3.5 stars!
“But they were the fools for not understanding what it was to feel complete when in someone else’s presence. They didn’t know what it was to experience unrivaled joy when taking hold of a hand or gazing into green eyes. His world was drab and dark, his days filled with hard, often gut-wrenching tasks—but whenever he saw her, his past, present, and future were more colorful and brighter. His troubles melted away, or at least they scurried into hiding. As long as he was with her, he was filled with hope.” Lady Lavinia Kent and Finn Trewlove made the mistake of falling in love with each other eight years ago. As they were a young, innocent and foolish couple in love, they planned to run away together. Except, Finn never showed up, or so Lavinia thought. When the two are finally reunited, the truth about what happened that fateful night emerged. Finn hopes to rekindle the love they once had, but Lavinia hides a secret - one that when discovered by Finn, she fears, would make him hate her.
The Scoundrel in her bed is the third book from Lorraine Heath’s historical romance series, Sins for all seasons. This installment tells the story of Finn Trewlove and Lady Lavinia Kent. I actually had the plan to read this series in order. And I tried. I tried reading the second book but I just couldn’t get through it. It wasn’t bad, perhaps I just wasn’t in the mood for it. I will surely try to read it again soon. As a result of my inability to read Gillie’s story, I jumped ahead into this one. I had always been a big fan of the lady and commoner trope. It has so much angst when done right. Which is the reason why I had such high expectations for this book. I thought I was going to love it because the blurb intrigued me. Sadly, I didn’t and no one is sadder than I for that fact.
Meet Lady Lavinia Kent: She is the daughter of the Earl of Collinsworth. As a young girl, she had always known that she was going to marry the Duke of Thornley. Their fathers signed an agreement for the two of them to marry when the time comes. She was raised to be a duchess but then she fell in love with Finn Trewlove which only had disastrous results. Eight years later, she was set to marry the Duke but couldn’t go through with it. Ever since, she had been hiding in Whitechapel with a purpose. She saves children from baby farmers, and this cause was inspired by Finn and another personal reason she mustn't dare let another soul know.
Meet Finn Trewlove: Finn is another of Ettie Trewlove’s son who had been taken in by her. His father is an earl but Finn didn’t care much for him as well. As for his mother, he had no idea who the lady who gave birth to him was. At Twenty-one, Finn worked as a horse slaughterer. He didn’t like his job, felt guilty for doing it but one must do what one can to earn money. When he was twenty three and in love with Lady Lavinia, they made plans to run away. But it didn’t go as it should and Finn was left with the bitter realization that the woman he loved betrayed him.
Lady Lavinia is the spoiled daughter of an Earl. One day when she wanted Thornley’s attention, she made the mistake of goading her beloved horse, Sophie, which led to her having a broken bone. Unfortunately for Sophie, the earl won’t tolerate such danger for his daughter. He sent for a man to dispose of the horse. That is when Lavinia met Finn. He was supposed to kill her horse but felt guilty when she cried. What is the most reasonable way to tell the lady that her horse isn’t dead? Why, break into her home, of course. After this event, the two had been secretly meeting each other every Tuesday in order for Lavinia to see Sophie. Finn knows that a bastard shouldn’t dream of having a future with a lady, but dream he did. And of course, Lady Lavinia returned his feelings. Foolish and naive with only love in their minds, the two made plans of running away together and living a humble life. But of course, just like Romeo and Juliet, their affair is forbidden and doomed. Eight years later, Lavinia harbors resentment towards the boy who she once loved and lost. Why he didn’t show up on that fateful night, she has no idea. But when they meet again and the truth comes out, she is left feeling guilty. Add to that, she is hiding a secret and has gone through something traumatic. She is a changed woman, she was not the young girl Finn once loved. But Finn is ever so eager to try and revive the love they once shared, sadly, Lavinia doesn’t think it's reasonable to do so. Internal conflict (rolls eyes).... That’s it really…and finally, a happily ever after!
