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Centrinė stotis
Niujorko Centrinė stotis – tai ne šiaip sau pastatas, tai – architektūros ir dizaino šedevras. Tuo dabar įsitikinę daugelis niujorkiečių. Tačiau Klarai Darden ir Virginijai Klėj šis pastatas reiškė visai ką kita. Klarai tai buvo tramplinas į šlovę. 1928-aisiais ji dėstė iliustraciją Centrinės stoties meno mokykloje. Gabi ir ambicinga mergina siekia pripažinimo, tačiau įveikti išankstines nuomones, kad moterys nėra tokios talentingos, ir kad iliustracija yra žemesnės rūšies menas, labai nelengva. Bet Klara nepasiduoda, ir greitai įžūlumas ir pastangos ne tik iškelia ją į karjeros aukštumas, bet ir sujaukia širdį. Ji blaškosi tarp turtingo poeto, galinčio užtikrinti jai ateitį, ir talentingo, tačiau atžaraus beturčio tapytojo. Tačiau greitai visos bohemos meilės rūpesčius ir svaiginančią karjerą sugriaus didžioji depresija. Ir Klara nė nenutuokia, ką ji jai atneš...
1974-aisiais Centrinė stotis suvargusi ir apleista – beveik kaip Virginija Klėj. Čia ilgiau užsibūti nesaugu. Tačiau Virginijai stotis – paskutinis prieglobstis. Neseniai išsiskyrusi, ji turi išlaikyti paauglę dukrą, taigi darbas stoties informacijos kioske jai tikras išsigelbėjimas. Beklaidžiodama po stotį, ji aptinka apleistą meno mokyklą, o joje – akvarelę, kuri įsuka Virginiją į praeities verpetus. Kam priklauso šis kūrinys? Virginija vis giliau grimzta į prieškario bohemos gyvenimo labirintus, net neįtardama, kad šis radinys pakeis jos pačios gyvenimą visiems laikams.
1974-aisiais Centrinė stotis suvargusi ir apleista – beveik kaip Virginija Klėj. Čia ilgiau užsibūti nesaugu. Tačiau Virginijai stotis – paskutinis prieglobstis. Neseniai išsiskyrusi, ji turi išlaikyti paauglę dukrą, taigi darbas stoties informacijos kioske jai tikras išsigelbėjimas. Beklaidžiodama po stotį, ji aptinka apleistą meno mokyklą, o joje – akvarelę, kuri įsuka Virginiją į praeities verpetus. Kam priklauso šis kūrinys? Virginija vis giliau grimzta į prieškario bohemos gyvenimo labirintus, net neįtardama, kad šis radinys pakeis jos pačios gyvenimą visiems laikams.
376 pages, Hardcover
First published August 7, 2018
3893 people are currently reading
34722 people want to read
About the author
Fiona Davis
13 books9,204 followersFiona Davis is the New York Times bestselling author of several historical fiction novels set in iconic New York City buildings, including The Stolen Queen, The Magnolia Palace, The Address, and The Lions of Fifth Avenue, which was a Good Morning America book club pick. Her novels have been chosen as “One Book, One Community” reads and her articles have appeared in publications like The Wall Street Journal and Oprah magazine.
She first came to New York as an actress, but fell in love with writing after getting a master's degree at Columbia Journalism School. Her books have been translated into over twenty languages and she's based in New York City.
She first came to New York as an actress, but fell in love with writing after getting a master's degree at Columbia Journalism School. Her books have been translated into over twenty languages and she's based in New York City.
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Displaying 1 - 30 of 2,884 reviews
August 11, 2018
3.5 stars
I’ve only seen the Grand Cental Terminal once several years ago . I knew it was a historic landmark and had been refurbished but I didn’t know the history of it, only focusing on its magnificence as I stood in there taking it in . This story gave me some of that background. I was drawn to Fiona Davis’ novel mainly because I enjoy reading about historic New York City and most of this story takes place there in 1920’s as well the nearer history of the 1970’s . In the dual narratives, we come to know the characters of two strong women. Clara was a struggling artist and instructor of illustration at the Grand Central School of Art which was in the terminal in the 1920’s. She struggles for acceptance of her illustrations as art but mostly as a woman trying to gain a place in the art world dominated by men. Virginia is struggling to get by after the breakup of her marriage of 19 years. She takes a job at the Grand Central Terminal at the Information desk. Their stories alternate and connect when Virginia stumbles on the old Art School and finds a drawing that she connects to a painting in an art catalog she has seen. So there’s a mystery, there are romantic liaisons for both Clara and Virginia and in the 1970’s section the possibility looming that the terminal may be demolished if it isn’t given Landmark Status. It was interesting to learn the role that Jackie Onassis played in that fight.
Overall, I enjoyed the novel. I usually find myself liking the past story more than the modern one in these dual time frame narratives, but I found myself interested in both of them. I think Davis does a great job of depicting the times. It’s a good story, a pat ending, but I was glad to have read it. It came at a good time after reading some heavier books.
This was my second Traveling Sister Read. Thanks, ladies for a good discussion !
I received an advanced copy of this book from Dutton through Edelweiss.
I’ve only seen the Grand Cental Terminal once several years ago . I knew it was a historic landmark and had been refurbished but I didn’t know the history of it, only focusing on its magnificence as I stood in there taking it in . This story gave me some of that background. I was drawn to Fiona Davis’ novel mainly because I enjoy reading about historic New York City and most of this story takes place there in 1920’s as well the nearer history of the 1970’s . In the dual narratives, we come to know the characters of two strong women. Clara was a struggling artist and instructor of illustration at the Grand Central School of Art which was in the terminal in the 1920’s. She struggles for acceptance of her illustrations as art but mostly as a woman trying to gain a place in the art world dominated by men. Virginia is struggling to get by after the breakup of her marriage of 19 years. She takes a job at the Grand Central Terminal at the Information desk. Their stories alternate and connect when Virginia stumbles on the old Art School and finds a drawing that she connects to a painting in an art catalog she has seen. So there’s a mystery, there are romantic liaisons for both Clara and Virginia and in the 1970’s section the possibility looming that the terminal may be demolished if it isn’t given Landmark Status. It was interesting to learn the role that Jackie Onassis played in that fight.
Overall, I enjoyed the novel. I usually find myself liking the past story more than the modern one in these dual time frame narratives, but I found myself interested in both of them. I think Davis does a great job of depicting the times. It’s a good story, a pat ending, but I was glad to have read it. It came at a good time after reading some heavier books.
This was my second Traveling Sister Read. Thanks, ladies for a good discussion !
I received an advanced copy of this book from Dutton through Edelweiss.
July 22, 2018
THE MASTERPIECE is about two women, fifty years apart, whose parallel stories suddenly intersect at New York City's historic Grand Central. It's clearly well researched regarding what was happening at the train station in the late 1920s and early 1970s, on the verge of the Great Depression, and later, at risk of being demolished.
I have mixed feelings about this book. While I thought Clara's story in the earlier time period was more interesting, I never quite warmed to Clara's character (though I was sympathetic to her struggles). And while Virginia was likable and relatable, her story in 1974 wasn't as gripping. The plot seemed to struggle to move forward at times, and I had trouble staying engaged. The twist at the end was a good one, though! I think readers with an interest in the 1920s art scene will enjoy this book.
Disclosure: I received a copy of this book through Penguin's First to Read Program in exchange for an honest review.
I have mixed feelings about this book. While I thought Clara's story in the earlier time period was more interesting, I never quite warmed to Clara's character (though I was sympathetic to her struggles). And while Virginia was likable and relatable, her story in 1974 wasn't as gripping. The plot seemed to struggle to move forward at times, and I had trouble staying engaged. The twist at the end was a good one, though! I think readers with an interest in the 1920s art scene will enjoy this book.
Disclosure: I received a copy of this book through Penguin's First to Read Program in exchange for an honest review.
November 16, 2019
4.5 stars
The Masterpiece is Fiona Davis’ best book to date, and I have loved all three of her books. New York City is one of my favorite places to visit, and each of Davis’ books contains a myriad of fascinating details about a particular building and era in the city. The Masterpiece focuses on Grand Central Terminal (I never knew it was Grand Central Terminal versus Grand Central Station) during the late-1920’s and the mid-1970’s, two very different time periods for the terminal. In 1928, Clara Darden works as an art instructor in the Grand Central School of Art located high up in the terminal when Grand Central Terminal is beautifully maintained and a highlight of the city; in 1974, Virginia Clay is newly divorced and sent by a temp agency to work at the terminal when Grand Central has seen better days and is being targeted for demolition. The story alternates between the two time periods, and Davis fabulously recreates the atmosphere and relevance of the terminal in both time periods. As the stories progress, the two tales converge in a surprising and satisfying manner.
My favorite part of the book was the focus in 1974 on the importance of trying to save Grand Central Terminal from demolition. I love visiting the terminal when I am in the city and am thankful that Jackie Onassis and others had the sense and ability to preserve the beautiful landmark. I also loved learning more about the inner workings of the terminal.
I highly recommend The Masterpiece; it is a beautiful read.
For more reviews, check out my Instagram account, https://www.instagram.com/thoughtsfro....
