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Witchblade: Shades of Gray #1-4

Witchblade: Shades of Gray

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The smash-hit mini-series event from Dynamite Entertainment and Top Cow Productions is now available as a trade paperback collection Follow Detective Sara Pezzini and her new rookie partner as they race to stop a murdering madman. Waiting and watching in the shadows is the enigmatic Dorian Gray - who may or may not be the murderer they seek Collecting issues #1-4 of the mini-series from Raise the Dead writers John Reppion and Leah Moore, along with artists Stephen Segovia and Walter Geovani, and cover artists Stephen Segovia, Billy Tan, e-Bas, Adriano Batista

104 pages, Paperback

First published August 29, 2008

26 people want to read

About the author

Leah Moore

239 books90 followers
LEAH MOORE is an author born in Northampton, England in 1978.

Leah's comic writing career began in 2002 with stories for America's Best Comics. Most recently her solo comics scripting has appeared as part of Dynamite Entertainment's Gail Simone masterminded crossover series Swords of Sorrow (2015, with Francesco Manna).

In 2006 Leah wrote the story and copy to accompany The Royal Mail's 40th anniversary Christmas Stamps. She has written columns and articles for The Big Issue, Lifetime TV online, and Comic Heroes Magazine.

In 2013 Leah was the Project Manager of digital comics reading platform Electricomics. She was also the contributing editor of Electricomics flagship release, co-writing the sci-fi story Sway, with art by Nicola Scott.

Leah and her husband, John Reppion, have been scripting comics together since 2003, writing for the likes of 2000 AD, Channel 4 Education, Dark Horse, DC Comics, Dynamite Entertainment, Electricomics, IDW, and Self Made Hero.

They have written established characters such as Doctor Who (The Whispering Gallery, 2008 with Ben Templesmith) and Sherlock Holmes (The Trial of Sherlock Holmes, 2009 with Aaron Campbell, and The Liverpool Demon, 2012 with Matt Triano), as well as creating their own including Brit-Cit Psi Division, Judge Lillian Storm (Storm Warning, 2015 with Tom Foster).

Together they have faithfully adapted notable works by Lewis Carroll (The Complete Alice, 2010), H. P. Lovecraft (The Shadow Over Innsmouth, 2012), Bram Stoker (The Complete Dracula, 2009), and M. R. James (Ghost Stories of an Antiquary Vol 1, and 2) into comics and graphic novels.

Most recently she wrote an adaptation of The Doors Morrison Hotel album , and Motley Crue, The Dirt Declassified, for Z2 comics, as well as stories for their Joan Jett Anthology and the Tori Amos Little Earthquakes Anthology. She is currently working on The Tarot Circle for Liminal 11, as well as several other books yet to be announced.

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Displaying 1 - 4 of 4 reviews
Profile Image for Craig.
6,436 reviews180 followers
June 26, 2017
This is fun Dynamite/Top Cow cross-over from a decade back. The story is interesting, teaming Sara with a new temporary partner and introducing her to a famous figure (a real Wilde guy, you might say) from literary history. There were some enjoyable twists in the script. The art is typical for the title, with unusually dressed and proportioned people looking better than anyone you're likely to meet on the street. It's a fun, light read.
Profile Image for Miss December.
330 reviews34 followers
February 13, 2022
This one had potential but fell short. The art is great, and Sara Pezzini is always a great character. But it felt like the Dorian Gray aspect could've been explored more, and I was really hoping it was better. If they would have gone more with Issue 2 of this storyline, I think it would've been a richer plot, but that's just me. The cover gallery in the back of the book is exceptional. EBAS \m/
Profile Image for Amanda.
621 reviews9 followers
August 4, 2020
Eh. Dorian Gray shows up and all the female characters wear improbably tight clothes which keep getting strategically ripped.
169 reviews
September 24, 2016
I have always been intrigued by Witchblade. I didn't like this book though. The story jumped around. The main characters were flat with no depth. The dialogue was juvenile at best. And aspects of the artwork were clumsy and biologically false. Fingers bent the wrong way. Legs were drawn in impossible angles. It all seemed very clumsy and poorly planned.
Displaying 1 - 4 of 4 reviews

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