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Les Beaux jours de la rue de la Main-d’Or
« J’ignore quelle sorte d’énergumène est le lecteur français d’aujourd’hui, et comment […] il peut juger un écrivain hongrois tel que Gyula Krúdy.
Parmi les mille romans qui paraissent chaque année en France, le livre d’un auteur hongrois fait figure d’une goutte d’eau dans la mer. Même si cette goutte est en réalité un océan. Quand il entend le nom de Krúdy, le lecteur hongrois ressent une drôle d’impression, comme si on évoquait devant lui un vieux prince mystérieux, au royaume illimité, et au pouvoir inexistant.
Pour le lecteur hongrois, Krúdy est une institution, un univers, une bibliothèque individuelle. Krúdy est infiniment vaste. Sa production littéraire fut surhumaine, ses connaissances en gastronomie, sur les petites auberges, sur le fonctionnement de l’âme humaine étaient inépuisables, sa vie fut, elle aussi, très intense, riche d’aventures et de légendes ; dans son enfance – selon ses dires –, il faillit mourir noyé sous la glace qui venait de rompre, et fut sauvé par un peintre en céramique ; après cela, il se crut invincible.
Il remporta plusieurs duels, et avouera, plus tard, qu’en réalité il ne savait pas se battre. Il vécut cinquante-cinq années, de 1878 à 1933, et fut peut-être l’écrivain hongrois le plus productif ; c’est pourtant criblé de dettes, pourchassé par ses créanciers, qu’il mourut un matin radieux de mai. »
László Darvasi
Parmi les mille romans qui paraissent chaque année en France, le livre d’un auteur hongrois fait figure d’une goutte d’eau dans la mer. Même si cette goutte est en réalité un océan. Quand il entend le nom de Krúdy, le lecteur hongrois ressent une drôle d’impression, comme si on évoquait devant lui un vieux prince mystérieux, au royaume illimité, et au pouvoir inexistant.
Pour le lecteur hongrois, Krúdy est une institution, un univers, une bibliothèque individuelle. Krúdy est infiniment vaste. Sa production littéraire fut surhumaine, ses connaissances en gastronomie, sur les petites auberges, sur le fonctionnement de l’âme humaine étaient inépuisables, sa vie fut, elle aussi, très intense, riche d’aventures et de légendes ; dans son enfance – selon ses dires –, il faillit mourir noyé sous la glace qui venait de rompre, et fut sauvé par un peintre en céramique ; après cela, il se crut invincible.
Il remporta plusieurs duels, et avouera, plus tard, qu’en réalité il ne savait pas se battre. Il vécut cinquante-cinq années, de 1878 à 1933, et fut peut-être l’écrivain hongrois le plus productif ; c’est pourtant criblé de dettes, pourchassé par ses créanciers, qu’il mourut un matin radieux de mai. »
László Darvasi
240 pages, Paperback
Published January 1, 2018
About the author
Gyula Krúdy
132 books57 followersGyula Krúdy was a Hungarian writer and journalist.
Gyula Krúdy was born in Nyíregyháza, Hungary. His father was a lawyer and his mother was a maid working for the aristocratic Krúdy family. His parents did not marry until Gyula was 17 years old. In his teens, Gyula published newspaper pieces and began writing short stories. Although his father wanted him to become a lawyer, Gyula worked as an editor at a newspaper for several years, then moved to Budapest. He was disinherited, but supported his wife (also a writer) and children through the publication of two collections of short stories. Sinbad's Youth, published in 1911, proved a success, and Krudy used the character, a man who shared the name of the hero of the Arabian Nights, many times throughout his career.
Krúdy's novels about Budapest were popular during the First World War and the Hungarian Revolution, but he was often broke due to excessive drinking, gambling and philandering. His first marriage fell apart. In the late 1920s and early 1930s, Krúdy's health declined and his readership dwindled. In the years after his death, his works were largely forgotten until 1940, when Hungarian novelist Sándor Márai published Sinbad Comes Home, a fictionalized account of Krúdy's last day. This book's success brought Krúdy's works back to the Hungarian public.
He was called "a Hungarian Proust" by critic Charles Champlin in The New York Times.
Gyula Krúdy was born in Nyíregyháza, Hungary. His father was a lawyer and his mother was a maid working for the aristocratic Krúdy family. His parents did not marry until Gyula was 17 years old. In his teens, Gyula published newspaper pieces and began writing short stories. Although his father wanted him to become a lawyer, Gyula worked as an editor at a newspaper for several years, then moved to Budapest. He was disinherited, but supported his wife (also a writer) and children through the publication of two collections of short stories. Sinbad's Youth, published in 1911, proved a success, and Krudy used the character, a man who shared the name of the hero of the Arabian Nights, many times throughout his career.
Krúdy's novels about Budapest were popular during the First World War and the Hungarian Revolution, but he was often broke due to excessive drinking, gambling and philandering. His first marriage fell apart. In the late 1920s and early 1930s, Krúdy's health declined and his readership dwindled. In the years after his death, his works were largely forgotten until 1940, when Hungarian novelist Sándor Márai published Sinbad Comes Home, a fictionalized account of Krúdy's last day. This book's success brought Krúdy's works back to the Hungarian public.
He was called "a Hungarian Proust" by critic Charles Champlin in The New York Times.
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