The Masterpiece is Fiona Davis’ best book to date, and I have loved all three of her books. New York City is one of my favorite places to visit, and each of Davis’ books contains a myriad of fascinating details about a particular building and era in the city. The Masterpiece focuses on Grand Central Terminal (I never knew it was Grand Central Terminal versus Grand Central Station) during the late-1920’s and the mid-1970’s, two very different time periods for the terminal. In 1928, Clara Darden works as an art instructor in the Grand Central School of Art located high up in the terminal when Grand Central Terminal is beautifully maintained and a highlight of the city; in 1974, Virginia Clay is newly divorced and sent by a temp agency to work at the terminal when Grand Central has seen better days and is being targeted for demolition. The story alternates between the two time periods, and Davis fabulously recreates the atmosphere and relevance of the terminal in both time periods. As the stories progress, the two tales converge in a surprising and satisfying manner.
My favorite part of the book was the focus in 1974 on the importance of trying to save Grand Central Terminal from demolition. I love visiting the terminal when I am in the city and am thankful that Jackie Onassis and others had the sense and ability to preserve the beautiful landmark. I also loved learning more about the inner workings of the terminal.
I highly recommend The Masterpiece; it is a beautiful read.
For more reviews, check out my Instagram account, https://www.instagram.com/thoughtsfro....
June 21, 2018
I jumped on the chance to read this because I really liked Fiona Davis's last book, The Address. The action goes back and forth between 1920s New York City in which Clara is teaching at Grand Central School of Art and trying to make it big as an illustrator and the 1970s in which newly divorced Virginia Clay is working at the Grand Central Terminal. Virginia stumbles upon a watercolor in the abandoned art school and sets out find the artist. This is a historical fiction book which also focuses on the real life effort to save Grand Central from being replaced with an office tower.
Even though I don't have a big interest in the art world, I actually enjoyed that aspect of the story. What I loved about the book was the female characters who might have been down on their luck but really showed their strength when the going got tough. There was one part of the plot towards the end that I didn't really care for as it was a bit of an eye-roller but the story redeemed itself by the end. Definitely recommend if you like historical fiction and strong female characters.
Thank you to First to Read for the advance digital copy! I was under no obligation to post a review and all views expressed are my honest opinion.
Even though I don't have a big interest in the art world, I actually enjoyed that aspect of the story. What I loved about the book was the female characters who might have been down on their luck but really showed their strength when the going got tough. There was one part of the plot towards the end that I didn't really care for as it was a bit of an eye-roller but the story redeemed itself by the end. Definitely recommend if you like historical fiction and strong female characters.
Thank you to First to Read for the advance digital copy! I was under no obligation to post a review and all views expressed are my honest opinion.
August 16, 2018
Enjoyable and entertaining read! I loved the setting of the Grand Central Terminal and the art aspect to this novel was quite intriguing.
Full review to follow shortly
*Traveling Sisters Read*
Full review to follow shortly
*Traveling Sisters Read*
August 12, 2018
3.5 engaging stars
This was my very first book by Fiona Davis and of course, being a former New York girl, I was so enticed by its setting, that of New York's Grand Central terminal. The original terminal was built by Cornelius Vanderbilt and than later redone in 1903 becoming the biggest construction project in New York's history up to that time. Taking ten years to complete, it was built on seventy acres, thirty-two miles of track, and thirty passenger platforms. It has an amazing history and was saved by the efforts of Jackie Kennedy and others from being demolished in the seventies. This building was quite a backdrop for this story.
The Masterpiece alternates between two time periods, that of the 1920's and the 1970's telling the story of two women, Clara Darden, an aspiring artist in the 1920's, and Virginia Clay, a recent divorcee, of the 1970's. The tale starts out when Virginia, who has found a job working at the terminal's information booth, finds an old painting and is spurred onto finding its history and creator. The story goes back and forth between the characters of an old art school which was located in the terminal, and the people who populate the terminal within Virginia's circle.
The book is character driven and the author tries very hard to interweave their stories into that of the terminal as its background. Personally, I found the characters to be a bit distant and at times felt the story was a bit rushed particularly the ending. I very much enjoyed when the building itself was discussed and wished that the author had included a bit more history in the telling. All in all, this was a readable tale and one that has encouraged this reader to both do some research and to pick up another of Ms Davis's books. If you enjoy a story of independent women who come together in an unique and engaging way, this book offers one a bridge between two time periods, two independent women, and the building that united them across decades.
https://www.cbsnews.com/pictures/gran...
Thank you to The Traveling Sisters who read this book along with me. As always, the discussions we generated made the reading that much more valuable.
Thanks also to my local library, again coming through with that one book I was searching for.
My reviews can be found here: https://yayareadslotsofbooks.wordpres...
This was my very first book by Fiona Davis and of course, being a former New York girl, I was so enticed by its setting, that of New York's Grand Central terminal. The original terminal was built by Cornelius Vanderbilt and than later redone in 1903 becoming the biggest construction project in New York's history up to that time. Taking ten years to complete, it was built on seventy acres, thirty-two miles of track, and thirty passenger platforms. It has an amazing history and was saved by the efforts of Jackie Kennedy and others from being demolished in the seventies. This building was quite a backdrop for this story.
The Masterpiece alternates between two time periods, that of the 1920's and the 1970's telling the story of two women, Clara Darden, an aspiring artist in the 1920's, and Virginia Clay, a recent divorcee, of the 1970's. The tale starts out when Virginia, who has found a job working at the terminal's information booth, finds an old painting and is spurred onto finding its history and creator. The story goes back and forth between the characters of an old art school which was located in the terminal, and the people who populate the terminal within Virginia's circle.
The book is character driven and the author tries very hard to interweave their stories into that of the terminal as its background. Personally, I found the characters to be a bit distant and at times felt the story was a bit rushed particularly the ending. I very much enjoyed when the building itself was discussed and wished that the author had included a bit more history in the telling. All in all, this was a readable tale and one that has encouraged this reader to both do some research and to pick up another of Ms Davis's books. If you enjoy a story of independent women who come together in an unique and engaging way, this book offers one a bridge between two time periods, two independent women, and the building that united them across decades.
https://www.cbsnews.com/pictures/gran...
Thank you to The Traveling Sisters who read this book along with me. As always, the discussions we generated made the reading that much more valuable.
Thanks also to my local library, again coming through with that one book I was searching for.
My reviews can be found here: https://yayareadslotsofbooks.wordpres...
March 19, 2019
EXCERPT: New York City, April 1928
Clara Darden's illustration class at the Grand Central School of Art, tucked under the copper eaves of the terminal, was unaffected by the trains that rumbled through ancient layers of Manhattan schist hundreds of feet below. But somehow, a surprise visit from Mr Lorette, the school's director, had the disruptive power of a locomotive weighing in at thousands of tons.
Even before Mr Lorette was a factor, Clara had been anxious about the annual faculty exhibition set to open at six o'clock that evening. Her first show in New York City, and everyone important in the art and editorial worlds would be there. She'd been working on her illustrations for months now, knowing this might be her only chance.
She asked her class to begin work on an alternate cover design for Virginia Woolf's latest book, and the four ladies dove in eagerly, while Wilbur, the only male and something of a rake to boot, sighed loudly and rolled his eyes. Gertrude, the most studious of the five members, was so offended by Wilbur's lack of respect that she threatened to toss a jar of turpentine at him. They were still arguing vociferously when Mr Lorette waltzed in.
Never mind that these were all adults, not children. Whenever Wilbur made a ruckus, it had the unfortunate effect of lowering the entire class's maturity level by a decade. More often than not, Clara was strong enough to restore order before things went too far. But Mr Lorette seemed possessed of a miraculous talent for sensing the rare occasions during which Clara lost control of the room, and he could usually be counted upon to choose such times to wander by and assess her skills as an educator.
ABOUT THIS BOOK: In her latest captivating novel, nationally bestselling author Fiona Davis takes readers into the glamorous lost art school within Grand Central Terminal, where two very different women, fifty years apart, strive to make their mark on a world set against them.
For the nearly nine million people who live in New York City, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different.
For Clara, the terminal is the stepping stone to her future, which she is certain will shine as the brightly as the constellations on the main concourse ceiling. It is 1928, and twenty-five-year-old Clara is teaching at the lauded Grand Central School of Art. A talented illustrator, she has dreams of creating cover art for Vogue, but not even the prestige of the school can override the public's disdain for a "woman artist." Brash, fiery, confident, and single-minded--even while juggling the affections of two men, a wealthy would-be poet and a brilliant experimental painter--Clara is determined to achieve every creative success. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression, an insatiable monster with the power to destroy the entire art scene. And even poverty and hunger will do little to prepare Clara for the greater tragedy yet to come.
Nearly fifty years later, in 1974, the terminal has declined almost as sharply as Virginia Clay's life. Full of grime and danger, from the smoke-blackened ceiling to the pickpockets and drug dealers who roam the floor, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort. Recently divorced, she has just accepted a job in the information booth in order to support herself and her college-age daughter, Ruby. But when Virginia stumbles upon an abandoned art school within the terminal and discovers a striking watercolor hidden under the dust, her eyes are opened to the elegance beneath the decay. She embarks on a quest to find the artist of the unsigned masterpiece--an impassioned chase that draws Virginia not only into the battle to save Grand Central but deep into the mystery of Clara Darden, the famed 1920s illustrator who disappeared from history in 1931.
