Townsend is a comic genius who presents am unsparing vision of England in all its (fallen) glory, Chavs and Cocaine Socialists alike. Adrian is the post-modern anti-hero, our generation's Holden Caulfield, if Holden Caulfield had been funnier, more human, and even more readable. (I got through Catcher in the Rye on my eleventh birthday in one sitting. The Adrian Mole series is funnier, more original, and a far better satire of society.)
My laughing fits started in the introduction where Townsend has a theatrical summary of the novel's many characters. I started having to read certain entries aloud because I felt it was criminal to keep them to myself. I was reading this just before Christmas sharing a bed with my adult sister, who was somewhere between annoyed at my interruptions and amused with Townsend's lapidary black humor. (Which is a good summary of our relationship: vacillating between annoyance and amusement.)
I hadn't read any Townsend for at least fifteen years, I'd been trying to get my thirteen year old sister to read Adrian Mole but seeing that good bookstores are harder to find than truffles these days, I was SOL until I came to the Frugal Muse in Madison, WI, where I nearly spent all my Christmas money. This bookstore rocked and had everything I wanted, and, if you know me, you know that's just this side of impossible.
In this novel, Adrian is a "chef" at a somehow poncy "Traditional English, No Menu" restaurant run by a (let's run with it) Cocaine Tory who hates virtually everyone. Townsend satirizes the offal-craze that hit London in the late 90's, early 2000's led by Fergus Henderson and his St. John. (Lovely place, by the way. I mean, who else's clout could get a former vegetarian to try the bone marrow?) Adrian briefly stars in a cooking show, Offally Good, but is eclipsed by a better looking Asian (Indian) co-star, because even if we haven't read Adrian for many years, the one thing he lacks for certain is star power. That's why we read his diaries. And star power is where the love of Adrian's life, Pandora Braithwaite, MP, comes in.
Where Pandora's competency and success foil Adrian's lack thereof, it is in this book where Adrian shows himself to be more selfless than in other periods (though that's not exactly saying too much). Townsend shows the humanity of the Mole family through their commitment to each other, in light of betrayals, divorce, death, the dole and separation. At 30, Adrian is a father, as he finds out, of not just one but two boys, one bi-racial and one from the council estates, whom he meets in the course of the novel. Adrian's exploits in fatherhood are most explored in this novel; in the next both of his boys are overseas.
That's all the synopsis I'll do. This book is THE funniest book I have ever read, and it's got trenchant social commentary as well from Britain's best living satirist.