I read the second half of the Odyssey with new eyes this time, thanks to my recent reading of Albert Lord's "The Singer of Tales." Lord and his mentor, Milman Perry, recorded hundreds of Slavic bards singing traditional tales. In his book, Lord then compared several different variations of a similar theme, where a man returns home in disguise after a long imprisonment/absence. In essence, this is the story of Books 13-24 of the Odyssey. We are thus more distant from any historical basis in the events of the Trojan War and closer to what seems to be a common folk motif across cultures.
Throughout this part of the poem, Homer's depiction of all the characters, even the most minor, is excellent. We get Eumaios, the noble swineherd who welcomes Odysseus even when he appears to be a wretched beggar. Then there are the various suitors of Penelope, who are carefully differentiated in their degrees of awfulness. And of course there's Penelope herself, who has stood out for so long against the pressures of the suitors, and has trouble trusting her own eyes when her husband finally returns. To me the highlights among the many recognition scenes, where characters realize who Odysseus is, are the aged nurse, Eurycleia, who notices an old scar on his leg; and best of all, the dog Argos, who like Odysseus himself has fallen on hard times, yet sees through the rags to recognize his master. What an amazing poet who created this scene, which will touch the heart of any dog lover.
It was bittersweet to reach the end of the Odyssey. I have now finished Homer's two epics. But I am excited for my next project, which will be my first encounter with Hesiod. And then I'll come back to the "Homeric" Hymns, which most likely come from a later time.