Dragonshadow is the much darker, more introspective sequel to Barbara Hambly’s Dragonsbane, and while it expands the world and deepens the characters, it also departs significantly in tone and audience suitability. Where Dragonsbane felt like a classic fantasy adventure—complete with dragons, magic, and a dash of whimsy—Dragonshadow delves into the psychological and spiritual costs of power, fear, and love, presenting a more complex, and at times unsettling, narrative.
The story follows Lord John Aversin and his mageborn wife Jenny Waynest as they confront a new and insidious threat: demons that drain magic and consume souls. When their twelve-year-old son Ian is taken, the stakes become deeply personal. The first act of the novel is strong, continuing the tone and pace of Dragonsbane with thrilling confrontations and well-paced character development. John’s pursuit of another dragon and Jenny’s clash with a rogue wizard bring familiar energy and excitement.
However, the novel takes a notable shift in its second and third acts. As the narrative pivots to airship chases, demonic possession, and psychological torment, the pacing becomes more erratic. Jenny’s internal struggles dominate, and the prose occasionally becomes disjointed, with abrupt transitions that may leave readers disoriented. The darker themes—loss of control, identity, and sanity—are explored with weight, but not always with clarity.
While Dragonshadow avoids graphic detail, it touches on mature content including torture, madness, and emotional trauma. Readers expecting the tone of Dragonsbane should be forewarned: this is not a light-hearted continuation. It’s a story of emotional unraveling, moral ambiguity, and survival in the face of despair.
Recommended with caution—especially for readers who enjoyed the first book’s warmth and wonder. Dragonshadow is not without merit, but its tonal shift and structural unevenness may not satisfy those expecting a traditional fantasy sequel.