'Every Night I Dream of Hell', a relatively short yet complicated novel about a criminal enterprise in Glasgow, is about a 3.5 on my precision scale. It's docked a half-point for being so complicated that it requires an index of characters at the beginning (which I admittedly referred to constantly). Mackay seems to have a good handle on the inner workings of Glasgow's underworld and writes like Scotland's answer to Elmore Leonard, with sharp narrative and great dialogue, so the novel moves at a good clip.
Nate Colgan, the main character in ENIDOH, is who I'd normally call its 'hero' except for the fact that he's pretty much a stone-cold sociopath. He's a big, hard, enforcer for one of the city's crime 'families' who has just been promoted into the role of 'security consultant'. Many changes are afoot in the organization since its leader has been incarcerated and the org chart is evolving. That's the root of the problem here, as the vacuum created by the temporary vacancy at the top leaves several underlings vying for bigger (and the biggest) roles. One of the organization's top men is killed via a 'honey trap', Colgan is sent to investigate, and all hell breaks loose. Could it be that out-of-towners are now attempting a takeover? If anyone's going to find out it'll be Colgan.
I guess I'd never really speculated as to the many ways a vacancy at the top of a criminal enterprise can be addressed. I mentioned initially how complicated this novel is, and the manner by which the organization is managed creates a lot of that complexity. Comparable to a legitimate business, there are 'departments', sub-departments, specialists, department leaders, 2nd in commands, competitors, and so forth. In ENIDOH, all or most of those pieces are in motion, either trying to move into the role at the top by hook or crook (there is no honor among thieves, at least in this novel), or working to figure out who's behind crimes seemingly related to the enterprise. The key thread through it all is Colgan, whose efforts are impacted by the presence, somewhere in the mix, of his ex (the mother of his child), his assistant (a young guy he talked into taking the role), and a dogged detective (trying his best to keep a lid on the violence he expects to erupt). Numerous twists and turns are along the way and we finally are able to discern what the heck really happened in the previous 250 pages. I'd like to say the good guys win, but there really aren't any good guys around in this one.
If you're a fan of crime fiction, this is a good way to get into Mackay's work. He tells a good story in a very straightforward way, his main character is well crafted and his dialogue is sharp. Just as an aside.... I found it interesting to read how firearms are portrayed in this Scotland-based book. At one point, a police SWAT team is sent in, unarmed, to arrest subjects holed up in a house. Every crime family has a 'gunman', who seemingly is the only person in the group who routinely has access to a pistol, and fear of getting caught with a gun is a big deterrent. Violence definitely isn't lacking in ENIDOH and there is some gun play involved, but the difference between how guns are used by criminals and the police between here and the UK couldn't be more stark.