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Là-haut vers le nord
Là-haut vers le nord de l'Ontario, des femmes et des hommes, indiens pour la plupart, vivent, aiment, rêvent et meurent. Joseph Boyden évoque avec sensibilité leurs histoires singulières au parfum de légende: une jeune fille tombe amoureuse d'un loup; un gamin passionné de catch vole au secours de son héros; un jeune homme prétend envers et contre tous être un ours... Ces nouvelles étonnantes, mélange fascinant d'émotion, de colère et de grâce, de violence et de poésie, dessin
288 pages, Paperback
First published March 26, 2001
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2053 people want to read
About the author
Joseph Boyden
31 books1,321 followersJoseph Boyden is a Canadian novelist and short story writer.
He grew up in Willowdale, North York, Ontario and attended the Jesuit-run Brebeuf College School. Boyden's father Raymond Wilfrid Boyden was a medical officer renowned for his bravery, who was awarded the Distinguished Service Order and was the highest-decorated medical officer of World War II.
Boyden, of Irish, Scottish and Métis heritage, writes about First Nations heritage and culture. Three Day Road, a novel about two Cree soldiers serving in the Canadian military during World War I, is inspired by Ojibwa Francis Pegahmagabow, the legendary First World War sniper. Boyden's second novel, Through Black Spruce follows the story of Will, son of one of the characters in Three Day Road. He has indicated in interviews that the titles are part of a planned trilogy, the third of which is forthcoming.
He studied creative writing at York University and the University of New Orleans, and subsequently taught in the Aboriginal Student Program at Northern College. He divides his time between Louisiana, where he and his wife, Amanda Boyden, are writers in residence, and Northern Ontario.
He grew up in Willowdale, North York, Ontario and attended the Jesuit-run Brebeuf College School. Boyden's father Raymond Wilfrid Boyden was a medical officer renowned for his bravery, who was awarded the Distinguished Service Order and was the highest-decorated medical officer of World War II.
Boyden, of Irish, Scottish and Métis heritage, writes about First Nations heritage and culture. Three Day Road, a novel about two Cree soldiers serving in the Canadian military during World War I, is inspired by Ojibwa Francis Pegahmagabow, the legendary First World War sniper. Boyden's second novel, Through Black Spruce follows the story of Will, son of one of the characters in Three Day Road. He has indicated in interviews that the titles are part of a planned trilogy, the third of which is forthcoming.
He studied creative writing at York University and the University of New Orleans, and subsequently taught in the Aboriginal Student Program at Northern College. He divides his time between Louisiana, where he and his wife, Amanda Boyden, are writers in residence, and Northern Ontario.
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Displaying 1 - 30 of 107 reviews
August 17, 2016
Joseph Boyden never disappoints. I've read two of his novels before this— The Orenda and Through Black Spruce—which I loved immensely. And even though this was a bit different, a short story collection and his first published work, it was just as excellent. The first few stories didn't grab my attention as much as I expected, but maybe that's due to me adjusting back to his storytelling and getting immersed in the setting. Boyden's stories all revolve around the First Nations, and he's so brilliant at capturing a variety of voices and describing the surroundings. Once I was into the stories though, I was hooked. I especially loved the final 4 stories which all tie together.
His stories are quiet, but powerful. They look into the often mundane or average aspects of reservation life in Canada, but Boyden is able to suffuse so much into his characters that the stories are never boring. Honestly, I would've been happy with any of these stories being turned into full novels. He's that good.
His stories are quiet, but powerful. They look into the often mundane or average aspects of reservation life in Canada, but Boyden is able to suffuse so much into his characters that the stories are never boring. Honestly, I would've been happy with any of these stories being turned into full novels. He's that good.
October 9, 2017
همهی حاضران به دور ما حلقه میزنند و هماهنگ با من ضرب میگیرند. چشمهایمان را بستهایم و گلوهایمان را منقبض کردهایم. با صدای تیز میخوانیم و محکم طبل میزنیم. برای اوچک، روح لیندا میخوانیم. صداهایمان را بالا بردهایم تا روح او را از بدن خاموشش بلند کنیم و تحت حفاظت خویشاوندانش به استراحتگاهش بفرستیم. - برداشت آزاد از کتاب
لینک دانلود قطعه موسیقی سفر بازگشت
علاقهام به فرهنگ غنی بومیان آمریکایی بهکنار، خواندن جادهی سه روزهی جوزف بویدن -این شاهکار تکرارنشدنی- برایم کافی بود تا او را تبدیل به نویسندهی محبوبم کند و چشمبسته سراغ باقی آثارش بروم. بین آثاری که از او ترجمه شده، به چند دلیل "متولد شده با یک دندان" را انتخاب کردم. نخست آنکه از نظر توالی تاریخی، این نخستین اثر داستانی نویسنده است. دوم آنکه پیشتر یک داستان بلند از او خوانده بودم و حالا کنجکاو بودم ببینم در حوزه داستان کوتاه چه سورپرایزی در آستین دارد. هرچند در این مجموعه خبری از تکنیکهای به کار برده شده در دیگر آثارش نبود و بعضی از داستانها هم کموبیش ضعیف کار شده بودند، اما در پایان، توقعم کاملا برآورده شد
اول
