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Jan Tschichold, Master Typographer: His Life, Work and Legacy

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The most complete study ever of this major figure in modern graphic arts. Few have left a deeper impression on the world of typography than Jan Tschichold (1902-1974), one of the most outstanding and influential designers of the twentieth century. Not only was he a master in his field, but he also lectured on the subject, wrote a number of highly influential books, and designed many classic typefaces, including the best-selling Sabon.

This substantial volume places Tschichold's vision firmly in the rich cultural and historical context of his era. In his introduction, Cees W. de Jong offers an overview of Tschichold's life and times, while the other contributors discuss the designer's major influences and innovations, including his seminal poster design, groundbreaking work with Penguin Books, and later reappropriation of classical typography.

Superbly illustrated with archive photographs and examples of Tschichold's work, the book confirms de Jong's assertion that "Tschichold's heritage lives on in the digital age, proving that he is among the greatest typographic designers ever, his influence still being visible in the world of typography to this day." The essays are by Jorre Both, Stefanie Burger, Martijn F. Le Coultre, Richard Doubleday, and Alston W. Purvis. 350 illustrations, 150 in color

384 pages, Hardcover

First published November 20, 2008

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About the author

Cees W. de Jong

21 books10 followers
Cees W. de Jong is a designer and publisher based in Naarden, the Netherlands. He has published numerous books on design, architecture, art and graphic design, and is now working as a design/publishing consultant and author.

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Profile Image for Nigel Ewan.
146 reviews5 followers
July 7, 2022
There's some very good content here, but the book itself is too physically big and heavy; additionally, the linespacing is too large and every new paragraph begins with a full line space above, which makes it fatiguing to read. Most annoyingly, the essays frequently reference artworks several pages away from where the text mentions them. Some more attentive laying-out would have made this book much pleasanter to read.
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