Experimental YA literature was a hit-or-miss proposition for Gary Paulsen. A number of his works fit the category—Tracker, for one, as well as Canyons and The Rifle—but if any Paulsen novel should be called experimental it is Sentries, a highly stylized offering that attempts to be an atom bomb of a story...but can't get all the way there. It starts with four teenagers from different areas of the United States, who bear no mutual connection other than roughly similar age. Seventeen-year-old Sue Oldhorn of Minnesota is an Ojibway Indian who feels no bond to her heritage. She works at a bank as a numbers cruncher, and quietly tolerates her grandfather's frequent intrusions on family mealtimes with singsong cautionary Ojibway tales that seem to have no modern relevance. Sue feels held back from engaging in the contemporary world—including dating her boyfriend Bob—by her grandfather. But all that changes when she meets a young Ojibway man, Alan, who causes Sue to look at life with eyes both old and new. Is returning to her familiar life possible after Sue's experience with Alan?
Fourteen-year-old David Garcia is on a journey from impoverished Mexico to the United States of America. Crossing the border illegally was harrowing, but he made it, and is headed north with hopes of landing a job and blending in. David longs to earn money for his family in Mexico, but has no idea what he's getting into when he agrees to hoe beets at a Nebraska farm. The arrangement seems perfect until David sees he's being taken advantage of by a boss who knows that as an illegal, David has no recourse. Life in the shadows is no bed of roses; can David ever establish himself as a true American? Laura Hayes, a Minnesota high-schooler, loves life on her family farm. Especially lambing season, when she, her parents, and elderly farmhand Louie are inundated with the crisis of bringing a new generation of lambs into the world. Guarding sheep from predators during childbirth is arduous, but Laura knows it's her future. At least, she did until this year. Her parents have decided without her input that she should be phased out of the farm work to focus on school. Laura's dreams of someday inheriting the farm are in jeopardy, but can she show her parents their decision is wrong?
A couple of years post high school, Peter Shackleton of California has made a good run of it. Leader of a music group called Shackleton's Ice, Peter eschews Hollywood vice to concentrate on making music, and it has paid off with moderate fame and fortune. He seeks inspiration in unexpected places, and presently when a new sound begins flooding his creative senses, he takes off to be by himself and perfect the sound before presenting it to the band. Peter is on the verge of a music innovation that could catapult Shackleton's Ice to new heights. Will the band have a chance to reach their potential? Nothing stands in the way...except, perhaps, the sudden threat common to all four main characters and beyond, which could snuff out their existence before they have the slightest idea what happened. Is human society more fragile than we can conceive?
One of my favorite parts of Sentries is the commentary on artistic inspiration throughout Peter's segments. He floods his mind with a variety of creative inputs to fertilize the ground, but only hard work can bring his musings into reality. After succeeding, Peter feels anxious: what now after such a triumph, bringing a wondrous new sound into the world like a mother birthing a child? Where does he go from this happy place? Mike, one of his bandmates, has an answer. "We have to go back to where the sound came from and we have to find it again, and find the next new sound and keep doing that." Consistently producing fresh, fascinating material is daunting, but it's the only thing that makes a life in art worthwhile. The pursuit will have its ups and downs, but when you hit on the right recipe as Peter recently did, you'll have no doubt why you choose being an artist over any rival occupation. Creating and consuming art is what unlocks the beauty of life for us.
I see similar narrative patterns between this book and The Rifle, arguably the finest piece Gary Paulsen wrote. Sentries, however, falls well short of that mark. The link between these four teens' stories is too vague, and the "shocking" conclusion has the same issue. I wouldn't even understand what happened had people not commented about it in bookish spheres. I'm also not sure what the "Battle Hymn" chapters are all about, which each follow a different young member of the U.S. military into tragic circumstances. Ray Haus's odyssey is particularly haunting, the stuff a Robert Cormier novel is made from. Ultimately I'm not certain what point is being made by Sentries as a whole. Gary Paulsen returns to some of his favorite writing motifs, notably beet farming, but it can't save the story from mediocrity. If you're a big Paulsen fan, though, you should read this book at some point.