تمام داستانها بدون استثنا صحنهی تقابل فرهنگ سرخپوستی و فرهنگ مدرن آمریکایی-مسیحیست و سرخپوستها، بازندهی بلامنازع این نبرد هستند. کاراکترهای این مجموعه همگی اسیر برزخی هستند که سفیدپوستها با پلیدی تمام نخست به نام مذهب و نجات روح و بعد تجهیز به تکنولوژی و ارتقای سطح زندگی برایشان ایجاد کردهاند. آنها همگی از نخستین نسلهایی هستند که مجبور به تحصیل در مدارس مذهبی سفیدپوستان و ترک زبان و فرهنگ آبا و اجدادیشان شدهاند و از این رو همگی قربانیاند، آنها بین چیزی که زمانی وجود داشته و به آنها هویت و معنا میداده و چیزی که قرار است در آینده به وجود آید گیر افتادهاند، بین چیزی که آنها را به عنوان یک ملت تعریف میکند و چیزی که انسان خودباختهی سفید توقع دارد به آن تبدیل شوند
دوم
سیزده داستان کتاب در چهاربخش جداگانه بر اساس چهار جهت جغرافیایی اصلی دستهبندی شدهاند. مکان تمام داستانها کاناداست و چون عموما از نامهای بومی و یا شهرهای گمنام صحبت میشود نتوانستم برای این تقسیمبندی الگوی روشنی شناسایی کنم اما احتمالا این تقسیم بر اساس مکان هر داستان در داخل کانادا صورت گرفته است. هرچند باید در نظر داشت که عدد چهار برای سرخپوستان بسیار مقدس است و ردپایی از این عدد در تمام افسانههای سرخپوستی به چشم میخورد. فصلهای چهارگانه یکی از ریشههای قدسی این عدد محسوب میشود و این شاید بیارتباط با تقسیمبندی چهارگانهی داستانها نباشد
سوم
تا میانهی کتاب، داستانها به ظاهر ارتباطی جز چند تشابه اسمی ندارد، اما هرچه به پایان کتاب نزدیکتر میشویم ارتباط میان شخصیتها و داستانها روشنتر میشود تا در بخش چهارم کتاب (شمال:خانه) تمام داستانها مانند قطعات پازل در کنار هم قرار میگیرند و از ارتباط میان آنان رمزگشایی میشود و این گشایش گرهی نامرئی مجموعه، در کنار کاربرد اساطیر و آیینهای سرخپوستی در کتاب، بزرگترین نقطه قوت این مجموعه است. نکته دیگر آنکه دو شخصیت اصلی کتاب جادهی سهروزه - بِرد و الیاس - در یکی از داستانهای این مجموعه هم حضور دارند
چهارم
یکی از آیینهای جالبی که نویسنده در این اثر (و همینطور جادهی سهروزه) مکررا به آن اشاره میکند، "آیین اتاق شفا"ست. در این مراسم مذهبی که برای شفای جسم و تطهیر روح جنگجو صورت میگیرد، فرد قلوهسنگهای بزرگی را داخل آتش گداخته میکند و بعد از حمل آنها به چادری که با پوست بوفالو پوشانده شده، آب پاک روی آنها میریزد و روی بخار تعظیم میکند. این آیین ریشه در افسانهی بچهی سنگی دارد. خلاصهی افسانه چنین است که
پنجم
وقتی خواندن کتاب را تمام کردم و فکرم درگیر ماجراهای کتاب و مصیبتهای بومیان بود، مصیبتهایی که تماما برای استعمار و چپاول در نام مذهب صورت گرفت، یاد ورگ ویکرنس افتادم و کلیساهایی که در نروژ آتش زد و بیشتر از هر زمان دیگری درکش کردم و احتمالا محق دانستمش
June 22, 2018
I'd put off Boyden for a while after he became the subject of national controversy after his Indigenous identity was called into question. The writer of the article tagged above does a better job digging into the nuance of that situation than I'd attempt, and is worth a read if you're trying to come to terms with the Boyden situation. Personally, I try and draw a dividing line between an artist's conduct and their work. It's a bit tough with Boyden since his advocacy for the Canadian Indigenous people and his reputation were built upon his perceived heritage. I'm not sure I've reconciled my divided feelings on the man, but I knew I wanted to return to his work after really enjoying
Three Day Road
and being pretty moved by
Wenjack
.
Fortunately, all of my hesitation was alleviated when I walked into the painfully violent, dark, and emotionally volatile stories of Boyden in Born With A Tooth. Over the course of 13 stories divided into East (Labour), South(Ruin), West(Running), and North(Home), Boyden details stories of abuse, murder, the ravages of addiction, cultural genocide, and the legacy of residential schools, all set in different Ontario locations. Boyden examines reserves with an unflinching narrative eye, showing both moments of depravity and hope couched in the history of Canada's Indigenous peoples.
The eponymous story details a teenage girl who's obsession with a wolf leads to her exploitation by a visiting teacher. Men Don't Ask was the most harrowing story for me in its bleak portrayal of violence against aboriginal women. Painted Tongue is one of the few stories set in Toronto and is a heartbreaking look at a man lost to drink reminiscing about the loss of his dignity as well as his land. The weakest story of the bunch for me was Abitibi Canyon. It wasn't bad, but it didn't live up to the quality of the other stories in this collection. But it is the beautifully woven final four short stories that depict four individuals living in Sharpening Teeth after a young woman's suicide.
Boyden has become a key figure in opening the discussion about reconciliation in Canada, and his novels and short stories provide a window into a part of the nation that all too many Canadians never know. These short stories rocked me. Some were so dark that I'd have to put the collection down for days before resuming my reading. They also surprised me with moments of beauty and understanding. Even if I'm conflicted about the man, I find it pretty hard not to enjoy his writing.
[4.5 Stars]
Fortunately, all of my hesitation was alleviated when I walked into the painfully violent, dark, and emotionally volatile stories of Boyden in Born With A Tooth. Over the course of 13 stories divided into East (Labour), South(Ruin), West(Running), and North(Home), Boyden details stories of abuse, murder, the ravages of addiction, cultural genocide, and the legacy of residential schools, all set in different Ontario locations. Boyden examines reserves with an unflinching narrative eye, showing both moments of depravity and hope couched in the history of Canada's Indigenous peoples.
