Facing an economic crisis in the 1980s, the Hollywood industry moved boldly to control the ancillary markets of videotape, video disk, pay-cable and pay-per-view, and the major studios found themselves targeted for acquisition by global media and communications companies. This volume examines the decade's transformation that took Hollywood from the production of theatrical film to media software.
Stephen Prince teaches film history, criticism, and theory at Virginia Tech’s School of Performing Arts . He received his Ph.D from the Annenberg School of Communication at the University of Pennsylvania.
Librarian’s note: There is more than one author in the Goodreads database with this name.
This book was entirely too technical for me and was honestly just a bore to read. Granted I had to read it for a class and hardly ever enjoy doing that, but Prince just relies too heavily on statistics to prove his point.