Derek Mahon was born in Belfast in 1941, studied at Trinity College, Dublin, and the Sorbonne, and has held journalistic and academic appointments in London and New York. A member of Aosdána, he has received numerous awards including the Irish Academy of Letters Award, the Scott Moncrieff Translation Prize, and Lannan and Guggenheim Fellowships. - See more at: http://www.gallerypress.com/authors/m...
Obviously Collected Poems contains more poems than the New Selected Poems but the shorter volume contains the key poems that illustrate Mahon's progress as a poet and remains a fine introduction. It is a pity that Collected Poems does not indicate the volumes from which poems are selected and lacks any critical perspective. As Mahon was notorious for re-naming poems this out to have been addressed.
I have read a lot of Irish literature, granted mostly the classics and the yet-to-be-completely Canonical women (wait for my book), but the favorite surprise of my literary life is a toss-up between Mahon's sheer genius, "A Disused Shed in Co. Wexford," and Michael Longley's "Pipistrelle". In the grand tradition of continuing my Irish male poets as potentates metaphor, Mahon is a Harp, light, quick and satisfying. His poems are lyrical and richly allusive without being heavy-handed, and he always has the most interesting epigrams and dedications. The whole collection is replete with keepers.
An excellent collection - there's everything here from dry wit to sentimental observations. All of the poetry is underscored by a quiet intelligence. There's a sharpness and strength to his poetry that contrasts with the sometimes overly simple lyricism of Heaney. I've rarely enjoyed a collection as much.