The eponymous story details a teenage girl who's obsession with a wolf leads to her exploitation by a visiting teacher. Men Don't Ask was the most harrowing story for me in its bleak portrayal of violence against aboriginal women. Painted Tongue is one of the few stories set in Toronto and is a heartbreaking look at a man lost to drink reminiscing about the loss of his dignity as well as his land. The weakest story of the bunch for me was Abitibi Canyon. It wasn't bad, but it didn't live up to the quality of the other stories in this collection. But it is the beautifully woven final four short stories that depict four individuals living in Sharpening Teeth after a young woman's suicide.
Boyden has become a key figure in opening the discussion about reconciliation in Canada, and his novels and short stories provide a window into a part of the nation that all too many Canadians never know. These short stories rocked me. Some were so dark that I'd have to put the collection down for days before resuming my reading. They also surprised me with moments of beauty and understanding. Even if I'm conflicted about the man, I find it pretty hard not to enjoy his writing.
[4.5 Stars]
December 22, 2014
This is a (the only?) collection of Boyden's early short stories, re-published after the success of Three Day Road and Through Black Spruce. So it's tough to judge fairly, because a) short stories; b) early noodling that you can now see turned into brilliance in those later novels. Heading towards a 4 but not quite there.
There is some inconsistency (Legend of the Sugar Girl I think the only real dud); some stories started well but didn't finish well or the reverse. Some were a bit heavy-handed in the political point they were making (that's just me probably; I prefer subtlety). And some were truly great all the way through (Painted Tongue, Bearwalker, Abitibi Canyon, Legless Joe versus Black Robe).
Most of all, taken as a whole, they paint a really good portrait of the complexities and realities of life in a Cree community in Northern Ontario. The language felt right ("ever stupid, eh?"--I remember that use of 'ever' from my childhood); the details and points of view coming together to become greater than the sum of their parts. There was just the right dose of magic and bingo. I like the way the story lines and characters resolved in the final few stories making (some) sense of the characters' relationships and entwined lives in the fictitious village of Sharpening Teeth on the shore of James Bay.
Together with his later novels, Boyden is shaping up a fictional universe that rivals (and shares many similarities with) Margaret Laurence's Manawaka series.
There is some inconsistency (Legend of the Sugar Girl I think the only real dud); some stories started well but didn't finish well or the reverse. Some were a bit heavy-handed in the political point they were making (that's just me probably; I prefer subtlety). And some were truly great all the way through (Painted Tongue, Bearwalker, Abitibi Canyon, Legless Joe versus Black Robe).
Most of all, taken as a whole, they paint a really good portrait of the complexities and realities of life in a Cree community in Northern Ontario. The language felt right ("ever stupid, eh?"--I remember that use of 'ever' from my childhood); the details and points of view coming together to become greater than the sum of their parts. There was just the right dose of magic and bingo. I like the way the story lines and characters resolved in the final few stories making (some) sense of the characters' relationships and entwined lives in the fictitious village of Sharpening Teeth on the shore of James Bay.
Together with his later novels, Boyden is shaping up a fictional universe that rivals (and shares many similarities with) Margaret Laurence's Manawaka series.
June 26, 2017
"Born With A Tooth" was a fairly common Native surname where I used to live in southern Alberta, but even so -- and I'm not eager here to make myself sound like some dumb wasichu who is condescendingly charmed by nature-based naming practises -- but even so, I always found hearing or reading that name to be jarring; maybe because it refers to something not quite natural? Maybe it hints at some innate power that is inaccessible to me? There must be something universally compelling about the name for Joseph Boyden to have used Born With A Tooth as the title of this fine collection.
These thirteen short stories run the gamut from funny to serious to tragic, and if they have a common theme, it would be that Native Peoples are at a crossroads: having lost their traditional learning through generations forced to attend Residential Schools, the youngest Band Members on the Reserves need to decide, moving forward, whether they will try to reconnect with the old ways (with drumming, dancing, sweat lodges) or whether they should embrace -- or at least adapt -- the dominant culture (with bingos, casinos, going away to college). What Boyden does especially well is to populate these stories with fully human characters: there are the damaged drunks and gas huffers, but there is also an all-Native/all-girl punk band, an activist who works within the legal system to stop the damming of a river, and a girl who falls in love with a wolf. There are quiet scenes about Nature and loud scenes about anger and grief; and surrounding it all, are the tricksters and the windigos; shapeshifters and Gitchi-Manitou; as though, even if the people have become disconnected from the ancestors, those ancestors are still around and watching.
Some standout scenes include the mute Painted Tongue, old and homeless and drunk on a Toronto street, being surrounded by a group of young white men:
And I'll cut that scene off while Painted Tongue is at the height of dignity. My other favourite scene was from the story Kumamuk. This story hit all the right notes: about the excitement of having "pro wrestlers" (or at least, wrestlers that the Reserve has watched on TV) come to fight in their community center, it beautifully demonstrates the relationships between those on Reserve and those from away; the relationships between the generations (and those who have embraced the white man's church vs those oldtimers who still believe in vision quests); about hero worship (and false heroes when it's revealed that Chief Thunderbolt -- naturally, everyone's favourite Native wrestler -- is actually Puerto Rican); but mostly, about a young boy whose enthusiasm and joy are universal. That he kind of accidentally had a vision quest, and that his vision animal was a flock of butterflies, was a beautiful scene. And when he attends the final wrestling match with his grandfather:
It's a cliché, but my heart soared with Noah, and throughout this book, I identified with the characters, and no matter how terrible their situations, Boyden created understanding instead of pity.
Not all of these stories were my favourites (Men Don't Ask, Shawanagan Bingo Queen, and Legend of the Sugar Girl in particular didn't work for me), but the final four -- as four perspectives on a tragedy -- were outstanding. What I most appreciated was Boyden ending on a note of hope: as the hundred-year-old patriarch of the Cheechoo clan regards his relatives engaging in a solemn drumming circle, he thinks, And I began to feel something good that I'd not felt in a long time.
