Sexual gaslighting goodness. Loved this! RTC.
***Full Review***
"Saying it was Stockholm syndrome was just a cop-out. I had to face the truth. I had let this happen. I never would have believed the lie if deep down I didn't want it to be true. If it weren't for the kidnapping, drugs, and rough sex, it would also be the perfect fairytale.
Rich, powerful lord sweeps a woman off her feet and spirits her away to a fantasy world where his only focus is her...All of her wants and needs are taken care of...
The only catch was she has to be okay with being facef**ked at his pleasure and taking it up the ass occasionally.
Okay, so it was an extremely dark and twisted, f**ked-up fairytale..."
Zoe Blake's Ward is dark with a twisted happy ending. Yes, there were explicit sexual scenes, and a merging of pain and pleasure, as happens with books with BDSM, but the highlight of the story was not only Lizzie fighting against being gaslit by Richard, but her own murky desires. Does she also get off being gaslit on this sick Victorian game?
Short Answer: Yes.
While the quote I chose to highlight may suggest Lizzie is victim-blaming herself, I like to interpret it as her acknowledging there is a part of her that enjoys the twisted sex game. And there is. But there is also a part of her that is not ok with being forced into this twisted sex game against her will.
Ward is about Lizzie, a young American actress working in a London play called The Lady Protests. This play is very much the plot of Gas Light, a play that was turned into a film starring Ingrid Bergman. I remember catching this movie on Turner Movie Classics, before "gaslighting" became part of the modern lexicon, and loving this movie of a woman being driven insane by her nefarious husband. I loved it because the woman triumphed in the end, of course.
Depressing stories like The Stepford Wives, The Yellow Wallpaper, and Valley of the Dolls are what scare me the most -of being a vegetable woman, and I think this is also why I love reading this type of story in romances. I want that redemption arc!
In Ward, Lizzie is kidnapped by the financier of the play, a proper English duke. She is held against her will, forced to be Lady Elizabeth, a proper Victorian woman who must submit to Duke Winterbourne's punishments daily instructions. In most stories with this plot, the heroine struggles and resists before being broken. But she always puts herself back together and wakes up. This is, more or less, what happens in Ward, but as this is a 3-part series, this ending is dark and open-ended.
And whew... Richard. ๐ฅต๐ฅต๐ฅต๐ฅต๐ฅต๐ฅต Everything that he did. ๐ฅต I get why Lizzie loved and hated him because I did too! The scene with Lord Radfoot - whewww.
Curious to know if we find out in later books more about Richard's mysterious asides. We get some of his POV, not a lot, which is my preference, and he makes reference a few times that he may have done this before?? He refers to Lizzie as not like the others. Open-ended as this could refer to not like other women he's been with in the past or women that he's er, kidnapped and held hostage in a Victorian wormhole.
I also applaud Zoe Blake, as the Victorian era wasn't just used as decor, but she has Lizzie allude to how Richard's sex game is on the nose with being set in the Victorian era (proper during the day, but full of sin at night closed doors).
And also the meta of it all!! Having the heroine play the role on stage and then in real life, until she begins to lose her grip on reality. It's a real-life version of The Lady Protests. And outside of the reality of the book, we know that the play in the book is also an allusion to Gas Light.
This is also a book that I got last year but for some reason, never got into. I stopped in chapter two when Richard asks Lizzie to wear The Vampire Wife dress to the cast party, which is pretty early on! For some reason, I thought this wouldn't be dark, so I stopped. I was wrong!
And when I say it is dark, it's not as though there was a new sin or insult. To me, dark isn't always about who can be the vilest. Yes, there are reader expectations for social transgressions, sexual taboos, something darker, but it has to be in balance with the atmosphere. There has to be a mood. And Zoe Blake executes this wonderfully.
Thank you Zoe Blake for breaking my reading slump.