Millar isn't one of my favorite writers, he has some great tropes to develop and great ideas, that he ends up developing either too over the top or too shallowly.
Curiously this falls just in the middle.
This second book on the American Jesus series brings out a lot of heavy-handed criticism on the way American media and American Christianity cherry-pick passages of the bible to create a myth that has nothing to do with the actual scriptures.
Drawing from the obvious things like, "Jesus was a middle-eastern Jewish immigrant" to create this neo-myth of the son of God, Millar creates the obvious parallel, both to his previous book and the traditional scriptures, interpreting this New Jesus (TM) as a black-latina girl born from an immigrant mother and a black parent, who have to go into hiding when people begin trying to kill this Neo-Virgin-Mary. (It's not exactly a spoiler it is the premise).
It goes to great lengths to make the distinction between American Jesus and New Messiah, whereas one was a privileged white boy embracing his "godliness", this girl falls on the opposite end of the American experience. I won't elaborate because those are spoilers.
Regarding the art...
It is simple, square, big pannels with slow beats that don't match the urgency of the most important scenes.
The palette is mostly warm, I would say sandy both in color and somehow reminds me of the texture. I guess it sort of makes sense.
But the art is incredibly dull as well, lacking inspiration in most of the design except for the cover pages. Both American Jesus and The New Messiah are by the same artists, Peter Gross (art) and Jeanne McGee (colorist), but...
The first volume, ten years ago, layering was more dynamic, the line-art and the inking accentuated the watercolor.
Here, I am not entirely sure of the technique, but the colors are really flat, like she forgot how to paint people of color. Most of the time the shading is purely ink, which is one of the techniques in the previous one, thing is, it fits There and it doesn't fit Here mostly because the colors in the skin feel like they were filled with the little bucket-tool from all the digital programs.
It looks more like a comic. And that's not a compliment.
Can't say I am a fan of the artwork.
On the other hand. That Ending tho'.
Spoilers of the final lines.
"Teach them that love always wins in the end"
"I taught them that lesson two thousand years ago, it's time to see if they were listening".
On writing, it gets a 7.5/10
On art, it gets a 5/10
Overall it gets a 6.5/10
A generally good reading that inspires some introspection about culture and religion, but it still lacks an ending.