These thirteen short stories run the gamut from funny to serious to tragic, and if they have a common theme, it would be that Native Peoples are at a crossroads: having lost their traditional learning through generations forced to attend Residential Schools, the youngest Band Members on the Reserves need to decide, moving forward, whether they will try to reconnect with the old ways (with drumming, dancing, sweat lodges) or whether they should embrace -- or at least adapt -- the dominant culture (with bingos, casinos, going away to college). What Boyden does especially well is to populate these stories with fully human characters: there are the damaged drunks and gas huffers, but there is also an all-Native/all-girl punk band, an activist who works within the legal system to stop the damming of a river, and a girl who falls in love with a wolf. There are quiet scenes about Nature and loud scenes about anger and grief; and surrounding it all, are the tricksters and the windigos; shapeshifters and Gitchi-Manitou; as though, even if the people have become disconnected from the ancestors, those ancestors are still around and watching.
Some standout scenes include the mute Painted Tongue, old and homeless and drunk on a Toronto street, being surrounded by a group of young white men:
I will count coup on you, Painted Tongue hummed. The tones of his war chant came to him. I will take a knife and cut your scalp from your skull for calling me Iroquois. I will rip your ears from your head and eat them in front of you. He let his head drop, dangling the bottle. The boys backed away a little.
Lookit that! He's got attitude, one of them shouted as they formed a circle on the sidewalk around him.
Painted Tongue began to pace slowly around the inside of the circle. He felt a warrior's control suddenly, all eyes upon him, watching closely his every move. When Painted Tongue walked by one of the boys, he stared at the boy's eyes until he recognized the wolf spider of fear in them. He walked carefully, slowly by their feet, watching their faces pass his. The boys widened the ring. Painted Tongue concentrated on his own feet moving. He picked up the pace. He could hear the pound of drum in his head. The boys began clapping in time. Check it out, one said. He's on the warpath.
Painted Tongue reached out and touched each boy as he passed. He counted coup upon every single one in the group and watched the look of shame and disgust on their faces as they shrank away from his outstretched hand. He was happy. He was a warrior. He moved faster, bent far forward, lifting his knees high. He closed his eyes and danced the circle. It was effortless, like a strong wind lifting him up and carrying him.
And I'll cut that scene off while Painted Tongue is at the height of dignity. My other favourite scene was from the story Kumamuk. This story hit all the right notes: about the excitement of having "pro wrestlers" (or at least, wrestlers that the Reserve has watched on TV) come to fight in their community center, it beautifully demonstrates the relationships between those on Reserve and those from away; the relationships between the generations (and those who have embraced the white man's church vs those oldtimers who still believe in vision quests); about hero worship (and false heroes when it's revealed that Chief Thunderbolt -- naturally, everyone's favourite Native wrestler -- is actually Puerto Rican); but mostly, about a young boy whose enthusiasm and joy are universal. That he kind of accidentally had a vision quest, and that his vision animal was a flock of butterflies, was a beautiful scene. And when he attends the final wrestling match with his grandfather:
This was Noah's chance. He pulled the stocking he'd carefully painted in the bright colours of the butterfly from his coat pocket and pulled it over his head, adjusting it so he could see through the little holes he'd cut for eyes. He tore off his coat and kicked off his jeans to reveal the costume he'd created, ran from his seat and pulled himself onto the side of the ring. He quickly scrambled up the ropes and balanced himself on the top turnbuckle, lifting his arms wide to reveal the cape he'd painted orange and red and green, the wings of the butterfly. His wings. "I'm doing it" was all he could think. His ears were filled with the roar and rush of his blood, with the butterflies whispering to him, "You're doing it!" Beneath his cape Noah wore another pair of his mother's pantyhose, these ones black like a butterfly's body, and pulled up to his chest.
For the first time he could hear the crowd. He could make out Thomas' and Gerald's voices in the shouting. Some of the women screamed. Others were laughing with excitement. Noah looked across the ring at the awestruck face of Kid Wikked. He raised his arms higher for the crowd to drink in his costume and shouted, "I am Butterfly Warrior!"
With his back still to Noah, Diesel Machine was still completely unaware of his presence. Noah looked down at Chief Thunderbolt. The Chief looked surprised. He slowly, haltingly raised his arm from the mat and gave Noah a thumbs-up. Noah tensed, then leapt.
It's a cliché, but my heart soared with Noah, and throughout this book, I identified with the characters, and no matter how terrible their situations, Boyden created understanding instead of pity.
Not all of these stories were my favourites (Men Don't Ask, Shawanagan Bingo Queen, and Legend of the Sugar Girl in particular didn't work for me), but the final four -- as four perspectives on a tragedy -- were outstanding. What I most appreciated was Boyden ending on a note of hope: as the hundred-year-old patriarch of the Cheechoo clan regards his relatives engaging in a solemn drumming circle, he thinks, And I began to feel something good that I'd not felt in a long time.
March 11, 2016
Joseph Boyden writes characters in a way that makes me realize that everyone has a story, and maybe we should try to understand them more. He also makes me realize that we have a long way to go to make things right with the First Nations, and that we need to work hard to do so. Wonderful stories, my eyes are opened.
June 1, 2020
This is my second book by Joseph Boyden.
The first one was the terrific (but very violent) “The Orenda".
This one is a collection of short stories and all very well written, but each story is very sad.
The first one was the terrific (but very violent) “The Orenda".
This one is a collection of short stories and all very well written, but each story is very sad.
