resembles his late mother, who he hated with a passion. The other is a 30 something social worker named Rebecca who, after a chance encounter, he believes he is in love with, and more, he believes she is in love with him. In truth, she barely knows he's alive and has absolutely no interest in him.
Both women encounter a violation of their personal space. Olive has been moving boxes from her car into her home. As she goes to retrieve the last box, she finds it missing from her car. Someone has mysteriously stolen her box of books. She is also almost run over by a speeding car. Rebecca has her house broken into and her bedroom drawers rifled, with her underwear strewn on the bed. Both women report these violations to the police and Eddie works to get to the bottom of these mysteries.
But these relatively minor events escalate and Rebecca is warned she is being stalked. This cat and mouse hunt for an unknown stalker who neither woman remembers ever meeting builds up through most of the book as we follow the stalker's thoughts as he falls deeper and deeper into his delusions. Rebecca is asked to name all the men in her life, even casual encounters, but she cannot. Her mind draws a blank until her father comes to stay with her and helps jog her memory.
The novel has an interesting plot twist when the stalker's identity is revealed. I had no clue and was very surprised by this revelation. The ending is tense and suspenseful.
This is only the second of Wright's novels I have read. The first was her debut novel, The Suspect, which was the first Canadian novel to win an Edgar Award. That novel is also one that looks deeply into the mind of the criminal, into his or her motivations and thinking.
Her earlier novels, the Alberg and Cassandra series, are the basis of the Amazon Prime TV series Murder in a Small Town. What struck me from the TV series was how much police chief Karl Alberg, played by Rossif Sutherland, resembles Chief Inspector Armand Gamache in the Three Pines TV series and the Louise Penny novels it is based on. Sutherland plays Gamache's second in command, Jean-Guy Beauvoir.
Both book series, the Gamache novels and the Alberg and Cassandra novels, are based in Canada, Penny's novels in Quebec and Wright's novels on the Sunshine Coast of British Columbia. Both series take a deep psychological approach to mystery writing. I'm looking forward to reading the rest of Wright's novels.