Setting aside the irrelevant (misprinted?) promotional summary, SAYONARA FOOTBALL #1 is a clever but exhausting coming-of-age manga that would have fared much better as a squirrely romantic comedy than as the ham-fisted sports drama it purports to be. Nozomi Onda is a soccer prodigy who puts in the hard work; she's neither as strong nor as fast as the boys on the team, but her skills are top notch and her strategic know-how owns the field. Her only major roadblock to success is her gender.
SAYONARA FOOTBALL #1 will tickle the fancy of any manga fan who enjoys crisscrossing topics of social justice and the common inadequacies of youth. However, comics about girls being as good as the boys are plentiful, and are therefore, markedly unoriginal.
Here, Onda's grueling practice regimen is inspiring and her competitive nature definitely gets one's blood pumping. And yet, beyond the usual, inspiring interior monologues, this manga doesn't have much to offer. It's all been done before. There are the usual, hyper-competitive and hyper-sexist peers on the soccer team. There are the usual, friendly but daft coaches. There are the usual, violent and foolhardy cross-town rivals.
The only narrative engine capable of propelling this thing forward is the dynamic between Onda's two closest friends on the team -- Yasuaki Tani and Tetsuji Yamada, the captain. Tani and Yamada exhibit their fair share of horridly sexist behaviors, to be frank, but there is one minor twist: both boys are quietly, feverishly, competing for Onda's affection. The two boys are shallow and imperfect except in their adoration of Onda, her skill, and her ambition. The boys aren't mean to each other and they don't tease each other; their rivalry is private and respectful. Unfortunately, the manga doesn't highlight this crucial dynamic beyond one or two scenes (as opposed to, say, focusing Onda's asymmetrical attempt to make the team even though it's illegal for girls to compete on the boys' team).
SAYONARA FOOTBALL #1 makes weak strides toward earning it's stripes as a sports-themed drama. Onda's efforts to overcome sexism feels agonizingly immaterial, in some respects, considering the girl knowingly chose a junior high school that doesn't even have a girls' team. Further, the book's use of violence and its predicative egotism as markers of maturity feels woefully and uncomfortably dated.
On the plus side, the book's occasional swipe at being a schoolyard comedy is certainly worth mentioning. For example, Onda attempts to circumvent the rule about playing on the boys' squad by bribing or blackmailing her lazy soccer coach. When her attempt to win over coach Samejima with a ton of chocolate ends in utter failure, the girl resorts to Plan C: Bribery (Part 2), which includes in dumping a pile of women's underthings on the coach's desk in the teacher's lounge. The way Onda executes this gambit with genuine innocence ("What? But you like them, right?!") and is flat-out scolded ("I'm not into that!") while coach Samejima fights off side-eye from others is one of the book's oddest and funniest moments.
SAYONARA FOOTBALL #1 makes an effort to pad Onda's corner with hopeful and helpful elements, including her soccer friends, the coach, her little brother (also on the team), and her buddy, Sawa, who serves as the club manager. But the story is too brittle to hold together on these elements alone. Further, the manga's art is considerably lacking. It behooves one to encounter a sports drama for which the artist doesn't seem particularly invested in drawing characters whose bodies comply with real-world physics, but alas, such is the case here. The author, Arakawa, earns credit for including characters with sanpaku eyes or epicanthic eyefolds as common features, but beyond that, the book's approach to action sequences are either boring, befuddling, or just plain awkward.