Vastarien: A Literary Journal is a source of critical study and creative response to the corpus of Thomas Ligotti as well as associated authors and ideas. The journal includes nonfiction, literary horror fiction, poetry, artwork and non-classifiable hybrid pieces.
Contents
Ascending Phases of First Contact Matt Thompson
How to Make a Marionette Patricia Lillie
H. P. Lovecraft and H. R. Giger: The Maestros and Their Muses John A. DeLaughter
Recuerdos de patay (Images of the Dead) Zeny May Dy Recidoro
The Flooded Cellar Dan Stintzi
Over the Black Bridge: Expansion, Psychogeography, and the Living City in Andrei Bely’s Petersburg Farah Rose Smith
Every Nowhere Matthew B. Hare
Interview with T. E. D. Klein Dejan Ognjanović
Maddening Manikins: The Atmospheric Machines of Poe and Ligotti Sean Moreland
Radix Malorum Sean Patrick Hazlett
Polanski’s Apartment Trilogy: Perceptual Crisis, Identity, and the Rented Flat Jubel Brosseau
We Are Not Ourselves Joanna Parypinski
Mapping Catharsis P. A. Glazier
Pavement Robert S. Wilson
how to watch a horror movie about grief when you’re grieving Daryl Sznyter
The Filling Annie Neugebauer
After I devoured the Beast Charlotte Begg
Unravelling David. F. Shultz
art by Carl Lavoie and Derek Pegritz (including cover art)
Jon Padgett is a professional–though lapsed–ventriloquist who lives in New Orleans. He is the Editor-In-Chief of Grimscribe Press, which publishes Vastarien: A Literary Journal, a source of critical study and creative response to the work of Thomas Ligotti. Padgett’s first short story collection, The Secret of Ventriloquism, was named the Best Fiction Book of the Year by Rue Morgue Magazine.
Padgett’s voice has also become synonymous with the works of Thomas Ligotti. Padgett has lent his voice to numerous Thomas Ligotti works, including the recently released Penguin Random House audio version of Songs of a Dead Dreamer and Grimscribe and various Cadabra Record releases, “The Bungalow House,” “The Red Tower,” “The Small People,” “Gas Station Carnivals,” “The Clown Puppet,” “Pictures of Apocalypse,” and “Mrs. Rinaldi’s Angel.” In addition to his work as a Ligotti narrator, Padgett has also narrated two Cadabra Records releases of his own work, “20 Simple Steps to Ventriloquism” and “Origami Dreams.” With his ability to channel Ligotti’s prose and poetry via the spoken word, Padgett is a singular figure in the world of weird storytelling.
My first taste of VASTARIEN and it certainly won't be my last!
I have a particular fondness for existential/weird horror and Padgett & Cardin's Journal does not disappoint in the slightest. The intermixing of fiction, nonfiction, poetry, and art in one volume is lovely and helps the reader not become too weighed down by any one form of prose/art.
Particular standouts were Matt Thompson's "Ascending Phases of First Contact", Patricia Lillie's "How To Make A Marionette", and Robert Wilson's "Pavement."
I also have to mention Dan Stintzi's "Flooded Cellar" as well, because even though the story didn't check all my boxes, his prose is lovely and always unsettles me in the best way.
I also really enjoyed John DeLaughter's essay on Lovecraft and Giger.
Another issue in the ever blooming journal that Vastarien is . While the fiction and poetry contributions have maintained there quality, this is not an easy feat. With this issue I have found the non fiction pieces to be the stand out ones. In particular, with Maddening Manikins: The Atmospheric Machines of Poe and Ligotti by Sean Moreland was a personal favourite
A strikingly labyrinthine view of gestalt through homeless threads or seams or glimpses of the sun through the slit in window-blinds, blind but seeing, too. That dentist room earlier today above: “The room felt stale and suffocating, and my skull throbbed.” Automatic writing between waking and dream, the lump in scrambled egg like that earlier self on a perch. Steamwhistle, too. A fishing-line either a Dreamcatcher or Hawler. And old man’s suicide threaded, at one remove, to subway tracks. An old man like me. I’m nearly 74. Well, a year or two to go. My thread is taut, my worm shrunk. Lines to follow, like the line on the back cover of this book, edge to edge. Unravelling and ravelling mean the same thing. Look the words up.
The detailed review of this book posted elsewhere under my name is too long or impractical to post here. Above is one of its observations at the time of the review.
Excellent as always. I love when these are published. Amazing variety of fiction and non, artwork, and poetry. I will be thinking twice about my next drive on the highway and trip to the dentist. Amazing work!