Arly Carmack's "Nineteen" isn't just about being nineteen. It's about being sixteen, seventeen, eighteen, nineteen and twenty. And even about being thirty(something).
When I first started reading "Nineteen", I described it to someone who asked as "a rollercoaster". And like most good rollercoasters, no matter how many dips and dives it has, the first part is really just the wind up for the big run about halfway through - and for the grand finale, which leaves you feeling lightheaded and even confused at the end.
For the most part, "Nineteen" deals with sex - and particularly, with the physical, emotional, and social aftermath of sexual encounters. While not every possibility is covered (that would extend far beyond the scope of a single book!) Carmack tackles a variety of issues ranging from from sexual violence to abortion. Perhaps most interestingly, the book does so from the perspective of a young man - one who discovers what it is like to hurt, and to be hurt.
Carmack has a unique writing style, and is the absolute master of opening sentences. (How is this for the first sentence of chapter one? "I had come to the conclusion that I didn't know a damn thing about myself" - and all seventy-two chapters begin just as attention-grabbingly)
"Nineteen" is written in the first person, from the perspective of the (not always) nineteen-year-old protagonist, Cameron. This leads to some interesting outcomes. We are often told about Cam's past actions or patterns of behaviour (e.g. waiting for a letter, having dinner with someone etc.) at the exact moment it becomes pertinent to the story. While on the one hand, this can detract from the sense of urgency and plot driving the story (as we never really experience the anguish of waiting, or the awkwardness of events with him), on the other hand, it can be said that this heightens the sense we experience of Cam as storyteller, since this is exactly how a real friend would relay a story.
"How do you detect a real story?" asks Carmack (as Cam) in the opening sections of the story. "Messy people in shitty situations".
I happen to agree wholeheartedly with this definition - and by this measure, "Nineteen" is certainly a real story.
Just like the age for which it is named, "Nineteen" is difficult to categorise. Although it's some time since I was nineteen, as I read Carmack's book, I felt myself reflecting on what this age means. In some countries (such as my own) eighteen is the age of adulthood. In others (such as where I read this book) it's twenty. And yet in other places (including, I believe, the place Cam inhabits) it is twenty-one.
Nineteen, however, is both a significant and a nothing age in all but a handful of countries (and a couple of states in the US and Canada). It is perhaps best described as "in-between", and likewise, I'd describe "Nineteen" as between genres.
Given its title, it might be tempting to categorise "Nineteen" as YA (or perhaps more accurately, NA). But "Nineteen" explores the lives of and will appeal to people of all ages.
It's also tempting to think of it as a "Christian" book, since, especially in the second half, the characters' religion (all Christian, and more specifically, the sort that use phrases such as "pray on" and "faith journey") features quite predominantly. Yet (as is truer of real life than most books in that genre), their religion provides no clear, concrete answers and neither (as is truer of real people than most protagonists in that genre) do Carmack's characters follow the tenants of their faith anywhere near perfectly. In fact, while many of the negative repercussions of sexuality are explored at length, the majority of the characters do not consider abstinence. And as one of the characters keenly observes "you can either pray for your sins or pay for your sins."
Finally, as in real life, the message of "Nineteen" (if there is a single message) is complex, or even, as the quote above suggests, "messy". Characters feel responsibility for decisions that weren't theirs to make, and at other times, fail to own up to those that were. There was plenty in "Nineteen" that I disagreed with Cam on. The importance of biology compared to love, for example, or passion versus respect. But I don't believe it is necessary to completely agree with a character in order to be interested in their story, or what they have to say. And Cam, those of us with a few more years under the belt must remember, is young - whether he's an adult at eighteen, twenty, or stuck in the middle at nineteen.
Regardless of whether you agree with the decisions made - or how the characters ultimately feel about them - "Nineteen" will make you think, about relationships, life, and whether the "formula" for life (that screws over most of us - male and female) is really worth adhering to.