MY THOUGHTS: I was excited to begin listening to The Masterpiece by Fiona Davis. I have listened to both The Dollhouse and The Address, and loved them both.
But immediately, I found the narrator's voice and delivery to be annoying. Smug is the word that comes to mind. Why, oh why did they change narrators? I far preferred Saskia Maarleveld.
And then as I got into the story, I had the thought that this was just like the other two books - exactly the same format, just change names and locations. Kind of like writing by numbers.
I had trouble warming to either of the main characters, Clara in the late 1920's, and Virginia in the 70's. There seemed to be a lot of extraneous material in the plot that could have been done without and not harmed the storyline. I did enjoy the twist at the end.
In retrospect, I may have enjoyed The Masterpiece more had I read it rather than listened to it. I think my dislike of the narrator may have soured the whole experience for me. I am not ruling out reading the book at some point in the future, to see if I enjoy it more, and I will definitely read more by this author. But the operative word here is 'read', not listen.
😑😑.5
THE AUTHOR: Fiona Davis is the nationally bestselling author of THE MASTERPIECE, THE DOLLHOUSE and THE ADDRESS. She began her career in New York City as an actress, where she worked on Broadway, off-Broadway, and in regional theater. After getting a master's degree at Columbia Journalism School, she fell in love with writing, leapfrogging from editor to freelance journalist before finally settling down as an author of historical fiction.
DISCLOSURE: I listened to the audiobook version of The Masterpiece by Fiona Davis, narrated by Cassandra Campbell, published by Penguin Audio via OverDrive. All opinions expressed in this review are entirely my own personal opinions.
Please refer to my Goodreads.com profile page or the about page on sandysbookaday.wordpress.com for an explanation of my rating system. This review and others are also published on my webpage https://sandysbookaday.wordpress.com/...
Clara Darden's illustration class at the Grand Central School of Art, tucked under the copper eaves of the terminal, was unaffected by the trains that rumbled through ancient layers of Manhattan schist hundreds of feet below. But somehow, a surprise visit from Mr Lorette, the school's director, had the disruptive power of a locomotive weighing in at thousands of tons.
Even before Mr Lorette was a factor, Clara had been anxious about the annual faculty exhibition set to open at six o'clock that evening. Her first show in New York City, and everyone important in the art and editorial worlds would be there. She'd been working on her illustrations for months now, knowing this might be her only chance.
She asked her class to begin work on an alternate cover design for Virginia Woolf's latest book, and the four ladies dove in eagerly, while Wilbur, the only male and something of a rake to boot, sighed loudly and rolled his eyes. Gertrude, the most studious of the five members, was so offended by Wilbur's lack of respect that she threatened to toss a jar of turpentine at him. They were still arguing vociferously when Mr Lorette waltzed in.
Never mind that these were all adults, not children. Whenever Wilbur made a ruckus, it had the unfortunate effect of lowering the entire class's maturity level by a decade. More often than not, Clara was strong enough to restore order before things went too far. But Mr Lorette seemed possessed of a miraculous talent for sensing the rare occasions during which Clara lost control of the room, and he could usually be counted upon to choose such times to wander by and assess her skills as an educator.
ABOUT THIS BOOK: In her latest captivating novel, nationally bestselling author Fiona Davis takes readers into the glamorous lost art school within Grand Central Terminal, where two very different women, fifty years apart, strive to make their mark on a world set against them.
For the nearly nine million people who live in New York City, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different.
For Clara, the terminal is the stepping stone to her future, which she is certain will shine as the brightly as the constellations on the main concourse ceiling. It is 1928, and twenty-five-year-old Clara is teaching at the lauded Grand Central School of Art. A talented illustrator, she has dreams of creating cover art for Vogue, but not even the prestige of the school can override the public's disdain for a "woman artist." Brash, fiery, confident, and single-minded--even while juggling the affections of two men, a wealthy would-be poet and a brilliant experimental painter--Clara is determined to achieve every creative success. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression, an insatiable monster with the power to destroy the entire art scene. And even poverty and hunger will do little to prepare Clara for the greater tragedy yet to come.
Nearly fifty years later, in 1974, the terminal has declined almost as sharply as Virginia Clay's life. Full of grime and danger, from the smoke-blackened ceiling to the pickpockets and drug dealers who roam the floor, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort. Recently divorced, she has just accepted a job in the information booth in order to support herself and her college-age daughter, Ruby. But when Virginia stumbles upon an abandoned art school within the terminal and discovers a striking watercolor hidden under the dust, her eyes are opened to the elegance beneath the decay. She embarks on a quest to find the artist of the unsigned masterpiece--an impassioned chase that draws Virginia not only into the battle to save Grand Central but deep into the mystery of Clara Darden, the famed 1920s illustrator who disappeared from history in 1931.
MY THOUGHTS: I was excited to begin listening to The Masterpiece by Fiona Davis. I have listened to both The Dollhouse and The Address, and loved them both.
But immediately, I found the narrator's voice and delivery to be annoying. Smug is the word that comes to mind. Why, oh why did they change narrators? I far preferred Saskia Maarleveld.
And then as I got into the story, I had the thought that this was just like the other two books - exactly the same format, just change names and locations. Kind of like writing by numbers.
I had trouble warming to either of the main characters, Clara in the late 1920's, and Virginia in the 70's. There seemed to be a lot of extraneous material in the plot that could have been done without and not harmed the storyline. I did enjoy the twist at the end.
In retrospect, I may have enjoyed The Masterpiece more had I read it rather than listened to it. I think my dislike of the narrator may have soured the whole experience for me. I am not ruling out reading the book at some point in the future, to see if I enjoy it more, and I will definitely read more by this author. But the operative word here is 'read', not listen.
😑😑.5
THE AUTHOR: Fiona Davis is the nationally bestselling author of THE MASTERPIECE, THE DOLLHOUSE and THE ADDRESS. She began her career in New York City as an actress, where she worked on Broadway, off-Broadway, and in regional theater. After getting a master's degree at Columbia Journalism School, she fell in love with writing, leapfrogging from editor to freelance journalist before finally settling down as an author of historical fiction.
DISCLOSURE: I listened to the audiobook version of The Masterpiece by Fiona Davis, narrated by Cassandra Campbell, published by Penguin Audio via OverDrive. All opinions expressed in this review are entirely my own personal opinions.
Please refer to my Goodreads.com profile page or the about page on sandysbookaday.wordpress.com for an explanation of my rating system. This review and others are also published on my webpage https://sandysbookaday.wordpress.com/...
August 8, 2018
What would an art school teacher and an information booth attendee have in common besides Grand Central since the women lived 50 years apart? You would be surprised.
Clara taught illustration at the art school when it was in its hey day, and Virginia needed to work since she had been recently divorced. Since Virginia had no skills, the information booth was the best the temp agency could do for her.
The connection Virginia had to Clara was a drawing she found in the abandoned art school on the seventh floor of Grand Central. We, the reader, move back and forth from both time periods and learn about both women’s lives, their secrets, and Grand Central.
Virginia found drawings all over the school’s rooms and found one drawing in particular that was of interest and signed by Clyde. This particular drawing had some odd characteristics, and someone didn’t want Virginia to have it.
THE MASTERPIECE was focused on the artists of New York and the history of Grand Central. Ms. Davis did impeccable research about Grand Central’s history as well as characters based on real people and others fictitiously portrayed.
Both the history of Grand Central and the characters wove a pull-you-in story line. Did you know that Grand Central had been in jeopardy of being torn down at one point in history?
New York is a fascinating place historically, and I always enjoy going back in time to learn of bits and pieces of its hidden history.
I also enjoyed the descriptions of the life styles, the parties, and the clothing. I am a nostalgic at heart.
Ms. Davis has created another beautiful “masterpiece” that historical fiction fans, New York City fans, mystery fans, and artists will love.
Make it part of your "required" summer reading. 5/5
This book was given to me as an ARC. All opinions are my own.
September 7, 2018
4 stars!
After loving Fiona Davis’ previous novel, The Address, I was thrilled to get my hands on The Masterpiece. This book was told in two POV‘s - Clara and Virginia, 50 years apart. I loved the Grand Central Station setting and learning about its history, especially the Grand Central School of Art in the late 1920’s and early ‘30’s.
Ms. Davis really does a great job in her historical storytelling. I learn a lot from reading her books. In fact, she is one of the very few authors who turned me on to historical fiction - a genre that I was never a big fan of. Thanks to her, I find myself exploring more books from this genre and really liking them! I look forward to seeing what’s next from her!
Thank you to NetGalley and Penguin Group Dutton for the advanced copy in exchange for my honest review.
After loving Fiona Davis’ previous novel, The Address, I was thrilled to get my hands on The Masterpiece. This book was told in two POV‘s - Clara and Virginia, 50 years apart. I loved the Grand Central Station setting and learning about its history, especially the Grand Central School of Art in the late 1920’s and early ‘30’s.
Ms. Davis really does a great job in her historical storytelling. I learn a lot from reading her books. In fact, she is one of the very few authors who turned me on to historical fiction - a genre that I was never a big fan of. Thanks to her, I find myself exploring more books from this genre and really liking them! I look forward to seeing what’s next from her!