December 15, 2010
Les histoires sont très variées, et comme souvent dans ces cas là, il y en a qui plaisent et d’autres pas. Les nouvelles m’ont majoritairement plu, mais certaines sont vraiment longues et sans aucun intérêt, alors que d’autres sont tout simplement passionnantes. Au début je pensais trouver de vieilles légendes indiennes, ce qui m’aurait beaucoup intéressé. Mais j’ai du mal lire le résumé car, ce n’est pas le cas. Il s’agit de « Légendes Modernes » qui nous montrent la différence entre deux mondes totalement différents, celui des Indiens et celui des Blancs. Les nouvelles semblent vouloir nous montrer quel impact (plutôt négatif) a eu l’arrivée des Blancs sur le peuple Indien. Les Blancs ont voulu tout changer, tout faire à leur idée, et bien entendu ça a signé la perte, ou du moins, le déclin de l’autre civilisation. C’est ainsi que les Indiens se retrouvent parqués dans des réserves, ayant perdu une bonne partie de leurs traditions et coutumes, et à apprendre à leur dépens les méfaits de l’alcool et des sucreries.
Le livre est composé de quatre parties. Il y a tout de même une petite différence entre les trois premières parties et la dernière. Dans les trois premières on change totalement d’histoire à chaque nouvelle, on change également de personnages et de lieux. Dans la quatrième partie, les quatre récits qui la composent s’attachent tous à la même histoire, mais à chaque fois elle est racontée par une nouvelle personne. C’est peut-être parce que cette forme s’apparente un peu plus à un roman, mais je l’ai beaucoup appréciée. J’ai bien aimé découvrir les différentes opinions des personnages au fil de ma lecture.
Pour ce qui est du style de l’auteur, il est assez agréable. En tous cas il n’est pas difficile à suivre, c’est écrit de façon simple, avec des phrases courtes qui facilitent la compréhension du texte. Les lieux et atmosphères sont si bien décrits, qu’en lisant on se croirait presque au milieu d’une réserve, parmi les Indiens. Cependant, s’agissant de nouvelles, il n’y a pas forcément de point final à l’histoire, pas toujours en tous cas, c’est donc plus des instants de vie capturés par écrit.
Petits bémols : il y a quelques noms de tribus « inconnus » [pour moi] et il est parfois difficile de les retenir pour faire la différence par la suite entre les différents membres de tribus. Mais ce n’est pas bien grave. Par contre, je dois avouer ne pas avoir compris la première nouvelle. Je l’ai lu et relu, et la fin reste pour moi … un mystère. Si jamais quelqu’un sait m’expliquer ! ^^
En résumé c’est un livre agréable à lire. Les nouvelles sont parfois intéressantes, parfois mignonnes voire passionnantes. Mais elles sont aussi de temps en temps longues et ennuyeuses. Je trouve ça dommage car ça casse un peu le rythme de la lecture. Cependant, il est très intéressant pour comprendre le point de vue des Indiens, voir ce qu’ils ont perdu avec l’arrivée des Blancs.
Le livre est composé de quatre parties. Il y a tout de même une petite différence entre les trois premières parties et la dernière. Dans les trois premières on change totalement d’histoire à chaque nouvelle, on change également de personnages et de lieux. Dans la quatrième partie, les quatre récits qui la composent s’attachent tous à la même histoire, mais à chaque fois elle est racontée par une nouvelle personne. C’est peut-être parce que cette forme s’apparente un peu plus à un roman, mais je l’ai beaucoup appréciée. J’ai bien aimé découvrir les différentes opinions des personnages au fil de ma lecture.
Pour ce qui est du style de l’auteur, il est assez agréable. En tous cas il n’est pas difficile à suivre, c’est écrit de façon simple, avec des phrases courtes qui facilitent la compréhension du texte. Les lieux et atmosphères sont si bien décrits, qu’en lisant on se croirait presque au milieu d’une réserve, parmi les Indiens. Cependant, s’agissant de nouvelles, il n’y a pas forcément de point final à l’histoire, pas toujours en tous cas, c’est donc plus des instants de vie capturés par écrit.
Petits bémols : il y a quelques noms de tribus « inconnus » [pour moi] et il est parfois difficile de les retenir pour faire la différence par la suite entre les différents membres de tribus. Mais ce n’est pas bien grave. Par contre, je dois avouer ne pas avoir compris la première nouvelle. Je l’ai lu et relu, et la fin reste pour moi … un mystère. Si jamais quelqu’un sait m’expliquer ! ^^
En résumé c’est un livre agréable à lire. Les nouvelles sont parfois intéressantes, parfois mignonnes voire passionnantes. Mais elles sont aussi de temps en temps longues et ennuyeuses. Je trouve ça dommage car ça casse un peu le rythme de la lecture. Cependant, il est très intéressant pour comprendre le point de vue des Indiens, voir ce qu’ils ont perdu avec l’arrivée des Blancs.
October 6, 2011
Boyden writes about the Cree and Ojibwa people of Northern Ontario. As it says on the book jacket, "They've been here ten thousand years. They survive."
Deftly and subtly, he tells stories of deep despair and impossible lives. Yet he lights the characters in these stories from within -- illuminating their humour, their great courage and their remarkable ability to adapt and live on.
These short stories never moralize. The only advice given, through the words of a 100-year-old man at the funeral of his great-granddaughter, is "She should have stayed here longer."
I felt that way about this book -- I wish I could have stayed here longer.
Deftly and subtly, he tells stories of deep despair and impossible lives. Yet he lights the characters in these stories from within -- illuminating their humour, their great courage and their remarkable ability to adapt and live on.
These short stories never moralize. The only advice given, through the words of a 100-year-old man at the funeral of his great-granddaughter, is "She should have stayed here longer."
I felt that way about this book -- I wish I could have stayed here longer.
January 15, 2014
Joseph Boyden's newest book, The Orenda, was in such high demand at my local library that I was approximately #800 on their waiting list. I wanted to read it before CBC's Canada Reads 2014 begins in March. In the meantime, I borrowed another of Boyden's books, Born with a Tooth.
