This was very cute, but I bogged down hard in the middle.
I was primarily engaged with Marie, which I found surprising because she's the wish-fulfillment entrée and more than a little far-fetched. Indeed, the thing Holiday does best is getting the characterization right and that starts with her. She's a princess, sure, but with a sense of perspective and a strong desire to do, and be, good. She is, in fact, charming and I just loved how willing she was to be involved with the people around her and do the hard things that she'd rather not do.
Leo was a harder sell, but his care for his sister, Gabby, was every kind of endearing so it was easy to see beyond the done-hard-by guy that he sees himself as. I was a bit impatient with his free-range self-doubt, but in all, he was nice to be around and a good guy doing the hard things that he'd rather not do.
And Holiday does a fantastic job giving them a shared background of grief that, while individually different, forms a great foundation of understanding and empathy. I loved their initial getting-to-know-you moves and seeing them begin to care for and about each other.
And then they go to the fictional "Eldovia" and things get kind of, well, unmoored. For one, it's way too soon for Marie to extend the invite and even more so for Leo to accept. I mean, you can hand-wave the weird if you have good-enough justification or motivation but I felt like there was enough hand-waving going on to change weather patterns. This feeling of being unmoored from anything recognizably reasonable plagued me through much of the middle of the story and cropped up every now and then even after it settled down a bit and the relationship started happening in earnest.
It didn't help that the characterization for Marie's dad felt random, at best. I mean, he wanders between simple grump and outright jackball with little noticeable rhyme or reason and that only served to emphasize how little actual motivation or characterization was going on in that whole section of the story.
Anyway, things got back on track, eventually, though we had to go through an unearned dark moment to get there. So this was a good read but with too much friction in the middle to justify more than three stars.
A note about politics: There isn't a ton of politics in the story, but Marie's pet issue is the refugee crisis in Europe and that's a worthy, but very complicated, cause. It's the reason she's in New York and at the heart of some of the story so it was a nice detail to have. But the format of the story didn't allow anything actually engaging or complex to come across beyond one or two mostly-surface musings on potential approaches to doing better and that bothered me a bit. I mean, I get that a lot more detail would have bogged the story down dreadfully and that the line to boredom would be hard to discern. But not getting more detail made it feel like nothing more than an adornment to make Marie look virtuous. At least to me. I mean, Marie needed something to give her a serious edge and this serves. But at the same time, she lives in Arian paradise with all the diversity of a paper towel so maybe this isn't the right route to go? I dunno. It bothered me, but I'm not sure I can pin down more explicitly why...
A note about Steamy: There are three or four explicit sex scenes putting this in the middle of my steam tolerance, but on the high side of that band. They're extremely well-done, however, and fit the emotional progression of the characters perfectly so I was glad Holiday went there even though it was a bit of a tone shift for this otherwise very hallmarky story.