Thank you to NetGalley and Penguin Group Dutton for the advanced copy in exchange for my honest review.
October 5, 2025
Premise: This story is about two women. Clara Darden and Virginia Clay.
First...Clara in 1928 where she is teaching at the Grand Central School of Art at the Grand Central Terminal. She is a talented illustrator, but the Great Depression gets in her way.
Second...We find Virginia Clay in 1974. She is recently divorced and working at an information booth at Grand Central Terminal. While there she stumbles upon an abandoned art school and discovers a striking watercolor hidden under the dust. It is her mission to find out who the artist is.
The author does a wonderful job of creating out-of-the-box women for their time.
Clara is brash, fiery, confident and single-minded.
Virginia, who had been a stay-at-home wife and mother, recovering from a mastectomy doesn’t come into her own independence until she embarks on this journey to find the artist.
As readers, the POV is from both women.
And... The author does a wonderful job of creating distinct voices.
The women are complicated, flawed, but intelligent and strong. It is nice to read a story elevating women in this way.
And...What a setting for the story! Having never been, and only seeing pictures of this majestic place, I was in awe of the historical significance and relevance of all that it meant – including who Clara’s character was based on.
(Yes, there is a real person – read the author’s notes. Including how Grand Central was threatened in the 70’s. Developers actually went to the city to try and reverse the preservation status of the building! For shame!)
This is truly a story with a bit of mystery, romance and historical context. If this is what you are needing, consider this your next read.
First...Clara in 1928 where she is teaching at the Grand Central School of Art at the Grand Central Terminal. She is a talented illustrator, but the Great Depression gets in her way.
Second...We find Virginia Clay in 1974. She is recently divorced and working at an information booth at Grand Central Terminal. While there she stumbles upon an abandoned art school and discovers a striking watercolor hidden under the dust. It is her mission to find out who the artist is.
The author does a wonderful job of creating out-of-the-box women for their time.
Clara is brash, fiery, confident and single-minded.
Virginia, who had been a stay-at-home wife and mother, recovering from a mastectomy doesn’t come into her own independence until she embarks on this journey to find the artist.
As readers, the POV is from both women.
And... The author does a wonderful job of creating distinct voices.
The women are complicated, flawed, but intelligent and strong. It is nice to read a story elevating women in this way.
And...What a setting for the story! Having never been, and only seeing pictures of this majestic place, I was in awe of the historical significance and relevance of all that it meant – including who Clara’s character was based on.
(Yes, there is a real person – read the author’s notes. Including how Grand Central was threatened in the 70’s. Developers actually went to the city to try and reverse the preservation status of the building! For shame!)
This is truly a story with a bit of mystery, romance and historical context. If this is what you are needing, consider this your next read.
July 30, 2018
Fiona Davis was one of the first HF authors I read and enjoyed, I loved both The Dollhouse and The Address and have been super excited about The Masterpiece. Davis has honed a keen ability to write dazzling stories about NYC, she really brings the city to life and truly sweeps you away to a different time and place.
This is told via a dual narrative flipping from the 1920s where Clara is a young artist trying to break in to a world where men rule and then Virginia in the 1970s as she also faces obstacles in a male dominated society. I adored both of these strong, female characters, even being fifty years apart they faced many of the same issues and had similar struggles and were both so brave and determined. Though their narratives both seemed connected in a loose manner I never guessed just how cleverly Davis would weave their tales together.
The rich and vibrant history of Grand Central Terminal was absolutely fascinating to me, I had no idea that at one time it was almost torn down! Besides the interesting bits of history you have some romance and even a mystery, a little bit of everything for everyone. HF will love this one and if you’re new to the genre Davis is a great author to start with, she’s fabulous!
The Masterpiece in the words: Dazzling, Captivating and Impassioned.
This is told via a dual narrative flipping from the 1920s where Clara is a young artist trying to break in to a world where men rule and then Virginia in the 1970s as she also faces obstacles in a male dominated society. I adored both of these strong, female characters, even being fifty years apart they faced many of the same issues and had similar struggles and were both so brave and determined. Though their narratives both seemed connected in a loose manner I never guessed just how cleverly Davis would weave their tales together.
The rich and vibrant history of Grand Central Terminal was absolutely fascinating to me, I had no idea that at one time it was almost torn down! Besides the interesting bits of history you have some romance and even a mystery, a little bit of everything for everyone. HF will love this one and if you’re new to the genre Davis is a great author to start with, she’s fabulous!
The Masterpiece in the words: Dazzling, Captivating and Impassioned.
December 17, 2018
Thank goodness for jury duty - allowing me to read the bulk of this fascinating historical fiction novel in one sitting! So much to enjoy -Please follow https://booknationbyjen.wordpress.com for all reviews and recommendations. Visit my blog to see all photos included in the review.
Choosing a book to read is personal and everyone gravitates toward what they believe will resonate with them. My dance class book group is eclectic and we all have different and varied interests. Last month we chose to read The Masterpiece by Fiona Davis. This book choice was a huge success for our group – strong women characters, art history, Grand Central Terminal, and our common love and appreciation for early 1900s New York City and the 1970s when many of our early city memories began.
The Masterpiece is a dual timeline historical fiction novel, featuring Clara, a young woman illustrator trying to rise to the top of her career in a male dominant field of artists in the 1920s. She teaches at the Grand Central School of art and aspires to be a well known illustrator. Clara is confident and persistent, but when the depression hits, she becomes impoverish and is faced with setbacks and tragedy.
Virginia, a divorced mother trying to make ends meet in 1974, gets a job at the dilapidated and filthy Grand Central Terminal in the information booth. The building’s existence is in question – will it be preserved or is it in danger of being demolished? While snooping around in the forgotten rooms above the train terminal she comes upon a beautiful painting. Virginia’s search for the artist leads her to discover a famous illustrator who has since disappeared from history.
The characters are lively, with deep history and strong emotions…we really get to know them, understand their challenges and feel their passions. The backdrop is New York City and the Grand Central School of Art above Grand Central Terminal. A little mystery, a little art, a little love…tragedy, triumph and NYC…our book group loved it!
We had the amazing opportunity to FaceTime with Fiona Davis during our discussion and she provided us with insight into her writing process including her deep dive into research. She told us Clara was written with Helen Dryden in mind, the woman who created the cover art for Vogue Magazine in the 1920s.
In the story there is a character, Levon, who painted a picture of himself as a boy with his mother. Fiona based that character on the painter, Arshile Gorky.
When conjuring up Clara, Fiona had actress Tilda Swinton in mind. Once you get to know Clara, this makes perfect sense!
We learned that Fiona wrote this book in chapter order, rather than one timeline and then the next, keeping it interesting for herself as each day she was starting fresh with a different time period. Her discipline is to be admired as she is on track to write a book a year…The Chelsea Girls will be published summer 2019.
We all enjoyed the book and our special evening with Fiona. Including the author in book group meetings adds such a unique and wonderful element to the discussion. We look forward to welcoming more authors into our discussions in 2019!
I first met Fiona in 2016 when her debut historical fiction novel, The Dollhouse, was released. Her first book talk was at the Westport Library and we connected. That story took place at the Barbizon Hotel in NYC and coincidentally, my mother lived there during the time Fiona wrote about. Since then, she has written The Address, which takes place at The Dakota on the upper west side, and now The Masterpiece. She has returned to the Westport Library several times to participate in author and reader/writer events. I was thrilled to be able to welcome her to my bookclub via FaceTime to discuss The Masterpiece!
Choosing a book to read is personal and everyone gravitates toward what they believe will resonate with them. My dance class book group is eclectic and we all have different and varied interests. Last month we chose to read The Masterpiece by Fiona Davis. This book choice was a huge success for our group – strong women characters, art history, Grand Central Terminal, and our common love and appreciation for early 1900s New York City and the 1970s when many of our early city memories began.
The Masterpiece is a dual timeline historical fiction novel, featuring Clara, a young woman illustrator trying to rise to the top of her career in a male dominant field of artists in the 1920s. She teaches at the Grand Central School of art and aspires to be a well known illustrator. Clara is confident and persistent, but when the depression hits, she becomes impoverish and is faced with setbacks and tragedy.
Virginia, a divorced mother trying to make ends meet in 1974, gets a job at the dilapidated and filthy Grand Central Terminal in the information booth. The building’s existence is in question – will it be preserved or is it in danger of being demolished? While snooping around in the forgotten rooms above the train terminal she comes upon a beautiful painting. Virginia’s search for the artist leads her to discover a famous illustrator who has since disappeared from history.
The characters are lively, with deep history and strong emotions…we really get to know them, understand their challenges and feel their passions. The backdrop is New York City and the Grand Central School of Art above Grand Central Terminal. A little mystery, a little art, a little love…tragedy, triumph and NYC…our book group loved it!
We had the amazing opportunity to FaceTime with Fiona Davis during our discussion and she provided us with insight into her writing process including her deep dive into research. She told us Clara was written with Helen Dryden in mind, the woman who created the cover art for Vogue Magazine in the 1920s.
In the story there is a character, Levon, who painted a picture of himself as a boy with his mother. Fiona based that character on the painter, Arshile Gorky.
When conjuring up Clara, Fiona had actress Tilda Swinton in mind. Once you get to know Clara, this makes perfect sense!