It was only when I got home that I realized that it was a collection of short stories, which I generally dislike. Still, I needed to get an idea of Boyden's writing style and see if buying The Orenda would be a wise idea. It is currently only out in hardcover, so I wouldn't want to buy a $30 book that I might not enjoy! The ebook is also $17, which is a big gamble for something I can't resell when I'm done.
I fell in love with Boyden's style from the first few pages! After finishing the first story, too, I realized that I was in for an emotional journey. Only one short story in and Boyden had earned a new fan.
I really do not want to provide any spoilers here, so I will be careful with what I say. Here are the basics: the book has thirteen stories which are divided thematically into four directions of the compass. The stories are all about small First Nations communities in Ontario. Although they seem to be separate stories, by the end of the book, you will realize that the stories do exist in the same "universe". The last couple stories in particular really hit home this idea of a short story tapestry, where characters and ideas are woven together.
I suddenly feel that Half-Blood Blues, Year of the Flood and Annabel have some really strong competition (I disliked the final Canada Reads finalist, Cockroach)! Luckily, my hardcover copy of The Orenda arrived at the bookstore (and I only had to pay half price because I ordered it online). I really can't wait to read The Orenda and all of Boyden's other works.
It was only when I got home that I realized that it was a collection of short stories, which I generally dislike. Still, I needed to get an idea of Boyden's writing style and see if buying The Orenda would be a wise idea. It is currently only out in hardcover, so I wouldn't want to buy a $30 book that I might not enjoy! The ebook is also $17, which is a big gamble for something I can't resell when I'm done.
I fell in love with Boyden's style from the first few pages! After finishing the first story, too, I realized that I was in for an emotional journey. Only one short story in and Boyden had earned a new fan.
I really do not want to provide any spoilers here, so I will be careful with what I say. Here are the basics: the book has thirteen stories which are divided thematically into four directions of the compass. The stories are all about small First Nations communities in Ontario. Although they seem to be separate stories, by the end of the book, you will realize that the stories do exist in the same "universe". The last couple stories in particular really hit home this idea of a short story tapestry, where characters and ideas are woven together.
I suddenly feel that Half-Blood Blues, Year of the Flood and Annabel have some really strong competition (I disliked the final Canada Reads finalist, Cockroach)! Luckily, my hardcover copy of The Orenda arrived at the bookstore (and I only had to pay half price because I ordered it online). I really can't wait to read The Orenda and all of Boyden's other works.
August 12, 2017
I would like to begin by saying that this was a book that I was assigned to read for school. I would also like to admit that I did not think that I would enjoy this book, but wow, was I wrong.
Despite being Canadian, I grew up rather oblivious to the hardships that the Canadian Indigenous population face. This changed rather recently due to two law classes. In one of these classes, my teacher was very passionate and outspoken regarding the hardships that our Indigenous population face. This was a blessing. It opened my eyes to other cultures and our systematic mistreatment and miscarriages of justice towards our native population.
In a way, it seemed like fate would direct me to this book. Born with a Tooth aided to further educate me on certain topics without overtly telling me (if that makes sense).
Born with a Tooth did not fail to elicit strong emotions from me. I felt deep connections to many of the characters. My heart would break as characters would casually speak of the language barriers in their communities due to residential schools. (This is just one of many examples).
I will be recommending this book to so many people. Born with a Tooth is truly beautiful and eye opening. I wish that I could have found it sooner.
Despite being Canadian, I grew up rather oblivious to the hardships that the Canadian Indigenous population face. This changed rather recently due to two law classes. In one of these classes, my teacher was very passionate and outspoken regarding the hardships that our Indigenous population face. This was a blessing. It opened my eyes to other cultures and our systematic mistreatment and miscarriages of justice towards our native population.
In a way, it seemed like fate would direct me to this book. Born with a Tooth aided to further educate me on certain topics without overtly telling me (if that makes sense).
Born with a Tooth did not fail to elicit strong emotions from me. I felt deep connections to many of the characters. My heart would break as characters would casually speak of the language barriers in their communities due to residential schools. (This is just one of many examples).
I will be recommending this book to so many people. Born with a Tooth is truly beautiful and eye opening. I wish that I could have found it sooner.
March 25, 2016
I mostly prefer to immerse myself in novels, rather than getting caught up in short stories only to have them end. Joseph Boyden changed my mind. While I love his novels, this collection of 13 stories tells a big tale. Each story is a gem on its own, but when put together their is a treasure trove of both heartbreak and healing. Often at the same moment.
Born With a Tooth introduces me to people I feel that I know. Each one has a unique voice that captures more than my imagination. They captured my heart.
Jenny Two Bears and her bandmates are heroines. Painted Tongue's pacing circle is unforgettable. Legless Joe and his family make me wish I was part of their clan. My throat was tight while reading Old Man. A perfect finale to a gripping collection.
Born With a Tooth introduces me to people I feel that I know. Each one has a unique voice that captures more than my imagination. They captured my heart.
Jenny Two Bears and her bandmates are heroines. Painted Tongue's pacing circle is unforgettable. Legless Joe and his family make me wish I was part of their clan. My throat was tight while reading Old Man. A perfect finale to a gripping collection.
June 11, 2015
As part of the Read Harder Challenge I wanted to read something written by a Native American. In this book of intriguing short stories Boyden writes about the Cree and Ojibwa people of Northern Ontario. Most of them live their lives of quiet desperation in utter poverty, in squalid, ramshackle homes on reservations far removed from "civilization". Yet Boyden treats each of his characters with respect and their voices really touched me. I felt these were real people telling their stories without asking for pity, just relating how it really is for them. A real eye-opener for me.
February 10, 2017
I just love the passion and detail Joseph Boyden uses when he writes. These short stories somehow fit together. They are raw and real. They describe life on and off the Res. just so well. Nicely done and never tiring.
