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368 pages, Hardcover
First published April 14, 2020
Every person has within her a certain amount of self-preservation to guide her. But when the self in question has taken the sheer number of knocks that I have, the preservation instinct is ground down. Mine is a fine dust, little particulates that have all but disappeared. I’m not sure what self there is left to preserve.She has led something less than a charmed life. Trouble seems to follow her as if she had a tracking device stuck on her collar and an army of people at monitors reporting her every move.

He warms up to “Amazing Grace,” and so do I. We’re singing together now and I’m in my head voice, a tone I haven’t heard out of my mouth since I was a kid in youth choir. Buck-toothed and scrappy but with a voice like a lounge singer just months away from a lung cancer diagnosis.No Going Back is the third book in Sheena Kamal’s Nora Watts series. There are sufficient catching-up passages here that it is not necessary to have read the first two to enjoy this one. But really, why would you want to deprive yourself? The first two are outstanding, and will make you better prepared to get the most out of volume #3. I’m just sayin’.
Those days are long gone. I’ve since found the blues to fill the space in my soul, but I remember what it was like to sing up high like that. Reaching for the cracked paint in the ceiling, then past it, too. A gospel, a prayer. Never a celebration.
To say the heavy snowfall caught the city by surprise is a ridiculous understatement. People are in a state of shock, interspersed by moments of panic. No one knows what to do with their hands. Should they try to dig out their vehicles, which they don’t know how to drive in these weather conditions, or do they dial their workplaces to say they aren’t coming in? Tips on how to drive in the snow fill local news reports while those who had moved here to get out of this kind of vengeful weather curse their misfortune and sneer at the masses who are seemingly struck helpless by flakes of fluffy white precipitation. I am on the side of the cursing and sneering few.Being an outsider is part of Nora’s core. Her mother was Palestinian and her father was indigenous Canadian. She is very conscious of the history of European encroachment and being seen as an other. It reinforces her unwillingness to trust, expecting that no one, certainly no one in authority, will believe her anyway. Relationships and/or tensions between parents and children provide a central element. Nora is desperate to protect the child she gave away at birth, Bonnie, finally wanting to have a relationship with her. There is the relationship between Bonnie and her adoptive parents. The billionaire client and even her evil nemesis have daddy issues.
I drive away from the cabin with the knowledge that I’ve been reprimanded and nourished simultaneously. It’s a new experience for me. Does Bonnie experience this every day? Is this what it’s like to have a mother?Nora remains a fascinating, if damaged character. She has the sort of code you expect the noir hero to adopt, even though she follows it to her own disadvantage far too many times. She struggles to maintain a secure perimeter around herself, even though she can taste the fulfillment of intimate human connection in patches.
“I’ve never seen the point of tears. There’s something inside me that grows cold at the thought of shedding them, at the sight of someone else letting them fall. I don’t give into tears, not even now, because I’ll never take the chance that someone will see it as weakness, as I do. But I wonder what it would be like if I did. I feel like we’re on the brink of something in our friendship.”The first person narrative, mostly Nora’s, but with a few chapters from the perspective of others, offers an immediacy to the story, makes you feel present, and tense.
“You run away,” she [Simone] continues. “Because you don’t want to stay and ask for love. You keep people at an arm’s length and blame them for not wanting to come closer when you’re the one that pushed them to the corners of your universe.”
“…not really there yet. If I bring her back, I want to be a little different. I want her journey to make sense. I want it to be a progression.” - from the Hank Garner interviewI sincerely hope Nora can find her way back to us. Compelling characters are to be cherished, particularly those who struggle with themselves as well as the world around them. Sheena Kamal has brought us, yet again, both wonderful characters and an engaging, fraught tale, rich with substance, in addition to tension, mayhem, and artistry. If she can find a way to bring Nora back to the pages of a book, I am sure many of us will find our way back to her.
I’m a woman over twenty-five. I’m so used to people ignoring my existence that it’s startling when someone admits they’ve been paying attention.