We learned that Fiona wrote this book in chapter order, rather than one timeline and then the next, keeping it interesting for herself as each day she was starting fresh with a different time period. Her discipline is to be admired as she is on track to write a book a year…The Chelsea Girls will be published summer 2019.
We all enjoyed the book and our special evening with Fiona. Including the author in book group meetings adds such a unique and wonderful element to the discussion. We look forward to welcoming more authors into our discussions in 2019!
I first met Fiona in 2016 when her debut historical fiction novel, The Dollhouse, was released. Her first book talk was at the Westport Library and we connected. That story took place at the Barbizon Hotel in NYC and coincidentally, my mother lived there during the time Fiona wrote about. Since then, she has written The Address, which takes place at The Dakota on the upper west side, and now The Masterpiece. She has returned to the Westport Library several times to participate in author and reader/writer events. I was thrilled to be able to welcome her to my bookclub via FaceTime to discuss The Masterpiece!
August 8, 2018
⭐⭐⭐⭐⭐ / 5
All the stars!!! Seriously, I couldn't be more excited about The Masterpiece by Fiona Davis. This was my first time reading a book by her and it will clearly not be my last.
What it's about: Told in dual timelines, we get the stories of Clara Darden who is a female painter and illustrator in the 1920's, and the story of Virginia Clay which is set in the 1970s and largely deals with the fight to save Grand Central Terminal. Throw in a mystery about a watercolor and an anonymous painter named "Clyde" and we have quite the story. I loved how both timelines came together to form one story and the progression of both stories as their separate entities.
The Masterpiece is truly historical fiction at its finest, and I was fascinated with everything about Grand Central Terminal and The Grand Central School of Art. I know this is a work of fiction, but it definitely seemed like there was a lot of truth to the story as well and it blew me away more than a little bit.
Davis has some of the best writing I have ever experienced, and I found myself completely enamored with the story. This book was an incredibly quick read and offers so much more than just historical fiction. There is so much wisdom on relationships, and a nice little dose of romance as well. Not all the characters are completely lovable, but I loved them all just the same in different ways and for what they all do for the story. Complex characters, a terrific plot, and some fun surprises make this a 5 star read plus more.
This book is also incredibly witty and made me laugh out loud multiple times. I experienced a full spectrum of emotions while reading it and I didn't want the story to ever end because I loved it so much.
Final Thought: I don't want to talk about the plot too much because I think this book is best experienced going in blind like I did. Going into it, I had heard amazing things about Fiona Davis and knew I had to read this book no matter what it was about. If you like historical fiction then I highly recommend The Masterpiece even if you aren't necessarily interested in painting or Grand Central. Even if you just appreciate her writing, this is definitely worth the read!
All the stars!!! Seriously, I couldn't be more excited about The Masterpiece by Fiona Davis. This was my first time reading a book by her and it will clearly not be my last.
What it's about: Told in dual timelines, we get the stories of Clara Darden who is a female painter and illustrator in the 1920's, and the story of Virginia Clay which is set in the 1970s and largely deals with the fight to save Grand Central Terminal. Throw in a mystery about a watercolor and an anonymous painter named "Clyde" and we have quite the story. I loved how both timelines came together to form one story and the progression of both stories as their separate entities.
The Masterpiece is truly historical fiction at its finest, and I was fascinated with everything about Grand Central Terminal and The Grand Central School of Art. I know this is a work of fiction, but it definitely seemed like there was a lot of truth to the story as well and it blew me away more than a little bit.
Davis has some of the best writing I have ever experienced, and I found myself completely enamored with the story. This book was an incredibly quick read and offers so much more than just historical fiction. There is so much wisdom on relationships, and a nice little dose of romance as well. Not all the characters are completely lovable, but I loved them all just the same in different ways and for what they all do for the story. Complex characters, a terrific plot, and some fun surprises make this a 5 star read plus more.
This book is also incredibly witty and made me laugh out loud multiple times. I experienced a full spectrum of emotions while reading it and I didn't want the story to ever end because I loved it so much.
Final Thought: I don't want to talk about the plot too much because I think this book is best experienced going in blind like I did. Going into it, I had heard amazing things about Fiona Davis and knew I had to read this book no matter what it was about. If you like historical fiction then I highly recommend The Masterpiece even if you aren't necessarily interested in painting or Grand Central. Even if you just appreciate her writing, this is definitely worth the read!
June 15, 2019
Grand Central Terminal in New York City was a masterpiece when it was built. The cover of the book features the beautiful marble concourse with a turquoise vaulted ceiling painted to show the constellations in the sky. In 1928 Clare Darden was teaching at the Grand Central School of Art. The independent, prickly woman was achieving success as an illustrator until the Great Depression put many artists out of work. Clare also suffered a devastating loss in her personal life.
Almost fifty years later, Virginia Clay starts work at the terminal's information booth. She is recently divorced, trying to make a new beginning, and support her daughter and herself in the expensive city. She comes across some artwork in the closed studios of the former art school, and one painting especially catches her eye. She tries to find out who painted this masterpiece. Meanwhile, she becomes involved in an effort to save the Grand Central Terminal from demolition, and restore it to its former beauty. The two timelines converge at the end.
I enjoyed reading about the history of the Grand Central Terminal and the art school. The book featured two strong women who were trying to support themselves when there were fewer opportunities for women. I admired the two main characters, but did not feel a strong emotional connection to them. The story had an interesting plot that was tied up very quickly in the last few pages. I would recommend "The Masterpiece" to readers who enjoy art or interesting historical settings. 3.5 stars.
FYI: The author wrote on her website that the two art instructors were inspired by Arshile Gorky, an abstract expressionist painter, and the illustrator Helen Dryden.
Almost fifty years later, Virginia Clay starts work at the terminal's information booth. She is recently divorced, trying to make a new beginning, and support her daughter and herself in the expensive city. She comes across some artwork in the closed studios of the former art school, and one painting especially catches her eye. She tries to find out who painted this masterpiece. Meanwhile, she becomes involved in an effort to save the Grand Central Terminal from demolition, and restore it to its former beauty. The two timelines converge at the end.
I enjoyed reading about the history of the Grand Central Terminal and the art school. The book featured two strong women who were trying to support themselves when there were fewer opportunities for women. I admired the two main characters, but did not feel a strong emotional connection to them. The story had an interesting plot that was tied up very quickly in the last few pages. I would recommend "The Masterpiece" to readers who enjoy art or interesting historical settings. 3.5 stars.
FYI: The author wrote on her website that the two art instructors were inspired by Arshile Gorky, an abstract expressionist painter, and the illustrator Helen Dryden.
July 17, 2022
The Masterpiece by Fiona Davis is not one of my favorite books of hers. About two women 50 years apart. A lost painting by one woman who created it. 50 years later it is found only to be swindled away. Kind of a slower moving book. Did not enjoy it as much as many of hers
December 8, 2022
[3+] I am drawn to all of Davis' New York locations, but find her novels too formulaic and flat to enjoy. But I love Grand Central Terminal! So in spite of myself, I picked this one up and was pleasantly surprised. She uses the same tired formula - alternating a chapter in the past with a contemporary chapter (1920s and 1970s) but I didn't once feel like throwing my book across the room. It was a nice escape and I learned something about the history of one of my favorite NYC landmark spots.
July 18, 2018
Amazing!
The story is centered around New York's Grand Central Terminal and two women that worked there during different eras. Clair,a young woman who teaches at the art school in the 1920's. But dreams of doing the cover for Vogue. Later in the 1970's the Grand Central is much different and more dangerous than in the 1920's we meet Virginia. Recently divorced who takes a job at the information booth to support herself and her daughter Ruby. When Virginia happens to discover the old art school she finds a painting and sets out to find the artist. Unraveling the mystery of Clair who disappeared.I loved this story. Being transported back in time to New York in the 1920's is always a favorite for me. The history of the Grand Central and the world of art. I found this story of these two women captivating. As stunning and beautiful as the cover.
Thank You
Net Galley
Dawn
BookGypsy
Novels N Latte
Book Blog
The story is centered around New York's Grand Central Terminal and two women that worked there during different eras. Clair,a young woman who teaches at the art school in the 1920's. But dreams of doing the cover for Vogue. Later in the 1970's the Grand Central is much different and more dangerous than in the 1920's we meet Virginia. Recently divorced who takes a job at the information booth to support herself and her daughter Ruby. When Virginia happens to discover the old art school she finds a painting and sets out to find the artist. Unraveling the mystery of Clair who disappeared.I loved this story. Being transported back in time to New York in the 1920's is always a favorite for me. The history of the Grand Central and the world of art. I found this story of these two women captivating. As stunning and beautiful as the cover.
Thank You
Net Galley
Dawn
BookGypsy
Novels N Latte
Book Blog
December 29, 2020
Superb Story
4 1/2 Stars
"The Masterpiece,” by Fiona Davis is another superb story by this award winning author.
The plot moves across two time periods -- the late 1920s and the mid-1970s with great details about both. It is truly an entertaining work of historical fiction surrounding a topic that is easy for me to love—art.
As usual, I thoroughly loved the strength of the female characters, Clara and Virginia, as they adapted to their changing plot points.
Clara, a well published illustrator, in the male dominant publishing industry. She is also a faculty member at the Grand Central School of Art.
