A review of the entire manga series. No real plot spoilers, but very vague references to future events.
My all-time favorite manga. The story of two girls, punk rocker Nana Oosaki ("big" Nana) and girly Nana Komatsu ("small" Nana, known in the rest of the story as Hachi), who meet on a train to Tokyo and become the best of friends. Nana's dream is to become a famous punk singer, Hachi's to live with her boyfriend, Shouji.
The first volume deals with the girls' past - Hachi's normal, fairly happy adolescence (not counting disastrous love affairs, a character hallmark); and Nana's harder-edged, more tragic existence. It also introduces most of the wonderful supporting cast - Junko and Kyosuke; Yasu!, Nobu, and Ren.
Subsequent volumes highlight how well Nana and Hachi's divergent personalities complement each other, and their growing bond. What I like best about the series is how the characters develop - flighty, shallow Hachi becomes the pillar of emotional strength; and independent, tough Nana is revealed to be extremely vulnerable. Hachi is my favorite character - although not introduced in the most positive light, her strength and positive attitude when karma comes back around is commendable.
Another thing I love is the narration at the beginning and end of chapters, highlighting Nana and Hachi's bond and foreshadowing a tragic future, which is later partially revealed in flash-forwards. Instead of giving plot away, the future hints are played out like a mystery story, giving small pieces to solve like a puzzle. Much like Lost in a way, plot-structure-wise, flashbacks are also used to give character depth, while the flashforwards and the present rush to meet each other.
There's a huge amount of fantasy in their lives in Tokyo, even aside from the connections to the famous group Trapnest. I've lived in a "big" apartment on the outskirts of Tokyo, and the entire place could of fit twice into Room 707's living area. And I don't think there's a single apartment in the city going for a monthly rent of 750 yen, yet alone a giant place like that. (And I'm not buying the whole "no elevator" excuse - you walk a hell of a lot more than seven flights of stairs in daily Tokyo life.) But the fantasy is a big part of Nana's charm - it's life the way you wish it could be lived, not the way it actually is.
The decidedly Western apartment and style of living should translate very well with American audiences. And even the style remains in the translation - it's not just western, it's a beautiful 60's-esque retro. The apartment and most of Hachi's clothing looks straight out of Breakfast at Tiffany's. And Nana always looks like she walked straight off a Vivenne Westwood catwalk. Yazawa's signature fashion and style is on full display here.
Another thing on full display is Yazawa's well-developed characters - but unlike, say, Paradise Kiss, these characters are really likable. You root for them from the moment you meet them. And the plot is heads and tails above previous efforts - you can't stop reading once you start. The only complaint I have is some of the later chapters' over-focus on the Trapnest members - the manga is called Nana , after all.
There's a reason why Nana is one of the most popular shoujo manga of all time in Japan. Even the names are carefully selected, with several levels - "Nana" meaning seven, "Hachi" meaning both eight and the loyal dog Hachiko, and how the bad luck connotation the number seven implies in Japan follows the two girls. That and the "Demon Lord."
I can't recommend this series enough. Although one suggestion - try to locate the scanlations. The English translation is horrible, an abomination. The translators decided to "Americanize" the characters' speech, and ended up with a horrid hip-hopish grammatically incorrect sludge that no American young adult speaks in, yet alone Japanese characters. It's really a shame. Reading the series' English translation might ruin it for you. If you like it, please buy at least a couple volumes to support it - but don't read them.