For every Hamlet, there is a supporting cast; for every Mrs. Dalloway, an entire realm of subordinate portraits. Yet if literary criticism cares at all about significant detail, emergent patterns, and the subtleties in narrative, flat and minor characters are crucial to an understanding of the fictional process itself. Beginning with E. M. Forster's landmark study of flat and round characters, this book is both a critical and writerly examination of the species: Why are certain minor characters so salient in readers' minds, and why are flat characters often so comic? Is a name enough to create a character, and if so, what is the vanishing point of characterization? The walking allegory, the narrator, the disrupter, the doppelganger - how are they used, and to what effect? The Supporting Cast first explores the theoretical limits of character, from structuralist taxonomies to reader-response concerns, with examples culled from a wide range of literature. He then applies these concepts, in chapters of sustained analysis, to works of Conrad, Forster, and Woolf. The work also provides comments on flat and minor characters in other media and a full-scale character index of Woolf's Jacob's Room.
I’ve published extremely short fiction in the collections Laugh Track and My Date with Neanderthal Woman (Dzanc Short Story Collection Prize), extremely long fiction in the novels Flesh, Turning Japanese, and How to Cope with Suburban Stress (Kirkus Best Books of the Year), and a lot in between. My latest is Brevity: A Flash Fiction Handbook, from Columbia University Press. Day job: professor of English and creative writing program director at Montclair State University. I’m also the editor in chief at Vestal Review, the longest-running flash fiction magazine on the planet. @dgalef https://davidgalef.com/ https://www.vestalreview.net/