Absolutely gorgeous and utterly wonderful both textually and illustratively is Uri Shulewitz’ 1974 picture book Dawn. And yes, I absolutely love love love how with very few words, how with a totally sparse text that is nevertheless richly nuanced, full of intense descriptiveness and emotion, Uri Shulewitz with and in Dawn evocatively depicts the quiet but strong delight of a grandfather and his young grandson spending silent and quality family time camping together under the stars, of soundlessly sleeping outside (with indeed, the pair of campers not even making use of a tent), and yes, how come morning, the grandfather then shows to his grandson with no conversation at all (with just physical actions) how where they had been camping (a lake and its surroundings) slowly turns from the darkness of night, to the grayness of predawn and then once the sun has risen to brightly green and shining, a lovely little tale celebrating family, nature and how nature can and equally should be observed, with quietude, with wonder, with no unnecessary talking and noisiness.
Now regarding Uri Shulewitz’ artwork for Dawn (as indeed and like usual for Shulewitz, he is both author and illustrator here), the accompanying pictures for Dawn, they do present and feature pretty much exactly the same type of silent wonder and softness as the narrative, as Uri Shulewitz’ featured text does, so that yes and indeed, Dawn most gloriously demonstates for and to me a totally and all encompassingly perfect marriage of text and images (and as such also presents a solid and rare five star rating for me). And considering that Uri Shulewitz does (in my humble opinion) often have the rather annoying tendency to render his illustrations as a bit too visually busy and frenetic for my aesthetics, that he manages to in every way avoid and refrain from doing so in Dawn, this is not only very much personally appreciated by me and by my eyes but also makes Dawn my hands down-down and absolute favourite Uri Shulewitz picture book I have read to date (and therefore also a book most highly, most warmly recommended both for its text and equally so for its artwork and with no reservations and caveats whatsoever, as both of them are simply and utterly delightful and spectacular).