Michael Sorkin is widely hailed as one of the best architecture critics writing today. Iconoclastic and often controversial, he is a witty, entertaining, yet ultimately serious writer. In this new collection, Sorkin reviews the state of contemporary architecture and surveys the dramatic changes in the urban environment of the past decade. From New York to New Delhi, from Shanghai to Cairo, Sorkin offers a sweeping assessment of the impact of globalization, environmental degradation, electronic media, rapid growth, and the legacies of modernist planning. Whether laying out, manifesto-like, eleven necessary tasks for urban design, providing a fresh take on the Disneyfication of Times Square, grappling with sprawl, or blasting the nostalgic prescriptions of "new urbanist" communities (which he dubs "Reaganville"), Sorkin makes a compelling argument for an architecture and urbanism firmly grounded in both artistic expression and social purpose. Michael Sorkin is principal of the Michael Sorkin Studio and professor of architecture and director of the graduate urban design program at New York's City College. He is the author of Giving Ground (with Joan Copjec, 1999), Wiggle (1998), Exquisite Corpse (1994), and Variations on a Theme Park (1991), and his writing has appeared in the Village Voice, Metropolis, the New York Times Magazine, and other publications.
Michael Sorkin (1948, Washington, D.C.- March 2020, New York) was an American architectural critic and author of several hundred articles in a wide range of both professional and general publications. He was the Principal of Michael Sorkin Studio in New York City, a design practice devoted to both practical and theoretical projects at all scales, with special interest in sustainable urban environments/green city architecture. He was also Chair of the Institute for Urban Design, a non-profit organization that provides a forum for debate over critical issues in contemporary urban planning, development and design.
From 1993 to 2000 he was Professor of Urbanism and Director of the Institute of Urbanism at the Academy of Fine Arts Vienna. He has been a professor at numerous schools of architecture including the Architectural Association, the Aarhus School of Architecture, Cooper Union, Carleton, Columbia, Yale (holding both the Davenport and Bishop Chairs), Harvard and Cornell (the Gensler Chair). He is currently Distinguished Professor of Architecture and Director of the Graduate Program in Urban Design at the Bernard and Anne Spitzer School of Architecture, City College of New York.
Dedicated to urbanism as both an artistic practice and a medium for social amelioration, Sorkin has conducted studios in such stressed environments as Jerusalem, Nicosia, Johannesburg, Havana, Cairo, Kumasi, Hanoi, Nueva Loja (Ecuador) and Wuhan (China). In 2005 -2006, he directed studio projects for the post-Katrina reconstruction of Biloxi and New Orleans.
I read this casually but plan to go back and re-read it seriously someday. I can imagine a coffee table version of this book that has photos, but I actually enjoyed reading an architecture book with no photos or drawings. After all, this book is about discussing architecture, and photos have their own limitations.
In contrast to his Exquisite Corpse compilation of essays jam-packed with levity, this is Sorkin as serious, environmentally concerned, almost-eco-terrorist. The only funny offerings are some of his odd-ball urban schemes.