There is a scene late in the novel that I want to share with you: a man trapped high in a tree, lashed by his belt to a thick branch to hold him in place in case he falls asleep and relaxes enough to let go. He's been there for three days, weak with fear, hunger, thirst. Below him a massive grizzly bear waits, too battle-scarred to climb the tree after the man but patient and determined. Occasionally the bear trundles over to give the tree an almighty shake. The rest of the time the grizzly sits, his back to the tree, like a "recalcitrant baby." This image, and the tension of this scene, is so visceral, the contrast of a killer bear and a fat, petulant baby so jarring, it's forever seared into my mind's eye.
And that's just how good the entire book is. Vivid, tense, terrible and beautiful. Ridgerunner, Gil Adamson's follow-up to 2007's outstanding The Outlander, is an epic literary western, magnificent in detail and scope, gorgeous in character, gripping in pace.
The story is set in 1917 and crosses the border between the Canadian province of Alberta and the American West. William Moreland's wife is dead and his twelve-year-old son is recovering from a serious illness. Moreland leaves his son in care of a nun, Sister Beatrice, in the town of Banff while he goes on a mission to collect as much money as he can to save his son and set him up for life. Except that Moreland's idea of "collecting" is to break and enter banks, mining offices, construction sites, and hotels to steal their cash boxes.
Meanwhile, Jack recovers but finds himself trapped in a mansion with a woman who saved his body only to try and steal his soul. He escapes and returns to the only place he knows as home: a cabin miles deep the woods, where he'd lived in isolated splendor with his mother and father. Still just a boy, he knows enough to fend for himself, but Sampson Beaver, a Nakoda native living a few miles away, reaches out and draws the boy under his wing, giving him just enough independence to learn, but not rope enough to hang himself.
Sister Beatrice will not give up her charge so easily, however. What seems at first like an unhealthy obsession with a young boy by a lonely old woman becomes a terrifying manhunt. And while Jack learns there is a bounty for his recapture, his father, now a notorious thief, is being pursued across the Rockies by angry grizzly bears and armed men with vendettas.
The historical detail in Ridgerunner is astonishing. From the intimacy of a one-room cabin to the vastness of the Rockies, from chain-gangs of WWI prisoners of war to the campsite of wealthy Canadian tourists on a guided hunting expedition, from the sewing studio of an indigenous artist to a former healer's apothecary of evil, Gil Adamson takes us on a grand tour of life on a harsh frontier that is rapidly transforming with the modern era.
The separate narrative arcs of Moreland and Jack flow together in a breathtaking waterfall of violence and love. This is a stunning novel that you'll want to carve out time for: once started, you won't be able to set it down.
Highly recommended.