Paul Discoe was in on the ground floor of Zen architecture in the United States. In the 1960s he became a student of Zen Buddhism, studying and building at the Tassajara complex in northern California. His own wood-based Zen-Buddhism architectural structures and renovations in the United States and Europe are the focus of this book. With passionate prose, Discoe identifies the elements of Buddhism that are represented in his buildings and describes the trials and triumphs of blending current building methods and codes of the United States with ancient Japanese joinery techniques. Zen-Inspired Architecture has delightful photography of his structures, and the illustrations show just how a Zen structure has its beginnings.
The first part of this book was enjoyable and informative, highlighting the architect Paul Discoe's work on Zen centers such as the San Francisco Zen Center's Tassajara, Green Gulch, and City Center complexes, and Kojin-an Zendo in Oakland, California. It was interesting to learn how traditional Japanese architecture was adapted to Western codes and standards, and how the architect used reclaimed wood and fallen trees for some of the buildings. It includes many photos and and a number of drawings.
However, the residential section devotes a number of pages to a compound in Woodside, California, that includes many buildings around a lake, bridges, pool, etc. The architect and his firm worked on it for a dozen years or so. It so excessive that I found it hard to believe that all of these buildings were going to be used by one person/family. The book does not state it, but this complex was built for Larry Ellison. While the details about the buildings are useful for someone interested in Japanese carpentry, the inclusion of this project seemed very out-of-place in a book entitled "Zen architecture." Elsewhere in the book, the author talks about using reclaimed wood from street trees, preferring modest structures, etc. I felt like some sort of explanation was needed about a project that was so obviously wasteful, unsustainable and seemingly incompatible with the philosophy of the architect and his Zen practice.
There are lots of gems in here about auspicious Zen design (entering a building from the south, crossing over a body of water, etc). Particularly interesting was how Discoe merged these Eastern ideologies and practices into Western building codes- creating something entirely new in the process. Towards the end it basically became a look book for Joinery Structures.
Photography is beautiful (I like joinery and gardens), text is interesting, diagrams are great, but the buddhists riddles annoyed me and I forced myself to finish it.