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Clive Barker's Hellraiser (1989) #16
Clive Barker's Hellraiser: Book 16
A time of Omega and Alpha...
The last troop of a Devil's Brigade fights
to see a diabolic order preserved in a quest
for a vaccine that will save
millions...while below, an infernal court
proclaims sentence on a Hell besieged by
the terrible chaos tearing the abyss apart.
And in the prehistoric past, a boy
glimpses the secret of a dread goddess--
Death Mother -- who will rise again
soon to provide Leviathan with its
greatest challenge ever.
Contents:
Devil's Brigade Part Seventeen: Hell Hath No Fury by
Dwayne McDuffie, D.G. Chichester, and Gill Ashby
This I Saw by Malcom Smith, Mike McMahon
Devil's Brigade: Finale Reckoning by D.G. Chichester, Dan Lawlis, John Rheaume
The last troop of a Devil's Brigade fights
to see a diabolic order preserved in a quest
for a vaccine that will save
millions...while below, an infernal court
proclaims sentence on a Hell besieged by
the terrible chaos tearing the abyss apart.
And in the prehistoric past, a boy
glimpses the secret of a dread goddess--
Death Mother -- who will rise again
soon to provide Leviathan with its
greatest challenge ever.
Contents:
Devil's Brigade Part Seventeen: Hell Hath No Fury by
Dwayne McDuffie, D.G. Chichester, and Gill Ashby
This I Saw by Malcom Smith, Mike McMahon
Devil's Brigade: Finale Reckoning by D.G. Chichester, Dan Lawlis, John Rheaume
64 pages, Paperback
First published January 1, 1992
120 people want to read
About the author
Clive Barker
686 books15.4k followersClive Barker was born in Liverpool, England, the son of Joan Rubie (née Revill), a painter and school welfare officer, and Leonard Barker, a personnel director for an industrial relations firm. Educated at Dovedale Primary School and Quarry Bank High School, he studied English and Philosophy at Liverpool University and his picture now hangs in the entrance hallway to the Philosophy Department. It was in Liverpool in 1975 that he met his first partner, John Gregson, with whom he lived until 1986. Barker's second long-term relationship, with photographer David Armstrong, ended in 2009.
In 2003, Clive Barker received The Davidson/Valentini Award at the 15th GLAAD Media Awards. This award is presented "to an openly lesbian, gay, bisexual or transgender individual who has made a significant difference in promoting equal rights for any of those communities". While Barker is critical of organized religion, he has stated that he is a believer in both God and the afterlife, and that the Bible influences his work.
Fans have noticed of late that Barker's voice has become gravelly and coarse. He says in a December 2008 online interview that this is due to polyps in his throat which were so severe that a doctor told him he was taking in ten percent of the air he was supposed to have been getting. He has had two surgeries to remove them and believes his resultant voice is an improvement over how it was prior to the surgeries. He said he did not have cancer and has given up cigars. On August 27, 2010, Barker underwent surgery yet again to remove new polyp growths from his throat. In early February 2012 Barker fell into a coma after a dentist visit led to blood poisoning. Barker remained in a coma for eleven days but eventually came out of it. Fans were notified on his Twitter page about some of the experience and that Barker was recovering after the ordeal, but left with many strange visions.
Barker is one of the leading authors of contemporary horror/fantasy, writing in the horror genre early in his career, mostly in the form of short stories (collected in Books of Blood 1 – 6), and the Faustian novel The Damnation Game (1985). Later he moved towards modern-day fantasy and urban fantasy with horror elements in Weaveworld (1987), The Great and Secret Show (1989), the world-spanning Imajica (1991) and Sacrament (1996), bringing in the deeper, richer concepts of reality, the nature of the mind and dreams, and the power of words and memories.
Barker has a keen interest in movie production, although his films have received mixed receptions. He wrote the screenplays for Underworld (aka Transmutations – 1985) and Rawhead Rex (1986), both directed by George Pavlou. Displeased by how his material was handled, he moved to directing with Hellraiser (1987), based on his novella The Hellbound Heart. His early movies, the shorts The Forbidden and Salome, are experimental art movies with surrealist elements, which have been re-released together to moderate critical acclaim. After his film Nightbreed (Cabal), which was widely considered to be a flop, Barker returned to write and direct Lord of Illusions. Barker was an executive producer of the film Gods and Monsters, which received major critical acclaim.
Barker is a prolific visual artist working in a variety of media, often illustrating his own books. His paintings have been seen first on the covers of his official fan club magazine, Dread, published by Fantaco in the early Nineties, as well on the covers of the collections of his plays, Incarnations (1995) and Forms of Heaven (1996), as well as on the second printing of the original UK publications of his Books of Blood series.
A longtime comics fan, Barker achieved his dream of publishing his own superhero books when Marvel Comics launched the Razorline imprint in 1993. Based on detailed premises, titles and lead characters he created specifically for this, the four interrelated titles — set outside the Marvel universe — were Ectokid,
In 2003, Clive Barker received The Davidson/Valentini Award at the 15th GLAAD Media Awards. This award is presented "to an openly lesbian, gay, bisexual or transgender individual who has made a significant difference in promoting equal rights for any of those communities". While Barker is critical of organized religion, he has stated that he is a believer in both God and the afterlife, and that the Bible influences his work.
