They came, they went, they kicked ass.
This book is all about the Original Ghostbusters movies, the 80-ies ones with Dan Akroyd, Bill Murray and Seagourney Weaver about a bunch of paranormal investigators who get thrown off-campus because, quite frankly, at least one of them uses their platform to get dates.
I can see two reasons why one would enjoy this one:
1. You're a fan of the movies and want background information.
2. You're into film-making and want to know more about special effects before CGI.
We learn a lot. For example, that Dan Akroyd came from a spiritist family and got the idea for the first movie while browsing a psychic's journal his dad had lying around, and the different stages the plot for the first movie went through, some naturally, some forced by the means of the special effects guys.
On the other hand, there is a huge focus on the different spectres that appear in both movies, concept art, the iterations the puppets went through, how through greenscreen techniques they were filmed and layered on top of what the actors did.
Again with the twos: There are things I didn't like.
1. In the first third of the book, the author went with the superlative. This was perfect, that was the best ever made, bla. It got exchausting and either he stopped or I became resistant, I don't know. But I do know that everything has flaws, and these movies are not different in that regard. A more critical eye would have been nice.
2. As I already said, there were different stages for the plot of the movie, and the first, the original idea, was called "Akroyd's treatment/ Dan's treatment". Every. Single. Time.
It's a pretty eye-drawing way to phrase it, and a stylistic device, once or twice would have been fine, but it kept cropping up and that's bad writing. It annoyed me.
The best parts were the interviews, which leads me to the conclusion that I like the contents of this book but not the way it's done, and I'd have wished for another author.
I recieved a copy of this book in exchange for a honest review.