Virginia works in an information booth at Grand Central. She becomes interested in the Grand Central art school and discovers a painting. It is through investigation of the painting that Virginia combines the past and the present and the mystery begins.
An absolutely masterpiece (no pun intended) of describing historical background information about Grand Central Terminal. I could actually see the station in my mind's eye.
I absolutely recommend.
4 1/2 Stars
"The Masterpiece,” by Fiona Davis is another superb story by this award winning author.
The plot moves across two time periods -- the late 1920s and the mid-1970s with great details about both. It is truly an entertaining work of historical fiction surrounding a topic that is easy for me to love—art.
As usual, I thoroughly loved the strength of the female characters, Clara and Virginia, as they adapted to their changing plot points.
Clara, a well published illustrator, in the male dominant publishing industry. She is also a faculty member at the Grand Central School of Art.
Virginia works in an information booth at Grand Central. She becomes interested in the Grand Central art school and discovers a painting. It is through investigation of the painting that Virginia combines the past and the present and the mystery begins.
An absolutely masterpiece (no pun intended) of describing historical background information about Grand Central Terminal. I could actually see the station in my mind's eye.
I absolutely recommend.
November 17, 2018
Oh wow listening to this book was such a great experience. THIS is just the kind of dual storyline book I love to read with two fascinating stories linked together by a painting. First, I just want to say that I got Beatriz Williams vibes while listening to this book. And I LOVE Beatriz Williams books, so that's a plus. Second, not setting one of the stories in the present time was fabulous. I have a deep love for both the 20s and the 70s and now I got them both.
THE MASTERPIECE is the very first book I have read by Fiona Davis and I'm very much eager to read the other books. I always loved books about artists and I loved getting to know more about Grand Central School of Art. I really liked Clara Darden who struggled to become an acknowledged artist. She had ambitions and really set out to achieve her dreams. Almost 50 years later is Virginia Clay drawn into the mystery of Clara Darden who disappeared in 1931. Virginia is newly divorced and has recently started to work in the information booth Grand Central. I loved reading about how this woman, who recently had some medical problem, a bastard of an ex and a daughter who causes her problem, finds a painting that will unravel lots of secrets.
Writing the review for THE MASTERPIECE makes me definitely eager to read more of Fiona Davis books. Luckily I have some to read. Also, Cassandra Campbell, the narrator did an excellent job! She has that kind of that makes me pick book after what she has narrated. So, I definitely recommend listening to this book!
THE MASTERPIECE is the very first book I have read by Fiona Davis and I'm very much eager to read the other books. I always loved books about artists and I loved getting to know more about Grand Central School of Art. I really liked Clara Darden who struggled to become an acknowledged artist. She had ambitions and really set out to achieve her dreams. Almost 50 years later is Virginia Clay drawn into the mystery of Clara Darden who disappeared in 1931. Virginia is newly divorced and has recently started to work in the information booth Grand Central. I loved reading about how this woman, who recently had some medical problem, a bastard of an ex and a daughter who causes her problem, finds a painting that will unravel lots of secrets.
Writing the review for THE MASTERPIECE makes me definitely eager to read more of Fiona Davis books. Luckily I have some to read. Also, Cassandra Campbell, the narrator did an excellent job! She has that kind of that makes me pick book after what she has narrated. So, I definitely recommend listening to this book!
October 18, 2025
The lives of two women in different times connected through a New York landmark is Fiona Davis' signature plot device. After reading three of her novels, I find the gimmick a bit tiresome. Nevertheless, I cannot deny that Davis is incredibly good at it. Here, she combines the glamour of the art scene of the twenties with a mystery in the gritty seventies. However, it was her two plucky heroines, the plot twists, and the suspense that kept me flipping the pages.
July 22, 2018
A well-written and engaging historical fiction novel centering on a NYC iconic edifice: Grand Central Terminal.
Two women, separated by 50 years, are featured in this book. Clara Darden is an illustrationist at Vogue Magazine and also teaches illustration at Grand Central School of Art. Clara is modelled after the real illustrationist Helen Dryden. Virginia Clay is a divorcee with a college age daughter, who in 1974, is struggling to become independent and self-sufficient. She is able to obtain a job at Grand Central Terminal at the information booth.
The two women’s stories are interwoven in a seamless way. And those stories are BOTH captivating. The story of Grand Central Terminal and Penn Central’s fight to raze it and build a 55 story high rise is also explored.
I read about Helen Dryden on Wikipedia and noted the similarities between Clara and Helen. I was able to also view Dryden’s Vogue covers. Fiona Davis’ Author’s Note at the end of the book also clarifies what is fact and what is fiction in the story.
5 stars
July 27, 2019
It should be known up-front that I'm a big fan of Fiona Davis'. Her writing, characters and choice of historical settings are always superb. As with most of Davis' historical fiction there are two women in two separate timelines that eventually come together. You might think that perhaps this choice of set-up in historical fiction would eventually feel overused or loose it's magic as it's been used to death; but for me it's the perfect way to relate a story.
Setting
I seem to always have an affinity for the oldest timeline and characters in any given historical novel. Perhaps because they seem more intriguing, magical or unpredictable? Whatever the reason, The Masterpiece was no exception to the rule for me. Both timelines keep the primary location of the Grand Central Terminal in New York; and yet one is about how gorgeous, vibrant and art filled the station is; while the other is set during a time when they nearly took the whole train station down! I didn't know that Grand Central nearly didn't survive decades ago from being demolished; and so this historical tidbit was great to learn about.
Characters
As always Davis has characters that are realistic and relatable. Whether it's our divorcee fighting to stay alive in (relatively) modern day (1974ish) or the aspiring artist in 1929 who everyone walks all over because she is a woman; Davis makes me feel like these are real women. At one point nearing the end of the story I was beside myself when I realized that there might not be a happy ending here! Inspiring emotion for the people in the story is key to a historical novel being successful and Davis does it masterfully in The Masterpiece.
Plot
There's a lot going on in here. We have intrigue and mystery in both timelines; and of course it all comes together beautifully in the end to tie our two ladies together. I don't to say too much, as I don't want to give any good tidbits away; but if you enjoy the unraveling of a history and finding out about people's dirty little secrets then I think you'll be on board for this plot.
Unfortunately The Masterpiece falls to a four star book (from five) for me because of it's ending. There is a bit too much that just 'happens' for no real reason and so I put this book down feeling a little cheated at the contrived ending.
Overall
Regardless of if the ending is to my liking I still really enjoyed this story and would certainly consider revisiting it in the future. Davis gives us strong women who persevere even when the odds are stacked against them. I was able to relate to these women and even reflect a little on my daily life and realize that it could always be worse. Each day I read this during my commute to work (on the bus), at lunchtime or at home I felt like I was being subtly reminded that any one of our lead women could have been me. And that made me thankful to live when and where I do.
Any book that is able to so strongly connect with me is worthy of a recommendation and a place on my print shelf (the highest honour I can give). While not a perfect five-star read; The Masterpiece is still more than worthy of a dive into the art and magic of a train station.
Please note: I received an eARC of this book from the publisher via NetGalley. This is an honest and unbiased review.
Setting
I seem to always have an affinity for the oldest timeline and characters in any given historical novel. Perhaps because they seem more intriguing, magical or unpredictable? Whatever the reason, The Masterpiece was no exception to the rule for me. Both timelines keep the primary location of the Grand Central Terminal in New York; and yet one is about how gorgeous, vibrant and art filled the station is; while the other is set during a time when they nearly took the whole train station down! I didn't know that Grand Central nearly didn't survive decades ago from being demolished; and so this historical tidbit was great to learn about.
Characters
As always Davis has characters that are realistic and relatable. Whether it's our divorcee fighting to stay alive in (relatively) modern day (1974ish) or the aspiring artist in 1929 who everyone walks all over because she is a woman; Davis makes me feel like these are real women. At one point nearing the end of the story I was beside myself when I realized that there might not be a happy ending here! Inspiring emotion for the people in the story is key to a historical novel being successful and Davis does it masterfully in The Masterpiece.
Plot
There's a lot going on in here. We have intrigue and mystery in both timelines; and of course it all comes together beautifully in the end to tie our two ladies together. I don't to say too much, as I don't want to give any good tidbits away; but if you enjoy the unraveling of a history and finding out about people's dirty little secrets then I think you'll be on board for this plot.
Unfortunately The Masterpiece falls to a four star book (from five) for me because of it's ending. There is a bit too much that just 'happens' for no real reason and so I put this book down feeling a little cheated at the contrived ending.
Overall
Regardless of if the ending is to my liking I still really enjoyed this story and would certainly consider revisiting it in the future. Davis gives us strong women who persevere even when the odds are stacked against them. I was able to relate to these women and even reflect a little on my daily life and realize that it could always be worse. Each day I read this during my commute to work (on the bus), at lunchtime or at home I felt like I was being subtly reminded that any one of our lead women could have been me. And that made me thankful to live when and where I do.
Any book that is able to so strongly connect with me is worthy of a recommendation and a place on my print shelf (the highest honour I can give). While not a perfect five-star read; The Masterpiece is still more than worthy of a dive into the art and magic of a train station.
Please note: I received an eARC of this book from the publisher via NetGalley. This is an honest and unbiased review.
