An illustrated survey of hand-crafted letter typography cites recent trends and the use of hand-drawn graphics in mainstream marketing and popular culture, drawing on an extensive array of samples organized under such headings as, "Scrawl, "Script," and "Simulate."
Steven Heller writes a monthly column on graphic design books for The New York Times Book Review and is co-chair of MFA Design at the School of Visual Arts. He has written more than 100 books on graphic design, illustration and political art, including Paul Rand, Merz to Emigre and Beyond: Avant Garde Magazine Design of the Twentieth Century, Design Literacy: Understanding Graphic Design Second Edition, Handwritten: Expressive Lettering in the Digital Age, Graphic Design History, Citizen Designer, Seymour Chwast: The Left Handed Designer, The Push Pin Graphic: Twenty Five Years of Design and Illustration, Stylepedia: A Guide to Graphic Design Mannerisms, Quirks, and Conceits, The Anatomy of Design: Uncovering the Influences and Inspirations in Modern Graphic Design. He edits VOICE: The AIGA Online Journal of Graphic Design, and writes for Baseline, Design Observer, Eye, Grafik, I.D., Metropolis, Print, and Step. Steven is the recipient of the Art Directors Club Special Educators Award, the AIGA Medal for Lifetime Achievement, and the School of Visual Arts' Masters Series Award.
Aún hoy, que prácticamente todos los días trabajo en computadora, prefiero lo hecho a mano y si tengo oportunidad, buscaré la posibilidad de hacerlo. Y este libro está repleto de fuentes de inspiración, para cuando quiero recordar que la computadora no es el instrumento esencial para hacer diseño.
If you already have a solid holistic knowledge of typography, then you won't learn much from this book. Not to say you won't learn anything— there are interesting insights peppered throughout the book. That said, the book is worth owning just for the work which is striking and well-chosen. I own the hardcover but reccomend the paperback, it's less expensive and has a cooler cover.
Okay, it's not really 5 stars. But I'm in it, and on the same spread with Paula Scher, and that is pretty awesome in a typography nerd kind of way. To the rest of you I'm sure that's pretty incomprehensible. But I'll take what I can get.
Less a book to sit down and absorb, and more like a book to reinvigorate the simple and revolutionary pleasure of making indelible marks using a brain and a body.