In the words of illustrator Elisa Chivarri about the national pride of her fellow Peruvians, this book takes advantage of an excellent opportunity to “rave about [the] country and culture.” Sharuko celebrates a man who advanced the #ownvoices movement long before it hit the social media zeitgeist. The story, told in Spanish on the left page of each opening and in English on the right, recounts the life of Julio C. Tello. Beginning with his earliest encounters with human skulls in the caves of his childhood, it relates the milestones that led to his eventual discovery of the indigenous Peruvian roots of the Incan Empire and beyond. The watercolor and gouache illustrations pay visual homage to the artistic traditions of indigenous Peru and the afterward, illustrator’s note, and bibliography show loyalty and deference to the reality of the historical subject matter.
It’s difficult for a picturebook, having limited space, to adequately convey all of the milestones in a life so rich with twists and turns as that of Sharuko. The limits are even tighter since the text is printed twice! However, the author makes a wise choice in spending more time on the subject’s childhood, laying the groundwork and showing the roots of his passion, than on the young adulthood which would likely fascinate a more adult audience. The text demonstrates an awareness of audience by establishing the subject as devoted to his passion even as a young boy, encouraging the child readers to visualize themselves in similar adventures. The illustrations do the work of showing Sharuko’s philosophies much more effectively and efficiently than the text could have. The contrast between the bright, vibrant greens and yellows of the indigenous people and the stiff, regulated browns and grays of the Spanish empire on the third opening show clearly Sharuko’s positive emotional association with the pre-colonial culture. The fifth opening clearly communicates Sharuko’s fascination with the past as human skulls are prominently displayed against a backdrop of shocking yellows, oranges and pinks, contrasting with the dark and foreboding mood the skulls alone might suggest. The ending of the book is also worthy of special note. The author chooses to end, not at the highpoint of the subject’s life as do many other biographies for children, but with the author’s death and legacy. Again, the text demonstrates a respect for the child audience and does not shield them from the reality of death, supporting once again the motif of death and the past as a friend instead of a fear. The illustration on this final opening is once again a brilliant and celebratory yellow, with many Incan symbols surrounding the figure of Sharuko, tokens of his accomplishments and of his connection with his heritage. This is an excellent biography for igniting passion, encouraging and inclusive culture, and addressing complex emotions about national heritage.