THE TROLL GARDEN: **. Not an especially strong first outing (similar to her first "novel," ALEXANDER'S BRIDGE, collected elsewhere by LOA) - while there are some fun surprises in her earliest collected tales and they put forth early versions of a number of the themes she went onto develop more fully in her novels, these are mostly lightweight, occasionally obvious, and largely bound by the storytelling conventions of their time. Though certain passages of "A Death in the Desert" and "Paul's Case" come close, there's nothing to match the subtlety of her best later stories in these eight gathered here. Read March 2017.
O PIONEERS!: ***1/2. As with many of Cather's "thwarted love" plots, I found myself missing something with this one, though the characters and settings were incredibly well-drawn. It might be that Cather is at her best when she isn't bound by plotting concerns - indeed, her best novels (in my opinion) are loosely structured affairs, more concerned with telling you the story of a place and its people than with conventional dramatic narratives. Read November 2015.
THE SONG OF THE LARK: *****. Cather's first masterpiece, and for my money the gold standard of novels about the education of an artist. It's a brilliant coming-of-age story as well, and should be especially looked to for its success in telling a story about a young woman without putting her romantic life front-and-center: although men, passion, and sex weave through her story, it's her talent and ambition which is always the focus. Read December 2013.
MY ANTONIA: ****1/2. Easily one of her simplest and most elegant novels, here tracing the changing landscape and culture of immigrant Nebraska farming communities from the 19th to 20th century through the friendship of two children and their intersections in their adult lives. This is a quick and easy read, remarkable for a novel of its time, but like some of her later, similar novels, you don't realize how quietly poignant this one is until the final pages. Read November 2014.
ONE OF OURS: *****. Unfairly maligned in its day for a) being a war novel written by a woman (cry me a river, Ernest Hemingway!) and b) depicting WWI without the same moral complexity as contemporaneous authors, ONE OF OURS may not be Cather's best novel but is more remarkable than you've heard. Loosely structured (the war chapters are only the last third, more or less), the novel is a coming-of-age novel about a young man doing everything he's supposed to do - school, business, marriage - but failing to find purpose in any of them. Subtly homoerotic, richly textured, and quietly scathing about modern life, this deserved the Pulitzer it ultimately won. Read December 2015.