Fans have noticed of late that Barker's voice has become gravelly and coarse. He says in a December 2008 online interview that this is due to polyps in his throat which were so severe that a doctor told him he was taking in ten percent of the air he was supposed to have been getting. He has had two surgeries to remove them and believes his resultant voice is an improvement over how it was prior to the surgeries. He said he did not have cancer and has given up cigars. On August 27, 2010, Barker underwent surgery yet again to remove new polyp growths from his throat. In early February 2012 Barker fell into a coma after a dentist visit led to blood poisoning. Barker remained in a coma for eleven days but eventually came out of it. Fans were notified on his Twitter page about some of the experience and that Barker was recovering after the ordeal, but left with many strange visions.
Barker is one of the leading authors of contemporary horror/fantasy, writing in the horror genre early in his career, mostly in the form of short stories (collected in Books of Blood 1 – 6), and the Faustian novel The Damnation Game (1985). Later he moved towards modern-day fantasy and urban fantasy with horror elements in Weaveworld (1987), The Great and Secret Show (1989), the world-spanning Imajica (1991) and Sacrament (1996), bringing in the deeper, richer concepts of reality, the nature of the mind and dreams, and the power of words and memories.
Barker has a keen interest in movie production, although his films have received mixed receptions. He wrote the screenplays for Underworld (aka Transmutations – 1985) and Rawhead Rex (1986), both directed by George Pavlou. Displeased by how his material was handled, he moved to directing with Hellraiser (1987), based on his novella The Hellbound Heart. His early movies, the shorts The Forbidden and Salome, are experimental art movies with surrealist elements, which have been re-released together to moderate critical acclaim. After his film Nightbreed (Cabal), which was widely considered to be a flop, Barker returned to write and direct Lord of Illusions. Barker was an executive producer of the film Gods and Monsters, which received major critical acclaim.
Barker is a prolific visual artist working in a variety of media, often illustrating his own books. His paintings have been seen first on the covers of his official fan club magazine, Dread, published by Fantaco in the early Nineties, as well on the covers of the collections of his plays, Incarnations (1995) and Forms of Heaven (1996), as well as on the second printing of the original UK publications of his Books of Blood series.
A longtime comics fan, Barker achieved his dream of publishing his own superhero books when Marvel Comics launched the Razorline imprint in 1993. Based on detailed premises, titles and lead characters he created specifically for this, the four interrelated titles — set outside the Marvel universe — were Ectokid,
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Displaying 1 - 2 of 2 reviews
September 17, 2018
Here finally ends the devil's Brigade and on the whole I have to say good riddance. I love the core idea behind the brigade: 5 cenobites - the Vasa Iniquitatis - sent to Earth to manipulate 5 key figures - If the outcome is order Hell wins, if the outcome is chaos, hell has to restructure - wasn't keen on the execution however - art and writing has been a very mixed bag majority being bad and apart from Pinhead and Flagellum the other cenobites have been supremely disappointing.
So far we've had the conclusions of 4 of the DB threads - The African nation and Teleevangelist stories ending in order - two for hell and the philanthropist and inner city cops ending in chaos - 2 against hell. It all hinges on the AIDS cure thread which concludes here in Fury - the cure has a side effect and unleashes a virus leading to chaos. Not hugely fond of Gil Ashby's watercolour art on such a pivotal story but it's ok.
The next story "This I Saw" is a Native American vision quest with art by one of my least favourite artists Mike McMahon - I loathe his blocky style and this story feels heavily out of place after the epic its just followed - other than the puzzle element its as far from hellraiser as you can get and the Native American period setting just doesn't fit.
The final story "Reckoning" however is why this volume gets 3* - it concludes the Devil's Brigade arc with the judgement and aftermath back in hell. Dan Lawlis & John Rheaume do the art on this and you can see they've worked on Nightbreed - it is nicely grotesque and everything you want hellraiser art to be. Why haven't these guys done more on this series? They even make the cenobites that I've so far hated - Atkins, Face and Balberith look like they vaguely belong in the Barker-verse. It's a great conclusion to what has been a very patchy series.
So far we've had the conclusions of 4 of the DB threads - The African nation and Teleevangelist stories ending in order - two for hell and the philanthropist and inner city cops ending in chaos - 2 against hell. It all hinges on the AIDS cure thread which concludes here in Fury - the cure has a side effect and unleashes a virus leading to chaos. Not hugely fond of Gil Ashby's watercolour art on such a pivotal story but it's ok.
The next story "This I Saw" is a Native American vision quest with art by one of my least favourite artists Mike McMahon - I loathe his blocky style and this story feels heavily out of place after the epic its just followed - other than the puzzle element its as far from hellraiser as you can get and the Native American period setting just doesn't fit.
The final story "Reckoning" however is why this volume gets 3* - it concludes the Devil's Brigade arc with the judgement and aftermath back in hell. Dan Lawlis & John Rheaume do the art on this and you can see they've worked on Nightbreed - it is nicely grotesque and everything you want hellraiser art to be. Why haven't these guys done more on this series? They even make the cenobites that I've so far hated - Atkins, Face and Balberith look like they vaguely belong in the Barker-verse. It's a great conclusion to what has been a very patchy series.
August 8, 2019
gotta have them all
Displaying 1 - 2 of 2 reviews