Usually I feel a bit awkward about coming-of-age adventures. I gobbled them up when I was a kid, sure, back when thirteen, sixteen, and eighteen were faraway years and apparently a reasonable time to consider oneself an adult. Now that I’m twenty-five years old, when I look back at the stories of teen heroes claiming themselves as adults, it just doesn’t feel right to me anymore. As much as I love The Little Mermaid, when Ariel says, “I’m sixteen years old; I’m not a child anymore!” I have to wince.
But Sohmeng’s coming-of-age problem in Two Dark Moons is not a matter of being young and wanting to be treated like an adult anyway. She is old enough to be considered an adult. But the coming-of-age ritual required by her society has been denied to her, through circumstances out of anyone’s control. She is outright banned from taking on meaningful jobs in her community or exploring adult physical relationships. She is viewed as immature – and in some ways she is, but not all ways, and she has been deprived of the chance to prove herself.
Sohmeng’s story is a young Millennial/old Generation Z story. We grew up having certain things held up to us as markers of adulthood – a college degree, a well-paying job, a house, a monogamous heterosexual marriage. And now a lot of us are looking around and realizing that while we are more than old enough to be “adults,” we never got the chance to have some or all of those things, and we might not even want them at all.
Sohmeng’s hmun, her community, is rigidly structured. The phase of the two moons you were born under dictates your surname, your gender (including nonbinary genders!), and your personality. (It’s a complex astrological system, never completely explained in the text but clearly well thought out. At no point do I feel like I need to take notes, but there is just enough detail shared for it to feel real and for me to clearly see how much of an impact it has on Sohmeng’s worldview.)
Sohmeng is trapped – until one day she literally falls out of one world and into another. Suddenly she is in a world of giant lizards, her only human guide an exile named Hei, and for the first time in her life, Sohmeng has the chance to exist outside of her society’s rules and figure out which rules, if any, she wants for herself.
I could go on about the deep thoughts that Two Dark Moons provoked in me, but this review is going to be long enough without it. I thoroughly enjoyed this book. Sohmeng’s attitude entertains me, and her frustration with her society’s structure serves as an excellent way for the reader to learn the rules without it feeling like a lecture. When she meets Hei, who has a completely different way of life, the two provide exposition for each other, and the reader ends up with a complete picture of the world of Two Dark Moons, mountain above and jungle below. The sãoni, the giant lizards I mentioned before, are really fricking cool, and through them the book takes its first steps towards an environmentalist message which I can only assume will be further developed in the rest of the series.
The way that Sohmeng and Hei talk about their relationship is a breath of fresh air. As Hei puts it, “It only needs to mean what we want it to mean.” Sohmeng and Hei communicate clearly with each other and express a comforting level of mutual care and respect. Sohmeng’s aromanticism is subtle but present throughout the novel, and I hope it will lead to more in-depth conversations in subsequent books.
I’m glad that this book is the first in a series, because I want to spend more time in this world and with Sohmeng’s thoughts. At the same time, Two Dark Moons feels like a complete experience all on its own, which is something I look for in series but often do not find. This is a satisfying story about finding a balance between societal pressures and individual self-discovery, about figuring out how much of what you are is what you want to be versus what you have been told you should be. Sohmeng and Hei are both finding and defining their own place in the world, a place where they each get to be all of who they are.