Presents a realist poem sequence which extends and challenges the tradition of Shakespeare's A Midsummer Night's Dream, John Clare's visionary lyrics, the elegiac minimalism of AE Houseman, contemporary work of Geoffrey Hill, and linguistic innovation of Gertrude Stein and the language poets.
Tim Atkins is a British poet, editor, and lecturer in creative writing at the University of East London. His works include 1000 Sonnets (if p then q 2010) and Folklore (Salt 2008).
This sequence is like a dream. The power of the Malvern Hills shines through the narrator into the reader. It does magical things, blurring the lines between real and imagined. You never fully know what is happening. Once it finishes the reader wakes up, never understanding what they have read.