The Descent is the second book in the DI Louise Blackwell series by author Matt Brolly. It’s a british police procedural, and a psychological thriller.
It’s now been two years since DI Blackwell got summarily transferred from Bristol’s Major Investigation Team to the small coastal town of Weston-Super-Mare following a deadly setup by her former partner, who was angling for a promotion. Weston-super-Mare is her childhood town, and her parents, her recently widowed brother and her niece all live in the area.
In spite of her success in her first major case six months prior, and a generally supportive DCI, Louise Blackwell still hasn’t put her partner’s treason behind her. She’s as paranoid as when we first met her. As a result, she has trouble making herself at ease with her team. She keeps to herself, hides her personal life from her colleagues, made very few friends among them, and generally trusts no one. Her career has been derailed and, bitter about it, Louise Blackwell would like to get it back on track. All the while, she’s certain other parties will do everything in their power to prevent it. And, as if to prove her right, the harassment from her manipulative narcissistic ex-partner, DCI Finch, starts again. It seems to the reader that she’ll never get rid of him interfering with her life, her team, and her cases.
The new case begins when the body of a young woman is discovered at the foot of a cliff, mere weeks after a similar suicide. When a third woman kills herself in the same fashion, fear of a suicide epidemic creeps in. Then, impossible coincidences link the deaths together, leading them to be all deemed suspicious. But, the investigation of serial deaths all appearing to have been voluntary is tricky. The team has no motive to work from, and no profile of a suspect that might not even exist.
However, the reader gets more insight in these events. Once again, in what seems to be a feature of this series, the perp is known to us from the very start. The narration alternates chapters between DI Blackwell and her team’s investigation, and the point of view of a potential victim to be. We don’t get the point of view of the killer as in the first book. He is nonetheless omnipresent, his strong psychological hold on his entourage weighing heavily even on the reader.
Don’t let the absence of mystery deter you. As with any good Columbo episode, the story is all about the journey, and not the destination.
As I expected, this book proves to be a very welcome return to the town of Weston-super-Mare. The writing and depiction of the locales and inhabitants is as atmospheric as the first time around. The sea, piers, cliffs and islands are as we left them. Adding to the already oppressive mood, voluntarily or not, the victims, the woods, sycamore trees and a mysterious « waiting room » are also highly reminiscent of David Lynch’s masterpiece, Twin Peaks.
The Descent is a deeply psychological thriller, even more so than The Crossing, especially due to the somber motivation and methods of the perpetrator. This psychological aspect bleeds into Louise Blackwell’s personal life, as she cannot help but see parallels between the early lives of the victims and the current situation of her niece, Emily. Unable to cope with the death of his wife, Emily’s father, Paul, fell off the wagon. His alcoholism leads him to neglect his daughter, and his behavior gets increasingly erratic. And, we can guess early that this distressing personal situation won’t be without consequences on Louise Blackwell’s work.
There was only one good possible ending to this story, and Matt Brolly doesn’t disappoint. He leaves us with many questions to ponder, some of an existential nature. As for DI Blackwell and her many problems, the ending only brings us to eagerly expect the next entry in the series.
Thanks to Amazon Publishing’s Thomas & Mercer and Netgalley for the ARC provided in exchange for this unbiased review.