Some great, some ok, and one piece that I just couldn’t finish. By far my favorite story was the short story, “The Nameless.” It just, wow? Engaging, unique voice. Strong characters, compelling narrative, and an incredible message of female empowerment and sisterhood to tie it together. A must read. The piece I couldn’t finish was the novelette, “Air of the Overworld.” The story was fine but the writing was stilted and not engaging. The protagonist was flat and boring to the point of being referred to as a paragon in the text. I felt nothing new from it, no spark that I couldn’t receive from another piece, and no enjoyment for the passive protagonist.
The others:
Novella:
Chisel and Chime, 5 Stars: Compelling read with great characters. The two stories develop side by side, pacing was perfect, and I love that the reader and characters find the solution together. I want to read more from this author, especially as it appears they write many fantasy stories with similar twists to cultural norms.
Novelettes:
Save, Salve, Shelter, 4 Stars: Timely and urgent, it had one of the most interesting voices of all the pieces and evokes some stunning imagery. You can tell this is a debut piece for the author and could use a little fine tuning in the prose, would love to see more from Hansen.
Banshee, 4.5 Stars: Both funny and poignant, it has one great surprise and then the rest is easy to watch progress. I never complain about figuring out the ending, because it means the trail there was well lit. Nice prose, very traditional SF protagonist, enjoyable read.
EDIT: SO I WAS THINKING ABOUT MY SENIOR THESIS (queerness in sci-fi with a focus on bodies and their mislabeling) AND I CANT BELIEVE THIS WENT OVER MY HEAD. Y’all, it’s a trans narrative. IT IS A TRANS NARRATIVE. Ok, that’s all, my appreciation for this piece just skyrocketed. I need to go back and read it again to see how I feel about the workplace part of the narrative (which was my least favorite part), but we’ll see how it changes with this additional reading.
Falling Angel, 4 Stars: Great reversal of an old ghost story. I loved the direction Cowdrey took it, but some characters felt rather forced, the ending wrapped up too quickly, and some out of place political references. I love politics (I mean, I read SF) but this reference just swiped me out of the world. I’d love more stories about Butch and Roma, but I really want more Roma than Butch. She’s a psychic, that’s way more intriguing than just a guy.
Short Stories:
Elsinore Revolution, 5 Stars: The piece that peaks in fabulous voice. It’s chaotic and jarring and so so beautiful. I think the reason a lot of reviewers don’t like it is because it’s not like the other SF pieces. There’s no strong lore to the piece, you’re just tossed in. But I think that’s because it’s way more modern than futuristic. How we treat literary canon is certainly seen in its lines, the systemic and historical murder and abuse of women in literature, of our refusal to accept any outside voices into the canon. How when even Shakespeare doesn’t do what we want, we deny those parts of him to deify the Shakespeare we want. It makes me think of Audre Lord and all those wonderful scholars. Of how the gay Shakespeare is in fact just William Shakespeare.
The Key to Composing Human Skin, 3 Stars: it’s hard to give this one three because it’s not a bad piece at all. I like the ideas behind it, but it’s just so lofty and preachy. I want....more from it and it’s concept.
Interlude in Arcadia, 3 Stars: Again, not a bad idea, I just want more. The prose can be so overbearing with, “THIS PROTAGONIST IS A CLASSIC SCHOLAR.” Great, love to know that, but you can chill. I don’t need an explanation of who Atalanta is (I already know her), give some credit to your readers and let them do a google search. The final twist was fun and easy to put together through the later details we receive. I just think....Greek myths for female revenge? Yeah, screw Zeus, let’s reclaim that.
Three Gowns for Clara, 5 Stars: A funny reversal of fairy tale tropes. I enjoyed it immensely, especially with the added commentary of classism that so many people forget about in their myths.
The Leader Principle, 3 Stars: Not Bad just not particularly engaging. The protagonist is rather boring and ambitionless and there is an uncomfortable amount of sexualization surrounding the 15 y/o daughter. It’s thematic and addresses toxic masculinity, but just...I’ve read it once and that’s all I needed.
One thing I wish we got from the /whole/ issue was a diversification of voices. This is such an issue in SF and F fantasy. There are wonderful minority voices writing compelling and revolutionary prose. Let’s highlight those voices!