Unsparing, personal introspection and uninhibited, societal criticism brilliantly balance themselves out in dayliGht. It is a full diapason, richly exploring butch-ness, Blackness, queerness, trauma, joy, truth, and more, in less than 100 pages. And while as a “reviewer,” I cannot speak to representation in this text, Roya Marsh certainly can and does so sharply in her introduction to this book—clearly marking her considerations and goals in writing this collection, and prompting wonder and curiosity for her reader.
Whether it’s in the jarring, inked rectangles of redactions; the teasing play of text alignment, creating a shadow of palimpsest from the reverse side of the page; clever quiz formatting; full blocks of a single, repeated word; or pointed font changes, this collection skillfully and authentically utilizes a rich toolbox for the crafting of words. In this way, it is some of the most satisfying poetry I’ve ever read.
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