I was excited to read this book as the commodification and consumerism of religious traditions is a timely and interesting subject. However, I think Arjana's book has not done this topic adequate justice.
As others have said, this book suffers from disorganization and repetition. The same examples of cultural appropriation – the retail website Goop, white immigrants to Bali, the fetishization of Tibet, the book "Eat, Pray Love,”, Oprah, several spiritual festivals – are cited continuously throughout the book. One page of the book may deal with five to seven topics from multiple religions. Sentences and paragraphs feel like they have no connection to the sentence or paragraph that came before them. Arjana cites excessive examples of "cultural colonialism" throughout the book with little to no analysis. Despite the book's cover and title indicating it is about religion, it includes discussion of non-religious cultural colonialism like interior decorating in restaurants and belly-dancing. It also includes some examples of cultural appropriation of non-Asian cultures such as African-American, African, Native American, and Ashkenazi Jewish. The book would benefit from more organization and fewer, more generalized, more focused examples with deeper analysis. The only deep analysis provided is in the final chapters. These are much more engaging and readable than previous chapters, but confusing if you have never seen Lost or Star Wars.
She continually quotes various academics who are usually thrown in with no introduction to who they are, what their work is, or how it is relevant. The quotes are typically not analyzed. The reading experience is, therefore, cumbersome and disjointed as the voice is constantly changing. The reader is expected to be intimately familiar with numerous cultures and religious traditions as well as critical theory, critical race theory, sociology, critiques of capitalism, and American pop culture. At times, I found myself having to look up what book a particular author wrote, what a "heterotopia" is (not a mythical land of straight people), or what the film "Crazy Rich Asians" is about. She introduces and uses terminology without defining nor explaining it. For example, referring to "Eat, Pray, Love as "priv-lit" which I did not realize until significantly into the book is a word-play on privilege and a prior existing critique of this book after googling this word.
As the book stands, the author does not include discussion of examples that would enhance her argument. She talks about the "performance" of Islam by white scholar Hamza Yusuf but omits Abdal Hakim Murad. She completely omits writing about Romani people. However, she repeatedly talks about the Bohemian fashion style derived from the French term for Romani people, Bohémien, but never included this information.
Surprisingly, she doesn't talk about the biggest propagator of Fake Hafez, Daniel Ladinsky. She includes some discussion of racial fetishization in skincare but altogether forgoes discussing the new Western obsession with Asian skincare with its apparent exotic ingredients that keep Asian women perpetually youthful. I think about the brand Tatcha started by a Taiwanese-American woman but is marketed as the secret beauty recipes of Japanese geishas, fake Korean beauty brands, and the brand "Rituals of Karma" selling beauty products off of Hindu theology. She misses this entire trend of Asian skincare, which would be a rich well to draw from in criticism of orientalism mixed with capitalism.
One of the book's most bizarre aspects is that the author will sporadically point out if a group of people or a particular person are white (ex. Coleman Barks) and then implicitly or explicitly attribute their behavior to being white. Yet she mentions people of color (ex. Deepak Chopra) doing the same thing and never mentions their race and provides no analysis. She analyses these people as if they are white. How can we attribute this behavior to someone being white then and not the general trends of consumerism and capitalism in modernity? Some of the non-white people she brings up (ex. Osho) did far worse things than other whites mentioned, but ideas of non-white spiritual authenticity and inherent white inauthenticity (ex. her discourse on Hamza Yusuf), which Arjana implicitly promotes the entire book, can lead to extreme harm and abuse by capitalizing charlatans. In my view, this is a source of tension and dissonance.
Arjana seems to position herself as uniquely self-aware and enlightened above her many subjects of criticism – white conservative Muslim converts, pseudo-Sufis, perennialists, yoga practitioners, American Buddhists, ex-pats in Asia, Oprah, etc. She shifts from viewing the subjects with sympathy to contempt and disdain. I question why Arjana, self-professedly white, positions herself as a voice speaking on behalf of billions of people. At one point, she quotes a scholar who notes how mixed-race Peruvians will follow indigenous traditions, but on what basis can Arjana criticize and dictate the religious practice or racial identity of Peruvians as a white American woman? She is as subject to the forces of modernity and capitalism as her subjects are, but she seems to broadly disagree with every practice of Eastern religion by Westerners asides from liberal academic versions, which go uncontested. Arjana unintentionally promotes a monolithic view of Islam, Hinduism, and Buddhism. There is the true, traditional, authentic Hinduism, Buddhism, and Islam and the false, bastardized modern versions in conflict with them. Only brief lip service is provided to mention of sects or diversity.
I think Arjana is excessively critical of what I would see as cultural exchange and what she calls "cultural colonialism." I believe aspects of cultural exchange are simply inevitable in a globalized world. I am particularly concerned with condemnations of Buddhist-inspired psychotherapy as I don't see an alternative, nor is this a racist or superfluous appropriation. For example, dialectical behavioral therapy is Buddhism-inspired and the primary treatment for Borderline Personality Disorder. I'm not comfortable with the massive generalizations made about certain groups on very little information, such as her anecdote about how she knew someone who went to a Nur Ashki dhikr and saw someone fall asleep. I think we should differentiate between offensive and harmful appropriations versus those that are positive or benign. She sort of touches on this in her positive analysis of Lost and Star Wars, but if those are an “okay” form of cultural appropriation, then I don’t see why at least some of the myriad other things she lists aren’t then.
The title and cover are very misleading to the actual contents of the book. Rumi is discussed only briefly and on a surface level. I feel she should have discussed the construction of the modern American Buddhist movement. This book is entirely unapproachable to those who don't have an academic background in religious studies and related fields. It's also excessively broad and simply trying to cover too many religions with too many topics at once, leading to a lacking analysis. The book ends abruptly, and the conclusion is insufficient.
Ultimately, the author had a very different vision of what her book is then I imagined it, but overall it suffers from flawed analysis, disorganization, inconsistency, too much quoting, and too many examples covered. It feels like there is no conclusion and no direction to go from here.