I like the intentions of this story, to convey the difficulties of "honesty" above "integrity".
Solomon had been previously rejected by Mercy 2yrs ago, so, yeah, he kind of doesn't want her to be around him when he returns home. I find it rather coinky-dinky that Solomon is also in business with Mercy's uncle, who then attempted to hoodwink an "arrangement" between him and the daughter, Mercy's cousin, Deborah.
My problem is...this is riddled with a lot of Shakespeare quotes, from all over his texts, but has only a smidgen to do with what I could recall of A MIDSUMMER NIGHT'S DREAM...which is when folks get mired in the shenanigans of battling Fae. So, a comedy of errors ensue where they are doused or have to ingest "magic" of some kind...I forget what it is in the play, but in this book... damn, it was as if an entire household agreed to be "roofied". It's only an herbal elixir, except Viola...the romantic mastermind, accidentally slipped Solomon Deadly Nightshade/Belladonna?!?...and, so the moments when this story is supposed to mirror AMND--it barely does [the wrong people confessing love to one another, deeply], it barrels out of control into Solomon nearly regurgitating every single one of his organs. But he does keep lamenting his "love" for Mercy, except he will forget everything once his head and stomach are both clear of the elixir he drank.
The other thing was... Mercy's reasoning for rejecting Solomon from Chapter One. They were not made very clear, rather foggy and confusing. But the reasoning was so much clearer to why she did it 2yrs later and Solomon returns.
He wanted to run off to Jamaica and buy a plantation, or several, and make his fortunes of whatever he grew there...but he was uprooting Mercy from everything she knew at home. She dearly adored and loved Solomon, but moving to some unknown quantity scared her, especially giving up every mode of comfort at home for a strange country--not knowing if Solomon would make any profit from what business he planned to start. I have no idea why she could not admit it more succinctly to Solomon but made it come off as, "My family...and my family fortune...mean more...".
I do think her addiction to letter writing and throwing them away allowed her to think out her own confusions until she had come to the conclusions she had, then had a ton of regrets because Solomon HAD made a name for himself out in Jamaica.
But, it also feels a bit like Anne Elliot in PERSUASION...where maybe the rejection was the sad, brokenhearted trajectory needed to catapult Solomon into making more of a success of his plantation business than it ever would have been had Mercy accepted his proposal. You never know.
There were A LOT of characters in this book where I could've dealt with less of. There was a solid story behind Solomon being so dead set against even considering Mercy as "wife material" ever again. This book felt a little crowded, but I am assuming these were minor characters who might become MCs of later books in this series. That's fine, but it kept taking away the more profound and seriousness of what was between Mercy and Solomon...and simply allowing them to work out their emotions and feelings organically, instead of coercing or forcing them into closer proximity.
I think adding the antics of "elopement" and chasing after the cousin, with so many people in pursuit, THEN tacking on the antics of everyone drinking the elixir...??? None of this felt natural or tangible.
I could have done better with Solomon doing the simple thing of coming over to the house, where Mercy was living for the Summer...and pursuing Deborah--Him being there for family dinners or even going to small house parties or something....and having THAT be where we see a lot of their bumping into each other and mishaps where Mercy might be confronted with Solomon... Viola would still be there and, also, Deborah could still be her flighty emotional self.
This book had a great core that kept being devoured by lesser moments, but at least Mercy and Solomon did have their better clashes until their HEA.