I wasn’t too fond of the heroine. Even in the flashback chapters, there wasn’t anything particularly compelling about her. When she met the hero, she was somehow snobbish which is expected of an aristocratic lady. Aside from Lavinia loving her horse, I fear she doesn’t have much personality. She was dull. Now that I’m thinking about it, Heath really didn’t give her much personality when she was younger. On another note, she loved Finn even knowing about his bastardy, his lack of money and connections and his common status. In some sense, she was certainly a ride or die when it came to him. Accepting and loving but only to Finn. And when we met her again after eight years, she was definitely a different woman. She had a purpose, she gave up her standing in society for this eagerness to save innocent children from baby farmers. She earned her keep to stay at the foundling home. In a way, she matured from being a spoiled daughter of an aristocrat to a woman with a motivation to help in a way that she could. She experienced depressing things that a parent shouldn’t have done to a young girl. Simply put, she went through it. Her life was tragic. This should have made me love her, but I didn’t. I felt sorry for what she had to go through but I found myself frustrated with her most of the time I was reading the book. When reading, I always try to find something to love about the heroine, because If I can’t connect with the character, then I wouldn’t care enough for them. And if I didn’t care for them, then I wouldn’t care for the story. I hated the way she couldn’t give herself a chance at happiness. I love characters who shamelessly go after their happiness which is why I found it so annoying that Lavinia couldn’t just give herself a chance. Her internal conflict was so, I’ve said it before but I can’t find another word to say, frustrating. When she reunited with Finn, he wanted to get to know her again in hopes of rekindling what they had, but she didn’t want to give it a chance. No rational thinking, just a straight up rejection of his idea. At the same time, she hoped it wouldn’t be goodbye. She couldn’t seem to make up her mind and I just have no patience for that foolishness. I also can’t quite understand why she didn’t want to give it a chance, besides from the “secret” she was hiding. I found her motivation to be lacking, dull and uninspired. If she was so bent on being unhappy, then by all means be miserable. That’s it. The end. Now that was harsh. She went through so much, so of course, in a way, I wanted her to have a happily ever after. Even if she was infuriating for most parts, she still deserved to be happy. With all that said, obviously, I didn’t love the heroine, whether it was a matter of personal preference, I have no idea.
As for the hero, I have conflicting feelings. I think he was sweet, caring and generous. But at the same time, I was somehow disturbed by the fact that he was twenty-one and felt a connection with a fifteen years old girl. Although he did wait until she was seventeen and he was twenty-three, it was still kind of weird. But this is historical romance, what was normal back then is not something that I have the right to judge and be viewed by a modern lens. It helps that he did not want to harm the heroine. He was simply a besotted fool. Moving on, the hero being poor at an age where he’s an adult is unusual because we usually have obscenely wealthy heroes in romance. Like with the heroine, I felt sorry for what he had to go through. I can’t imagine being in jail for five years of my life knowing that I really didn’t commit any crime besides loving someone from nobility. Seriously, the hero and heroine’s life are what you call a series of unfortunate events. What was Heath thinking when she wrote this? She really made the heroine and hero’s life so much harder than it had to be. It was definitely heavier than book one, and I much preferred book one wherein it wasn’t too heavy but it had the right amount of angst. And then when he got out of prison, he became a club owner. The club isn’t successful too, so I don’t know where he got his money. But it was obvious that it wasn’t really something he was passionate about? It was mostly used as a device so he and the heroine had a reason to come together. I liked him better than the heroine because he was the main pursuer of the relationship and was rational. At times, I honestly thought he just needed to move on from her and pursue someone else. But then again, he was such a fool in love. I liked that he didn’t use his five years in prison as a reason why he shouldn’t try to be happy with the heroine again. Lavinia was always using the same reason, “We’re different people now, we were young and foolish then” but how would she know that it wouldn’t work if she didn’t give it a try and was immediately rejecting him? In their relationship, he was also the sensible one. The man actually had the patience of a saint because if I were him, I know that I would get tired with Lavinia’s nonsense and I would straight up ghost her. Anyway….as I said, he was sweet, generous and loving. I also loved how much he loved Ettie Trewlove and how he wasn’t like Mick (I love Mick) who resented his bastard father. He just didn’t care because he had Ettie as his mother and that was enough. It was refreshing. So I guess I liked the hero enough. I didn’t fall in love with him, sadly. But I cared enough to read until the end to see how he would get his happy ending because he deserved it.