November 22, 2018
The Masterpiece is an enchanting piece of historical fiction and well deserving of all 5 stars! This is my first time reading a novel written by Fiona Davis, but I will definitely not be my last!
My mother is an artist and was an art history professor until she retired, so art has always been a fascinating and beloved part of my life. I immediately knew based on the synopsis that I would thoroughly enjoy this story since thanks to my mother and her passionate love of all things New York and it's unique and extraordinary art history, I already knew of the history surrounding the Grand Central School of Art.
However, I never imagined Davis would make me fall in love with this novel by constructing such a stunning literary masterpiece by richly drawing the characters of Clara Darden and Virginia Clay, two strong, intelligent, vibrant women living in entirely different eras looking to make a new start in their lives while using the historic landmark of the Grand Central Terminal and the Grand Central School of Art as the focus of the novel.
The story alternates beautifully between the two women as Davis tells the story of the two women employed at Grand Central Terminal almost fifty years apart. Clara is chasing her dream of becoming an illustrator for Vogue while being the only female teacher at the Grand Central School of Art. She is highly talented, passionate, and ambitious, but art is a male-dominated world in the 1920s. As she chases her dreams, she finds romance, continues to struggle in the male-dominated society even after proving her worth as an artist once Vogue hires her, especially when the Great Depression hits America. Then a terrible tragedy strikes in the early 1930s and Clara is never heard from again.
Virginia, a breast cancer survivor is a newly divorcee in 1974 from her rich, lawyer husband. She's struggling with her new lifestyle, to support herself and her teenage daughter Ruby, and to come to terms with herself post-cancer.
Virginia takes a job at Grand Central Terminal as an information-desk clerk and while there, she begins to explore the terminal and discovers the long locked up art school and a mysterious painting that might just answer what happened to Clara Darden. Her finding stirs up questions that the people she turns to for answers will apparently do anything to stop her from discovering. While searching for answers about the painting, Clara, and the art school, Virginia finds out that the terminal, now dirty and in disrepair, is in danger of being destroyed, so she also makes it her mission to help save the historical site.
The novel is extremely well-researched and well-written; it truly is like a wondrous masterpiece itself. The characters, even the ones you dislike, are richly detailed and masterfully woven into the novel. The plot is spellbinding and it was as if I had stepped back into both decades with the effortless and passionate way Davis told the story. The two plots converged in an unexpected yet flawless way, and there are appearances by Jackie Onassis, who is fighting to save the terminal that just made the novel that much more special for me...if you know me, you know that I have a Jackie O obsession!
Just like fine art, this is a magical and enchanting novel that is historical fiction at its finest. I really cannot recommend The Masterpiece highly enough to lovers of historical fiction since it is a stunning, beautiful read. Davis tells a captivating story that will definitely keep you engrossed as it did me.
**Thank you Edelweiss and Dutton for the ARC copy to read in exchange for my fair and honest review.**
My mother is an artist and was an art history professor until she retired, so art has always been a fascinating and beloved part of my life. I immediately knew based on the synopsis that I would thoroughly enjoy this story since thanks to my mother and her passionate love of all things New York and it's unique and extraordinary art history, I already knew of the history surrounding the Grand Central School of Art.
However, I never imagined Davis would make me fall in love with this novel by constructing such a stunning literary masterpiece by richly drawing the characters of Clara Darden and Virginia Clay, two strong, intelligent, vibrant women living in entirely different eras looking to make a new start in their lives while using the historic landmark of the Grand Central Terminal and the Grand Central School of Art as the focus of the novel.
The story alternates beautifully between the two women as Davis tells the story of the two women employed at Grand Central Terminal almost fifty years apart. Clara is chasing her dream of becoming an illustrator for Vogue while being the only female teacher at the Grand Central School of Art. She is highly talented, passionate, and ambitious, but art is a male-dominated world in the 1920s. As she chases her dreams, she finds romance, continues to struggle in the male-dominated society even after proving her worth as an artist once Vogue hires her, especially when the Great Depression hits America. Then a terrible tragedy strikes in the early 1930s and Clara is never heard from again.
Virginia, a breast cancer survivor is a newly divorcee in 1974 from her rich, lawyer husband. She's struggling with her new lifestyle, to support herself and her teenage daughter Ruby, and to come to terms with herself post-cancer.
Virginia takes a job at Grand Central Terminal as an information-desk clerk and while there, she begins to explore the terminal and discovers the long locked up art school and a mysterious painting that might just answer what happened to Clara Darden. Her finding stirs up questions that the people she turns to for answers will apparently do anything to stop her from discovering. While searching for answers about the painting, Clara, and the art school, Virginia finds out that the terminal, now dirty and in disrepair, is in danger of being destroyed, so she also makes it her mission to help save the historical site.
The novel is extremely well-researched and well-written; it truly is like a wondrous masterpiece itself. The characters, even the ones you dislike, are richly detailed and masterfully woven into the novel. The plot is spellbinding and it was as if I had stepped back into both decades with the effortless and passionate way Davis told the story. The two plots converged in an unexpected yet flawless way, and there are appearances by Jackie Onassis, who is fighting to save the terminal that just made the novel that much more special for me...if you know me, you know that I have a Jackie O obsession!
Just like fine art, this is a magical and enchanting novel that is historical fiction at its finest. I really cannot recommend The Masterpiece highly enough to lovers of historical fiction since it is a stunning, beautiful read. Davis tells a captivating story that will definitely keep you engrossed as it did me.
**Thank you Edelweiss and Dutton for the ARC copy to read in exchange for my fair and honest review.**
December 31, 2018
This is such an enjoyable book!
The Masterpiece is the story of 2 women: Clara Darden, an illustrator who teaches at the Grand Central School of Art in 1928; and Virginia Clay, a newly divorced woman and mother of a college age daughter who has just taken a job in the information booth at Grand Central Terminal in 1975. Both women are trying to survive in a world where women are not afforded the opportunity that they deserve. When Virginia discovers an old watercolor in the dregs of the old art school, she becomes determined to find out who painted it. In the midst of her search, the very existence of the Grand Central Terminal is also in jeopardy.
The characters in this book are wonderfully portrayed, even the unlikable ones. Clara, Virginia, Levon, Oliver, the Lorettes, even some minor characters are all well developed. I can’t say I always liked Clara, but I understood her sense of frustration and resentment at the constant inequality leveled at women artists in the 1920s.
In many ways, the Grand Central is also a major character in this story, full of mystery and beauty. The Terminal gives the book a wonderful sense of place, and you want to google pictures of it while you read.
I do have a quibble with Virginia’s circumstances, though. I did not understand if her husband was such a hot shot lawyer, why she was not getting adequate spousal support and why she was so broke. He left her after years of marriage. He apparently was unfaithful after her surgery. She had grounds to get a good settlement. Of course, that wouldn’t have helped the story, but it didn’t make sense.
The book is well written, and perfectly paced to the point where you are just constantly turning pages, wanting to know what happens next. It’s a light read but a good one. I definitely recommend it.
A fun question for those of you who have read this book: what does The Masterpiece refer to? “The Siren”, Grand Central Terminal, or both? Or something else?
The Masterpiece is the story of 2 women: Clara Darden, an illustrator who teaches at the Grand Central School of Art in 1928; and Virginia Clay, a newly divorced woman and mother of a college age daughter who has just taken a job in the information booth at Grand Central Terminal in 1975. Both women are trying to survive in a world where women are not afforded the opportunity that they deserve. When Virginia discovers an old watercolor in the dregs of the old art school, she becomes determined to find out who painted it. In the midst of her search, the very existence of the Grand Central Terminal is also in jeopardy.
The characters in this book are wonderfully portrayed, even the unlikable ones. Clara, Virginia, Levon, Oliver, the Lorettes, even some minor characters are all well developed. I can’t say I always liked Clara, but I understood her sense of frustration and resentment at the constant inequality leveled at women artists in the 1920s.
In many ways, the Grand Central is also a major character in this story, full of mystery and beauty. The Terminal gives the book a wonderful sense of place, and you want to google pictures of it while you read.
I do have a quibble with Virginia’s circumstances, though. I did not understand if her husband was such a hot shot lawyer, why she was not getting adequate spousal support and why she was so broke. He left her after years of marriage. He apparently was unfaithful after her surgery. She had grounds to get a good settlement. Of course, that wouldn’t have helped the story, but it didn’t make sense.
The book is well written, and perfectly paced to the point where you are just constantly turning pages, wanting to know what happens next. It’s a light read but a good one. I definitely recommend it.
A fun question for those of you who have read this book: what does The Masterpiece refer to? “The Siren”, Grand Central Terminal, or both? Or something else?
June 23, 2022
4 Stars for The Masterpiece (audiobook) by Fiona Davis read by Cassandra Campbell.
This is a wonderful story set in and around Grand Central Terminal in New York City. The story is told from two different women’s perspectives. One is a art teacher at the Grand Central School of Art in 1928. And the other is a woman that is forced by chance to take a job at the information booth at the Grand Central Terminal in 1974. The story is largely in the art world and it’s intriguing to see how the author brings these two women together.
This is a wonderful story set in and around Grand Central Terminal in New York City. The story is told from two different women’s perspectives. One is a art teacher at the Grand Central School of Art in 1928. And the other is a woman that is forced by chance to take a job at the information booth at the Grand Central Terminal in 1974. The story is largely in the art world and it’s intriguing to see how the author brings these two women together.
