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359 pages, Paperback
First published January 1, 2002



http://www.bbc.co.uk/programmes/b06rf3mwCrime novels are as good as their Detectives. We delight in the Detectives’ failings which serve, not to hide, but to shine light on the brilliance of their often idiosyncratic investigations. We admire their often solitary social existence, as they work under-appreciated and most often, against the established order of things. We enjoy the relationship that develops between the Detectives and their sidekicks, though it is always an unlikely relationship, for the sidekicks have to be less skilled and less insightful and also more integrated into the normal value systems in the Police and society.
Qiu Ziaolong’s Chief Inspector Chen Cao of the Shanghai Police Bureau is a worthy addition to the long line of these exceptional but wounded detectives. He is brilliant and yet methodical, he has been passed over for promotion and housing because of his unwillingness to play political games at the expense of police work. His character too is perhaps behind his inability to marry though the marriage promises much in terms of political connection. And, as with many detectives in crime novels, he loves things which take him out of crime to reveal a larger person. For Chen it is his love of the old values in China and especially of Chinese poetry, and of T. S. Elliott (Qiu has painted Chen just like himself in this respect!).
Qiu Xialong’s novels give us entry to China in the 1990s. The Loyal Character Dancer is no exception. It is a tale centring on a once beautiful schoolgirl, Wen Liping, who, during the Cultural Revolution, started on a life of dedication to China only to end in a brutal marriage to a small town people and drug smuggler. Her disappearance is the mystery at the heart of the novel. It is a mystery with international ramifications as Wen is needed for an important case in America against people smugglers. It is this connection which brings together Chen and a U.S. Marshall, Catherine Rohn, who are tasked with finding Wen Liping.
For me, it is not so much the mystery which is intriguing, as the Chinese journey we embark on as Chen follows leads and negotiates deals. We are lead on a journey through old alleyways. We see the new developments. We see the crowding and the longing for housing.
[Image by Kert Gartner, 2012 (Flickr)]
[Old and new Shanghai from www.city-photo.org]
We see the difficult paths to tread when politics is so much part of policing. We see Shanghai and also the smaller towns around it. We visit crowded homes or a famous Russian restaurant for a beautiful dinner (always with a rather gruesome item on the menu such as steamed live fish). And what is most beautiful for me, we hear Chinese poetry. Here is just one small poem (Chapter 1)
The mist disappearing
against the spring mountains,
the stars few, small
in the pale skies
the sinking moon illuminates her face,
the dawn in her glistening tears
at parting
…
With the green skirt of yours in mind, everywhere,
everywhere I step over the grass so lightly.
Why when there is so much to delight in Qiu Xialong’s A Loyal Character Dancer do I only give it a 3? Mostly it is because the scale for rating is so short. There are only 3 numbers to indicate a range from okay/readable to brilliant. In order to allow us to differentiate a bit more there should be a longer scale. So, confined within this short unsatisfactory scale, I give it a 3, partly because the tale is a little too scattered and because the US Marshall, Catherine Rohn, does not quite ring true to me, nor does her sexual frisson with Chen seem real. Still, I think Qiu’s Chief Inspector Chen Cao’s crime novels are a very good read. I'd happily give it 3.5
Warning: I read this as an eBook. It is published (paper copy and digital version by SOHO Press). There are many grammatical and scanning errors. These certainly made it much less of a delight to read. I wrote to SOHO Press about the errors and they have promised to put the book on their list to be proofread. Still, I think a publishing company owes its readers a better edited book.
For of all sad words of tongue or pen,
The saddest are these: “It might have been!” ~Maud Muller by John Greenleaf Whittier