September 3, 2012
I've been on a Boyden binge recently, reading everything he's written, starting with "Three Day Road" recommended to me by a Miqmak friend in Canada. Having loved that, I then read "Through Black Spruce" (2008)so "Born With A Tooth" took me backwards in terms of his oeuvre. "Born With a Tooth" was his first novel, published in 2001, and it gives you a chance to see where his thinking started, and reveals the origins of some characters he's stayed with, or should I say, have stayed with him. Surely these men and women remain in his psyche, for they certainly haunt mine, in a good way.
You can read his novels in any order you like and they'll all make sense, great sense, even if you've never been to the rez or the far North. His work has driven home the value of Canadian literature, for me anyway, since he's actively exploring the edges of what others call multiculturalism but haven't a clue about. European politicians have declared that multiculturalism is dead, that it doesn't work, but the people who say such things haven't got any skin in the game like Boyden and his people do. Unless you have intermarried, formed deep friendships with those who you speak a second or third language with, you've yet to begin your multicultural work.
There are great benefits to be reaped, as Boyden demonstrates. His 'people' are real and raw, engaged with the Earth and each other, the perils of drugs and alcohol, the joblessness, the poverty and prejudice AND the beauty of Nature, living off the land, of the medicine ways, ceremonies and songs, whose power redeems some of the most broken, in unlikely but unforgettable instances.
It upset me to see that the Cambridge Companion to Canadian Literature (2004 edition anyway) did not even mention Joseph Boyden, but future editions will be incomplete without him. If you've ever caught yourself making a stereotypical remark about 'Native Americans', read Boyden's work. It'll cure you.
You can read his novels in any order you like and they'll all make sense, great sense, even if you've never been to the rez or the far North. His work has driven home the value of Canadian literature, for me anyway, since he's actively exploring the edges of what others call multiculturalism but haven't a clue about. European politicians have declared that multiculturalism is dead, that it doesn't work, but the people who say such things haven't got any skin in the game like Boyden and his people do. Unless you have intermarried, formed deep friendships with those who you speak a second or third language with, you've yet to begin your multicultural work.
There are great benefits to be reaped, as Boyden demonstrates. His 'people' are real and raw, engaged with the Earth and each other, the perils of drugs and alcohol, the joblessness, the poverty and prejudice AND the beauty of Nature, living off the land, of the medicine ways, ceremonies and songs, whose power redeems some of the most broken, in unlikely but unforgettable instances.
It upset me to see that the Cambridge Companion to Canadian Literature (2004 edition anyway) did not even mention Joseph Boyden, but future editions will be incomplete without him. If you've ever caught yourself making a stereotypical remark about 'Native Americans', read Boyden's work. It'll cure you.
January 18, 2013
This collection of short stories was the first offering on the market from Joseph Boyden. Full disclosure, Boyden's Three Day Road is one of the best books I have read in recent years, so spending a little more time wrapped up in his words was a pleasant experience for me.
Boyden has a way with words and a way to make ordinary human stories feel extraordinary. This collection of stories, snapshots of Canadian aboriginal life, is rife with poignant moments of true emotion and depth. Boyden offers up an honest view of life on and off the reservations, in the present and the past, mixing legend with realism to create a fluid collection. These stories paint a picture of a history of a people often unrepresented in popular literature, some positive depictions and others less so, though all honest and real.
An enjoyable assortment of stories, Born With a Tooth is full of some very memorable characters, even a familiar face or two. Chock full of Boyden's by now well known lyricism, this book has some very raw moments of sadness, rage, ignorance, fear, love and hope. As usual, Boyden stands strong, representing a very intriguing culture in a highly readable way.
Boyden has a way with words and a way to make ordinary human stories feel extraordinary. This collection of stories, snapshots of Canadian aboriginal life, is rife with poignant moments of true emotion and depth. Boyden offers up an honest view of life on and off the reservations, in the present and the past, mixing legend with realism to create a fluid collection. These stories paint a picture of a history of a people often unrepresented in popular literature, some positive depictions and others less so, though all honest and real.
An enjoyable assortment of stories, Born With a Tooth is full of some very memorable characters, even a familiar face or two. Chock full of Boyden's by now well known lyricism, this book has some very raw moments of sadness, rage, ignorance, fear, love and hope. As usual, Boyden stands strong, representing a very intriguing culture in a highly readable way.
January 29, 2012
It's easy to overdose on a collection of short stories, and it's hard to fairly judge one as a "book" when its form intends not to be greater than the sum of its parts. Its parts, in fact, ought to be wholes (although the final four tales overlap quite nicely) and should only be approached as such.
A few of the stories fairly glowed with a magic realism that many Ininew would no doubt appreciate but few if any would admit to experiencing today. Others portray a degradation that is hardly balanced or representative. That is not to suggest, Boyden disrespects the people of James Bay; he obviously identifies with and cares deeply about them.
Most of the stories are well told and interesting, a few may be brilliant. Others were disappointing.
A few of the stories fairly glowed with a magic realism that many Ininew would no doubt appreciate but few if any would admit to experiencing today. Others portray a degradation that is hardly balanced or representative. That is not to suggest, Boyden disrespects the people of James Bay; he obviously identifies with and cares deeply about them.
Most of the stories are well told and interesting, a few may be brilliant. Others were disappointing.
August 4, 2010
I've only read the first in this series of short stories, but I was bowled over with the clarity of raw emotion. I spent parts of my childhood in the small Native villages in the far north of Canada where the story is set, and the truth of the land, the truth of the culture comes through.
1/22/09 I've just read the second sort story in the book. this one is in the firs-person voice of a woman who is the bingo caller on a reservation in Ontario. Very thought-provoking.
10/6/09 I'm reading this book so slowly. One story at a time,then a long pause. Each story is deeply moving. Boyden is an exceptional storyteller.
1/22/09 I've just read the second sort story in the book. this one is in the firs-person voice of a woman who is the bingo caller on a reservation in Ontario. Very thought-provoking.
