When I first started reading “Murder On Moon Trek 1”, I was skeptical about whether the author, Diane Vallere, would be able to pull of what she was attempting, based on the summary on the book’s back cover. She was doing a cozy murder mystery set on a space ship traveling to a distant moon and featuring off-world species, forged employment papers, class struggles, and a robot cat. On the first page, she jumped right in and presented us with a corpse, introduced the main character for a potential series, established the tone for the book and went headlong into the plot.
I took a shine to the lead character, Sylvia Stryker, from the start possibly because she wasn’t a clone of any of the author’s other lead characters. She had a much different mindset than they did and a different approach to the murder, focusing on logic, intelligence and protocol, rather than hunch, intuition and blind luck. She is sort of a cross between Mr. Spock and Sigourney Weaver’s Ripley. I also enjoyed the main protagonist, Neptune, who was the strong, silent, implacable, close-to-the-vest type of person so between the two of them there wasn’t much extraneous dialogue. The plot and the character’s actions drove the story, not added exposition. Both Neptune and Stryker were very smart and capable and it was nice to see the tug of war for who would take the lead in the murder investigation, knowing that either one would do a good job even though their motivations might be very different.
Of course, there are complications, additional characters, plot twists, and such but they integrated nicely with the existing framework established in that first chapter. I figured there might be some awkward flow since this was a new type of setting for Vallere, one that had no precedent in her previous works. Yes, people are people but there were a lot of scientific principles and terminology to deal with for the first time. It didn’t sound clumsy though- she either had done some basic research, knew someone of a scientific bent, or could dupe a scientific idiot like me. Since she clearly put some thought into her universe-building, I’m inclined to say it was related research, along with some additional binge-watching of the original Star Trek series (a clear influence). That gives her the credit she likely deserves and keeps me from being exposed as an idiot.
Diane also balanced the characters well. A robot cat can easily get over-used and annoying as could the pixie-ish alien confidant Pica, the sourpuss boss, and the main foil Neptune. There were nods to some of her trademarks- an eye for fashion and its’ influence on character and perception, some sly homages to other space themed narratives, humor, and overall mastery and affection for the world she built. On the negative side, her main characters have a tendency to faint once or twice, and this was no exception although here it was literally the result of oxygen deprivation. Also, Stryker didn’t seem to grieve enough after a horrible turn of events took place and the ending could have been expanded somewhat to be a little more coherent. (For instance why was Doc Edison a suspect, why were hull repairs attempted without confirming the problem, how did someone get the drop on Neptune, etc….) These were not insurmountable issues, just minor distractions but since the book was moving along so nicely, there was no need to hurry to the ending. I would have been happy to spend a little more time aboard this vessel.
Once I was done with the book, which I read all of in the same day, not what I normally do, I marveled that Diane Vallere succeeding at most everything she attempted in this new alternative cozy genre. She strapped on her moon boots and conquered this new alien terrain with thoughtfulness, intelligence and a sense of fun and adventure. It did not feel like a chore to review this book that I received an advance copy of. In fact, I’m hoping that this is the start of a new series because there were so many fun things about this book that I want to see how things turn out in subsequent stories with these characters. A successful launch to a promising new series.