I was fortunate to receive an advanced review copy of this work.
The Flower and the Serpent, by Madeline D’Este, is adult-friendly YA fiction straddling the line between horror and supernatural mystery. The year is 1992, Beacon Hill is a small community in Tasmania with a tortured past, and three young women, Violet, Holly, and Lila, are about to be swept up by their high’s schools production of Macbeth.
Many of the Scottish Play’s key themes, such as betrayal, revenge, witchcraft, and unbridled ambition, are mirrored in D’Este tale. I’m not going to count that as spoiler, it’s what we’d expect from a good writer. What deserves note is the deft and delightful way in which that mirroring is achieved.
[APOLOGIES IN ADVANCE FOR CONVOLUTED WORDING TO AVOID A SPOILER] Early in the story, a prophesy is given regarding three different fates which will befall the girls, without naming which girl will end in which way. As canny readers, we know it will not be the most obvious parings. But, to D’Este’s enormous credit she keeps us guessing who and how until the reveal occurs. When it comes, it was well but subtly seeded the entire way.
Like Macbeth, this is a story driven by personalities. Despite the supernatural elements, in many ways this is a psychological thriller, with action directed by the characters’ internal monologues and external actions. As we discover, none of the main characters’ motivations are exactly what they first seem.
Also like the Scottish Play, The Flower and the Serpent has a memorable supporting cast. Special standouts for me are Mr. Ravenswood, the archetypal drama teacher everyone loves to hate and Angelika the pretty, popular, and superficially superficial (not a typo) girl who others underestimate at their peril.
This was a fascinating read for me because The Flower and the Serpent is a strange blend of things I usually read (supernatural mystery, historical fiction, stories making Meta use of Shakespeare) with things I don’t usually read (YA). The emphasis on psychological aspects as well as D’Este’s comfortability with walking in darkness make the story accessible to readers who do not normally include YA on their reading lists. (In the interest of full disclosure, its 1992 setting, the year I was a senior in high school, may give it a nostalgic appeal for me. While my experience was in a university town north of Dallas rather than small Tasmanian community, much of the high school experience seems depressingly universal).
If I have one lament about the story, it is that we are only given hints regarding the fascinating and macabre history of Beacon Hill. Perhaps this is deliberate on D’Este’s part and we will see more of this Tasmanian Twin-Peaks-meets-Dunwich in the future.
A final note, it is not necessary to review Macbeth before reading The Flower and the Serpent but it may enrich the experience. I kept my copy to one side as I read and referred to it as needed.
Readers with a wide range of backgrounds and interests will find resonance with this darkly seductive tale of revenge, regret, and, ultimately, redemption.