10/6/09 I'm reading this book so slowly. One story at a time,then a long pause. Each story is deeply moving. Boyden is an exceptional storyteller.
November 14, 2011
Joseph Boyden is an extremely talented writer and I have found all his books to be equally impressive.
This is a volume of short stories set in Ontario. The author represents his characters, mostly Ojibwa and Cree, with an authorative voice so that one can feel the life of the reserve through his descriptions. For me the most moving story is "Legend of the Sugar Girl", an elegy for the aboriginal culture destroyed by white settlement. While most of the stories involve pain and loss, the final story, "Old Man" leaves the reader with a more positive note.
This is a volume of short stories set in Ontario. The author represents his characters, mostly Ojibwa and Cree, with an authorative voice so that one can feel the life of the reserve through his descriptions. For me the most moving story is "Legend of the Sugar Girl", an elegy for the aboriginal culture destroyed by white settlement. While most of the stories involve pain and loss, the final story, "Old Man" leaves the reader with a more positive note.
January 27, 2014
I had just finished The Orenda, which I really enjoyed, so I wanted to read more of Boyden's other works.
When I bought this book, I didn't realize this book was full of short stories. Normally, I am not a fan of the short stories, but these are very well-written, interesting and very informative...a lot of the stories or characters are sad and heart-breaking, but real. I like the cultural awareness and relatable levels Boyden brings to all his characters/stories.
Obviously, I would personally enjoy some stories more than others, but overall it is a strong collection.
When I bought this book, I didn't realize this book was full of short stories. Normally, I am not a fan of the short stories, but these are very well-written, interesting and very informative...a lot of the stories or characters are sad and heart-breaking, but real. I like the cultural awareness and relatable levels Boyden brings to all his characters/stories.
Obviously, I would personally enjoy some stories more than others, but overall it is a strong collection.
March 6, 2016
Joseph Boyden's writing makes me feel like no other's. Anger, grief, happiness, frustration. Everything. I'm so incredibly thankful that I picked up Three Day Road last year and have since continued to read his fantastic work.
I loved the last three stories the most, as they presented the many different perspectives of this community. The preacher in "God's Children" had me shaking in anger like no other character has in a long time.
I wish that everyone reads these stories. I feel that this should be mandatory reading in every late high school/ University English classroom in Canada.
I loved the last three stories the most, as they presented the many different perspectives of this community. The preacher in "God's Children" had me shaking in anger like no other character has in a long time.
I wish that everyone reads these stories. I feel that this should be mandatory reading in every late high school/ University English classroom in Canada.
February 17, 2016
Joseph Boyden is a powerful writer and one of my favourite authors. This collection of thirteen short stories, originally published in 2001, is an interesting showcase of his developing talent. The stories deal with the social struggles of aboriginal people in Northern Ontario, including the damage done by residential schools, poverty, and addiction. In my opinion, the strongest part of the book is the final section of four stories which recount the death and funeral of a young native woman from different perspectives.
August 2, 2010
Full disclosure - Boyden's book Three Day Road is on my Top Ten List. I saw him speak in Toronto and he is very charming and very cute! This book of short stories is his first book. The stories are divided into 4 sections with 4 different themes. They are brilliant. I usually need to intersperse short stories with a novel, but I read this book in one day, and although the stories are not connected, they flow beautifully.
He is now teaching in New Orleans and I so impatient for a new book!
He is now teaching in New Orleans and I so impatient for a new book!
January 16, 2012
It was a great read. Each story was not long so it kept things fresh and interesting. Contains some good ol Indian humor which had me laughing out loud. The stories also hit on themes and issues that I have had personal experience with being First Nation, it makes me uncomfortable but still got me to think about these things that I have put away and try to forget about, which I think is more important.
April 13, 2014
Normally, I don't do short stories. I either find the stories don't have enough "umph" or they are too engaging and I want more. Not this time...loved it. This was a great series of shorts, told with passion and detail but condensed into their own microcosm. I quite love Joseph Boyden and this lived up to those standards. I thought the different perspectives worked well and lent authenticity to the overall feel of the book.
October 15, 2013
I always enjoyed Joseph Boyden books and although I don't like short stories, I loved Born With a Tooth. Boyden takes each story which can certainly stand on its own and weaves it in with the others so by the end of the book, you feel like you've read a novel. He brings forth serious issues that plague Native Canadians and the realities that come forward. Brilliantly written, I couldn't put this book down.
September 28, 2014
Loved it. Boyden is a great storyteller who write convincingly as one who has lived with real characters like those he's created for these short pieces. There's a sense of harsh reality with no blame or judgement added. I appreciate his perspective on native culture and his incredible talent for showing the very human qualities of even those brought to desperate places none should ever have to visit.
May 28, 2015
3-3.5
A collection of short stories reissued after the success of 3 day road and through black spruce. I enjoy the writing style and the authentic characters. Not happy stories and existence on the reservations is not pretty. It is good to keep us aware of the situations and hopefully help in the call for justice. I enjoyed how some characters reappeared in several stories and readers could get their takes on events and characters as well.
A collection of short stories reissued after the success of 3 day road and through black spruce. I enjoy the writing style and the authentic characters. Not happy stories and existence on the reservations is not pretty. It is good to keep us aware of the situations and hopefully help in the call for justice. I enjoyed how some characters reappeared in several stories and readers could get their takes on events and characters as well.
March 11, 2014
This book of short stories captured my interest right from the beginning. Beautifully written the stories feel very real and I found myself reading it like a novel, wanting to find out what was going to happen next. All relate to aspects of First Nations life, the final four to different reflections on a single event.
June 15, 2015
I have previously read and loved all of Joseph Boyden's books so I was excited to read these short stories. They did not disappoint. With a couple of familiar characters placed from the other books and some new the stories touched my heart. The stories may be short but the characters stick with you. Boyden is an amazing storyteller and is one of my favourite authors.
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