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November 9, 2019After giving between 4 to 5 hours to this audio book, I am calling it quits. It is a case of it is me, not you. I do not intend any negativity to the author. I loved The Address. This one is progressing too slowly, I can not stay interested. It is character driven with no action so far, so I feel like nothing is happening, but maybe I just don't have enough patience. But, the cover is beautiful!
July 24, 2018
Historical Fictional novel, The Masterpiece, has two POVs, two different decades: fifty years apart, two Masterpieces and one mystery. Imbedded within are two intelligent and talented women fighting for their right to have a voice in their lives, especially regarding their livelihoods.
In 1928, Clara Darden is a young struggling artist trying to keep her new job as an assistant instructor at the famed Grand Central Art School, ‘tucked under the eaves’ on the 7th floor of the Grand Central Terminal (GCT).
In 1974, Virginia Clay is a newly divorced mother of one, trying to find her footing in NYC, home for the last 20 years, but now as a single woman. Finances are tight as she and her 21-year-old daughter, move into a small apartment and look for jobs neither have qualifications for.
Our first Masterpiece is Grand Central Terminal itself, in my opinion. The GCT was finally completed in 1913, although begun by Cornelius Vanderbilt in 1869, at its present location. By the mid-1960’s it fell into disrepair and a proposal to build a 55-story tower on top of it was proposed in 1967. Ms. Davis covers the almost 10-year litigation in this book to save GCT and designate it as a National Historic Landmark.
The second Masterpiece is a painting, named “The Siren” by an unknown artist who signed the painting as, ‘Clyde.” The mystery surrounds this painting. Who really painted it, where has it been for the last forty years, and who placed it in auction? The reader will unravel these answers in an appropriate and timely manner. You will not be bored but filled with anticipation and suspense.
There are other characters that play into the lives of the women, especially their amours, but I prefer not to mention them for fear of revealing information that might spoil your fun.
This is Fiona Davis’ best book to date; I highly recommend it!
Thank you NetGalley, Dutton – Penguin Random House, and Fiona Davis
In 1928, Clara Darden is a young struggling artist trying to keep her new job as an assistant instructor at the famed Grand Central Art School, ‘tucked under the eaves’ on the 7th floor of the Grand Central Terminal (GCT).
In 1974, Virginia Clay is a newly divorced mother of one, trying to find her footing in NYC, home for the last 20 years, but now as a single woman. Finances are tight as she and her 21-year-old daughter, move into a small apartment and look for jobs neither have qualifications for.
Our first Masterpiece is Grand Central Terminal itself, in my opinion. The GCT was finally completed in 1913, although begun by Cornelius Vanderbilt in 1869, at its present location. By the mid-1960’s it fell into disrepair and a proposal to build a 55-story tower on top of it was proposed in 1967. Ms. Davis covers the almost 10-year litigation in this book to save GCT and designate it as a National Historic Landmark.
The second Masterpiece is a painting, named “The Siren” by an unknown artist who signed the painting as, ‘Clyde.” The mystery surrounds this painting. Who really painted it, where has it been for the last forty years, and who placed it in auction? The reader will unravel these answers in an appropriate and timely manner. You will not be bored but filled with anticipation and suspense.
There are other characters that play into the lives of the women, especially their amours, but I prefer not to mention them for fear of revealing information that might spoil your fun.
This is Fiona Davis’ best book to date; I highly recommend it!
Thank you NetGalley, Dutton – Penguin Random House, and Fiona Davis
July 30, 2018
An interesting story centered on the Grand Central Terminal in NYC told from the viewpoint of two different women, 50 years apart. Clara Darden is an instructor at the famed Grand Central Art School in the 1920's struggling to make a career as an illustrator. Virginia Clay is a newly divorced woman in 1974 trying to make a new life with her young adult daughter, Ruby.
Clara tries hard to make a success at her art which is difficult as a woman in 1928. She gets a temporary job teaching students and calls on magazines and businesses to sell her illustrations. Illustrator and water color painters are looked down upon in the art world but she doesn't give up. She makes friends with a fellow instructor and a male model. She becomes Vogue Magazine first female illustrator and becomes quite successful until the Depression happens. The devastation is horrible. Clara is not the most likable character but she is very real with flaws.
Virginia is trying to make a new life after her divorce and gets a job at the Information Booth at the Grand Central Terminal. She falls in love with the building and works to save it from Penn Central who wants to demolish it and build a skyscraper instead. She joins the Jackie Kennedy cause for it's preservation, uncovers a mystery and gets someone their long, overdue rewards.
I really liked the history and the voices of two women who are not always likable but struggle to make their way in the world and have their voices heard. This was an enjoyable read that I think is her best yet.
Thanks to Net Galley and the publisher for a copy of this book in exchange for a fair review.
Clara tries hard to make a success at her art which is difficult as a woman in 1928. She gets a temporary job teaching students and calls on magazines and businesses to sell her illustrations. Illustrator and water color painters are looked down upon in the art world but she doesn't give up. She makes friends with a fellow instructor and a male model. She becomes Vogue Magazine first female illustrator and becomes quite successful until the Depression happens. The devastation is horrible. Clara is not the most likable character but she is very real with flaws.
Virginia is trying to make a new life after her divorce and gets a job at the Information Booth at the Grand Central Terminal. She falls in love with the building and works to save it from Penn Central who wants to demolish it and build a skyscraper instead. She joins the Jackie Kennedy cause for it's preservation, uncovers a mystery and gets someone their long, overdue rewards.
I really liked the history and the voices of two women who are not always likable but struggle to make their way in the world and have their voices heard. This was an enjoyable read that I think is her best yet.
Thanks to Net Galley and the publisher for a copy of this book in exchange for a fair review.
August 6, 2018
4 stars Thank you to Penguins' First to Read and Dutton for the opportunity to read and review this digital ARC. Publishes August 7, 2018.
Another 'masterpiece' by Fiona Davis.
Davis is becoming one of my all time favorite authors. Her mastery at taking current buildings back to their hey day is both wonderful and enlightening. She sets the mark for renewing the history of some of our well known popular structures.
This book takes us back into the history of Grand Central Station. We move through the lives of two women - fifty years apart. Clara Darden - artist, who teaches at the Grand Central School of Art in the 1920's. She fights her way to the top, only to be interrupted by the Great Depression.
We then meet Virginia Clay in 1974. A working mother, hoping that demolition does not take both her job and the Grand Central Station, when she chances on a painting. This sets in motion Clay's desire to find the artist - who was last seen in 1931 - while she also takes up the battle to save the declining building.
As these two powerful characters weave their stories back and forth we see the brilliance of Davis' story telling. As were her other books, set in New York City, in a building, with such a rich history, still standing and timeless today as they were in the past. Fiona Davis only gets better with each book she writes.
Another 'masterpiece' by Fiona Davis.
Davis is becoming one of my all time favorite authors. Her mastery at taking current buildings back to their hey day is both wonderful and enlightening. She sets the mark for renewing the history of some of our well known popular structures.
This book takes us back into the history of Grand Central Station. We move through the lives of two women - fifty years apart. Clara Darden - artist, who teaches at the Grand Central School of Art in the 1920's. She fights her way to the top, only to be interrupted by the Great Depression.
We then meet Virginia Clay in 1974. A working mother, hoping that demolition does not take both her job and the Grand Central Station, when she chances on a painting. This sets in motion Clay's desire to find the artist - who was last seen in 1931 - while she also takes up the battle to save the declining building.
As these two powerful characters weave their stories back and forth we see the brilliance of Davis' story telling. As were her other books, set in New York City, in a building, with such a rich history, still standing and timeless today as they were in the past. Fiona Davis only gets better with each book she writes.
January 1, 2022
The Masterpiece by Fiona Davis, 3.8 stars
Fiona Davis writes with a certain formula, and it works. I greatly enjoyed this one. This authors’ books follow a certain structure. Two women from differing dual timelines, all feminists before their time. A mystery and secret connects them, and surrounds a major New York landmark.
This book, is centered around Grand Central Terminal, and the attempt to have it not be a landmark and destroyed. At its core, is not just the history of GCT, but the Art School of New York that was housed there, where many artists came to learn and create. It fell apart during the Depression, but many notable characters emerged from Clara’s timeline. The others come from Virginia, in the 1960’s/70’s perhaps? Very different women, in different circumstances finding their way. And its Virginia who wants to both solve the mystery and save Grand Central. Does she? Well, you’d have to read the book. I enjoyed it.
Fiona Davis writes with a certain formula, and it works. I greatly enjoyed this one. This authors’ books follow a certain structure. Two women from differing dual timelines, all feminists before their time. A mystery and secret connects them, and surrounds a major New York landmark.
This book, is centered around Grand Central Terminal, and the attempt to have it not be a landmark and destroyed. At its core, is not just the history of GCT, but the Art School of New York that was housed there, where many artists came to learn and create. It fell apart during the Depression, but many notable characters emerged from Clara’s timeline. The others come from Virginia, in the 1960’s/70’s perhaps? Very different women, in different circumstances finding their way. And its Virginia who wants to both solve the mystery and save Grand Central. Does she? Well, you’d have to read the book. I enjoyed it.
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