DEAD IS THE NEW RED! In order to finally destroy Spider-Man once and for all Norman Osborn joined himself with the Carnage symbiote, becoming the Red Goblin! Here at last are the untold stories of the Red Goblin’s rein of madness and mayhem! So grab your greatest goblin gear and rend your raiments red, for the Red Goblin rides again!
Patrick Gleason is a comic book artist. Among his credits are the 2005/2006 miniseries Green Lantern Corps: Recharge. He has also worked on such titles as Aquaman, JLA: Welcome to the Working Week, JSA, Noble Causes, H-E-R-O, and X-Men Unlimited.
He has been the regular penciller on DC's Green Lantern Corps since its debut in 2006.
um História okay que deve ter sido mais nostalgico para quem leu o arco do duende macabro como não li eu achei uma história okay sobre norman mas não vou mentir que senti vontade de ler a fase dos vingadores sombrios na época do bendis.
The art on all three tales were decent enough. I can appreciate the carnal chaos of Carnage and his bloody appetite but it was all a little weighed down with OK stories that went from the psychosis of American Psycho to the dark dealings of Trick-or-Treat mashed with the Good Son buried in Pet Semetary.
Great Responsibility shows Osborne's desire for power and prestige combined with Carnage's lust for the blood of innocents. Big Mouth has both villains scheming for Spider-Man:s identity, revenge on a past big-mouthed whistleblower, and planning torture on a loud-mouthed Daily bugler. The Wayside Darkness is X-Men-ish trick-or-treaters, bullies, daily masks, and the influence of Good or Evil grandfathers that seemingly push their grandkids in the opposite direction that they intended for. I think.
The cover art is the best portion here and it makes me wish the whole issue was a dark night of terror for a group of trick-or-treaters who witness the violence of the Red Goblin while fighting to survive. Alas, it was not.