I had such high hopes for this book and I am saddened that it did not deliver. Lorraine Heath always pulls off the lady x commoner (bastard) trope and I will always eat it up, no shame about that. I started this book hoping that it would make me feel what I wanted to feel but alas, we don’t always get what we want. In stories with this pairing the case is always: the couple wants to be together but due to external factors, they can’t be. This is the reason why I loved the flashback chapters, besides the fact that it showed how the hero and heroine fell in love with each other and how it came to an end. It has the sneaking out together, the clandestine meetings and the eventual separation. And when they meet again, instead of feeling the angst that should be there: I simply didn’t care. One moment it was a flashback chapter, the next it would be set in the present. So their reunion and separation did not really make me emotional because there was no build up towards the eventual reunion? I would have much preferred if the book was told eight years before their reunion and continuously too so when they meet again it would be much more emotion provoking. I feel like I’m not wording it right but you get the idea. I think one of the reasons why I didn’t like this as much is because the heroine’s motivations about why she didn’t want to give him a chance left me feeling cold. She basically put herself into exile, her family had no idea where she was, in short, there was no valid reason about why they shouldn’t be together except for the fact that she just didn’t want to and they were different people now. Meh. I just have no patience for characters who make situations harder than it has to be because of their own foolishness.
On another note, I enjoyed how there were so many mentions about Mick and the other brothers. I really am fond of the Trewlove family and I still want to read their respective books. When I say that the mention of Mick’s name made me more giddy than this whole book, then you know it’s lacking in some way. The only time I ever got excited is when there was a Mick Trewlove scene and when there were mentions of him. Good lord, I am absolutely goner for that man. I also really liked Aiden too. He was such a caring brother and was willing to do anything to ensure that Finn does not get transported to the other side of the world.
The happy ending was not so far in the future which is so not Lorraine Heath but I liked it well enough. I am happy that they are thriving at least. Overall, this book was depressing. I didn’t shed a tear, but it was depressing in a way that it exhausted me. The other reviews weren’t lying when they said this was more of a tragedy. This was definitely more dramatic than some other Lorraine Heath book and I would’ve cried tears if only I felt the connection between the hero and heroine more. Still, I am giving this one 3 and a half stars because it wasn’t bad, it was just something that wasn’t very memorable in comparison to her other books.
The quote “I will love you if I never see you again, and I will love you if I see you every Tuesday.” is paradigmatic in a way in regards to the main characters' relationship.
Some Quotes:
“I waited! I waited for you until dawn.” He could clearly see the anguish in her expression. He’d never seen such despair. “Yes, I know I was twenty minutes late. But was I not even worth a few minutes of worry, of patience, of thinking perhaps something was delaying me? How many minutes did you give me before you decided to be done with me?” Each word she threw at him was a blow to his head, his heart, his gut. “You waited?”
“So why seek me out?” He hadn’t a clue. Perhaps he’d thought if he saw her, just one more time, he could stop thinking about her, would no longer be haunted by memories of her, of what they might have had together.
“You once loved her as a boy would—when joy was found in fleeting moments of chasing after things, where the chasing was more fun and the capturing disappointing. Now you love her as a man would—when the joy is found in the holding, in finding the permanence, in no longer chasing the happiness because what you’ve captured at last is the best of all, and you know it’ll never be better.”
“She cradled his face between her hands, and as he looked down into her eyes, he realized he would be gazing into them for the remainder of his life, until he drew his last breath.”
“He flashed a grin—she did so love his grins—and, without a word, simply took her hand securely in his, and she couldn’t help but believe it was exactly where it belonged.”