Yet another book that I read the first ~50 pages of last fall and then moved on. After some good experiences this week of steaming through other books on my "haven't read the whole thing yet" list, just tonight I decided to pull this one out and read a few pages before I went to bed.
Next thing I know, it's 1:30am and I'm done with the book, wiping a few tears from my cheeks.
It is my belief that Dar Williams has mostly written a story about the journey of her inner child. The life circumstances might be different, but the emotional truth in the story seems to echo the journey I've caught wind of in her real life. The reading level of this book may be middle-schoolish, but as with her songwriting, there are nuggets of wisdom, explained simply, sprinkled throughout.
The story is also dotted with cute "Dar-isms," wry references you would expect to hear her use in concerts to explain the story behind a song. For example, in this book we get a random sidebar where people are talking about going up to Woodstock, NY to check out a really great candle store. Classic Dar.
If I had my cynical hat on I would have been less swayed by the overwhelmingly feel-good ending, the fact that the stakes of the main conflict never really seem that high (at least to an adult reader), and whether the language of the book and the main character were realistic. Instead of reading this book while looking through my liberal arts degree though, instead I chose to go back to sixth grade myself and just see where the book took me.
What really excites me about this series (there is now a second book, "Lights, Camera, Amalee") is that Amalee discovers theater toward the end of this book, and presumably there will be a lot of that in the second. Dar was a professional stage manager early in her career, reflected in keen observations about being backstage during a show.