New York Times bestselling and award-winning writer Marjorie Liu is best known for her fiction and comic books. She teaches comic book writing at MIT, and she leads a class on Popular Fiction at the Voices of Our Nation (VONA) workshop.
Ms. Liu is a highly celebrated comic book writer. Her extensive work with Marvel includes the bestselling Dark Wolverine series, NYX: No Way Home, X-23, and Black Widow: The Name of the Rose. She received national media attention for Astonishing X-Men, which featured the gay wedding of X-Man Northstar and was subsequently nominated for a GLAAD Media Award for outstanding media images of the lesbian, gay, bisexual and transgender community. Ms. Liu also wrote the story for the animated film, Avengers Confidential: Black Widow and Punisher, which was produced by Marvel, Sony Pictures Entertainment (Japan) Inc., and Madhouse Inc.
Her newest work is MONSTRESS, an original, creator-owned comic book series with Japanese artist (and X-23 collaborator) Sana Takeda. Published by Image in Fall 2015, MONSTRESS is set in an alternate, matriarchal 1920’s Asia and follows a girl’s struggle to survive the trauma of war. With a cast of girls and monsters and set against a richly imagined aesthetic of art deco-inflected steam punk, MONSTRESS #1 debuted to critical praise. The Hollywood Reporter remarked that the longer than typical first issue was “world-building on a scale rare in mainstream comics.”
Ms. Liu is also the author of more than 19 novels, most notably the urban fantasy series, Hunter Kiss, and the paranormal romance series, Dirk & Steele. Her novels have also been bestsellers on USA Today, which described Liu “as imaginative as she is prolific.” Her critically praised fiction has twice received the Romantic Times Reviewers’ Choice Award, for THE MORTAL BONE (Hunter Kiss #6), and TIGER EYE (Dirk & Steele #1). TIGER EYE was the basis for a bestselling paranormal romance video game called Tiger Eye: Curse of the Riddle Box.
Liu has appeared on MSNBC, CNN, MTV, and been profiled in the Wall Street Journal.com, Hollywood Reporter, and USA Today. She is a frequent lecturer and guest speaker, appearing on panels at San Diego Comic Con, the Tokyo Literary Festival, the New York Times Public Lecture series, Geeks Out; and the Asian American Writers Workshop. Her work has been published internationally, including Germany, France, Japan, Poland, and the United Kingdom.
Ms. Liu was born in Philadelphia, and has lived in numerous cities in the Midwest and Beijing. Prior to writing full-time, she was a lawyer. She currently resides in Boston.
”that’s her isn’t it? she who will eat the world? crack the stars, turn us to ash, make us drink blood?”
i’m a maika apologist. she has done absolutely nothing wrong. i love this story so much!!! i hope maika and tuya meet in the next issue, that’s tantalizingly in may, sigh. kippa is stupid for letting those pacifists into the city, but i think she’s dead so i’m letting sleeping dogs lie.
It’s kind of a meandering issue but one that illustrates so many of the reasons why this is just a damned amazing book.
- weird, horror of a war-torn society: advance human soldiers wrought into zombies and sent back as body-bag messengers
- the grotesque and surprising intertwining of human and arcanic: weapons made from arcanic essence that arcanic a now need to fight humans, even if it makes them sick to hoist the arms
- misc.: cats with eye patches and half-remembered dreams of ancient gods and monsters fucking
Monstress Issue#27 Volume#05 Warchild Marjorie M. Liu
A new war starts on the doors of Ravena; We see a flashback into Constantine and how the god's wrath unleashed on the city; And we get to see Zinn's memories come back to him; The Half Wolf take control of the situation and fall into her commanding role "I am the Half Wolf and My Word IS LAW"; The artwork continues to be amazing!
As Maika gets pulled into a Federation plot involving monstrous war children — genetically engineered, magically-infused child soldiers — the story hits a new level of moral horror. The “Warchild” program parallels Maika’s own stolen childhood, making the violence feel personal. Maika is beginning to realize that to protect those she loves, she may have to become something monstrous again.
Kippa continues to shine as the emotional compass of the series. Her kindness in a world full of cruelty never feels naïve — it feels brave.
You don't have to kill many people to turn a war... you just have to kill them horribly. Fear does the rest.
Another excellent issue with beautiful artwork. The comic starts with a brief continuation of the horrors from Maika's youth that we have been visiting in the past several issues. After we move to the present time, we get to see some of the gruesome sights of their war and the things they do to their enemies to show they aren't messing around. Kippa gets some good spotlight and we are left with a hell of a cliffhanger!